In a world facing impending climate change and disaster, it makes sense to take a moment to sit back and ponder over where we stand in nature. This year, in its 27th edition, Arts House Limited’s (AHL) Singapore Writers Festival (SWF) is turning the focus to the natural world, and invites us to reflect on what is truly in our nature — as humans, as … Continue reading Preview: Singapore Writers Festival 2024 – In Our Nature
Two-hander pitting professor against student in battle of allegations, yet lacking in power. While revered as among the most dramatic in theatre, David Mamet’s plays have never been easy to stage, often requiring seasoned actors with a certain aura to carry both the weight and length of his dialogue. As such, younger theatremakers tend to struggle to deliver the full extent of the material onstage, … Continue reading ★★☆☆☆ Review: Oleanna by Major Minor Encounters and The Windland Collective
This October, get ready as The Necessary Stage (TNS) presents White, All White, a new play by TNS Associate Artist Deonn Yang, who also directs. Marking TNS’ first main season production helmed entirely by Deonn, White, All White is a life-affirming play that delves into the joys and tensions of family and personal dreams, giving audiences a glimpse into the quiet lives of a family … Continue reading Preview: White, All White by The Necessary Stage
Fathers in Asian society have always had certain stereotypes associated with them – a sense of the austere, reserved and detached from openly expressing love for their children, and perhaps, even as a microcosm of the greater paternalistic, patriarchal governance style adopted by those in power. In many ways, a father is often an anchor within a family that determines their relations and dynamics, resulting … Continue reading Esplanade’s The Studios 2024: An Interview with director/playwright Wichaya Artamat and producer Sasapin Siriwanij on ‘This Song Father Used To Sing (Three Days In May)’
Back in 2022, fellow theatremakers Shannen Tan and Miriam Cheong found solace and friendship in each other over their shared pain – the fact that both of them suffered from Polycystic Ovary Syndrome (PCOS), a common yet often misunderstood endocrine disorder affecting up to 21% of women worldwide. Aiming to find a way to both educate others about the condition, while also sharing their own … Continue reading An Interview with Shannen Tan and Miriam Cheong on McDonald’s, pain and friendship in ‘Lotus Root Support Group’ (2024)
This August, graduates from the Intercultural Theatre Institute (ITI) will be staging an independent production of David Mamet’s controversial play, Oleanna. The production is the result of a collaboration between independent collectives Major Minor Encounters, co-founded by Singaporean theatre performer, playwright, and arts manager Choy Chee Yew, and The Windland Collective, co-founded by Swathilakshmi Perumal, actor and theatre-maker from Tamil Nadu, India. Both collectives strive … Continue reading Preview: Oleanna by Major Minor Encounters and The Windland Collective
For artist Sim Chi Yin, history has always formed an integral part of her work and practice. Be it presented in the form of photography or film or even book-making, Sim’s work often takes her into the recent past, excavating and researching into academia and accounts to unearth previously hidden narratives. Through her artistic interventions, she paints a more complete picture of what has come … Continue reading Esplanade’s The Studios 2024: An Interview with artist Sim Chi Yin on ‘One Day We’ll Understand’ (有那么一天)
If human relationships are complicated, then geopolitical ones are manifold more, particularly when it’s between two global superpowers. Such is the nature of the rising tensions between the USA and China, who have never had an easy time navigating their complex differences, rivalry and connections, playing hot and cold. It may seem like a heavy topic, but one Singaporean artist has found inspiration in the … Continue reading Esplanade’s The Studios 2024: An Interview with artist Ming Wong on music, nationalism and diplomacy in ‘Rhapsody in Yellow’
In 2016, Singapore Repertory Theatre (SRT) presented a sold-out run of Ayad Akhtar’s Pulitzer Prize-winning play Disgraced, gripping audiences with its provocative subject matter, dealing with race relations in a post 9/11 America. Eight years on, SRT is bringing it back for a second run this August, with a brand new cast and creative team, and perhaps, more relevant than ever before. Leading the team … Continue reading Disgraced: An Interview with director Daniel Jenkins, and cast members Ghafir Akbar and Shrey Bhargava
Following a twisted, explosive production of Who’s Afraid of Virginia Woolf? in June, Pangdemonium is ready to wrap up their 2024 season this October, with one of their biggest and most hotly-anticipated shows to date – Broadway smash hit Dear Evan Hansen. Making waves with both critics and audiences when it opened back in 2016, Dear Evan Hansen follows the story of Evan, a young … Continue reading Preview: Dear Evan Hansen by Pangdemonium!
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