Art: Art Remembers at National Gallery Singapore

What does it mean to remember? At National Gallery Singapore’s latest exhibition, the answer begins with a collection of art that both complicates and interrogates that very question. Opening 21 August, Art Remembers brings together 20 works by artists from Singapore and Southeast Asia who approach the concept of an archive as something that can be questioned, disrupted, reassembled and even invented. Spanning photography, film, … Continue reading Art: Art Remembers at National Gallery Singapore

Trust Exercise: An interview with co-directors Edward Eng and Tan Hui Er of Gangguan Theatre’s experimental ‘Getting To Know You’

Theatre is essentially an act of human connection: between actors, between performers and audience, and between a story and the people who receive it. But what happens when you remove one of the things theatre usually relies on to make that connection work: the rehearsal? For the actors in Gangguan! Theatre’s Getting To Know You, there will be no conventional rehearsal. Each night, a new … Continue reading Trust Exercise: An interview with co-directors Edward Eng and Tan Hui Er of Gangguan Theatre’s experimental ‘Getting To Know You’

Interview: Luke Street, Javon King, Frances Lee and Tabitha Nauser bring new life to Singapore’s ‘Jesus Christ Superstar’

More than five decades after Andrew Lloyd Webber and Tim Rice first brought Jesus Christ Superstar to the stage, the musical continues to ask audiences to look beyond the icons at the people behind them. For the cast of the international touring production arriving in Singapore, that human element is at the heart of the show. Luke Street, who plays Jesus, sees a man grappling … Continue reading Interview: Luke Street, Javon King, Frances Lee and Tabitha Nauser bring new life to Singapore’s ‘Jesus Christ Superstar’

Preview: Baybeats 2026 presents four days of independent music, big sounds and new bands to discover

Singapore’s alternative music festival returns this September for its 25th edition, bringing four days of heavy riffs, dreamy soundscapes, genre-bending experiments and some of the region’s most exciting independent acts to Esplanade. From Japanese rock heavyweights and Korean indie favourites to homegrown underground stalwarts and a new generation of Baybeats Budding Bands, this year’s festival is less about sticking to one sound than following your … Continue reading Preview: Baybeats 2026 presents four days of independent music, big sounds and new bands to discover

Art: AstaGuru expands into Singapore as Indian auction house targets Southeast Asian collectors

Indian auction house AstaGuru has opened its second international office in Singapore, establishing a regional base as it looks to expand its reach among collectors across Southeast Asia. The Singapore headquarters follows the Mumbai-based auction house’s launch of its first overseas office in London in May, as AstaGuru accelerates its international expansion and seeks to connect collectors in Asia and global markets with Indian art, … Continue reading Art: AstaGuru expands into Singapore as Indian auction house targets Southeast Asian collectors

Growing Together, Growing Apart: An interview with co-directors Haresh Sharma, Adib Kosnan, and the cast of The Necessary Stage’s ‘3 Queens’

“When you start, you start with yourself,” says actress Munah Bagharib. “And sometimes there’s no way of controlling the levels and layers of the character.” It is an apt description of how 3 Queens came to life. The Necessary Stage’s newest production may centre on three women: sisters Bedah and Zeina, and their close friend Aida, but the characters audiences will meet onstage did not … Continue reading Growing Together, Growing Apart: An interview with co-directors Haresh Sharma, Adib Kosnan, and the cast of The Necessary Stage’s ‘3 Queens’

★★★★☆ Theatre Review: Choo’s Masquerade Party – A Buffet of Hidden Agendas by Dream Academy

Dream Academy’s sequel to last year’s The Divorce Party satirises soap operas and turns the spotlight on sisterhood, family drama, and absurd corporate parties. Duration: 2hr20min, inclusive of two food breaks The dinner theatre format has become increasingly popular, and after the success of The Divorce Party last year, Dream Academy returns for a second round with a direct sequel. Once again written and directed … Continue reading ★★★★☆ Theatre Review: Choo’s Masquerade Party – A Buffet of Hidden Agendas by Dream Academy

Esplanade’s The Studios 2026: An interview with Ingrid Voorendt, Associate Director, Back to Back Theatre on ‘Multiple Bad Things’

In a placeless warehouse at the end of the world, three employees are given a possibly pointless task. As they struggle to work together, the boundaries between cooperation and conflict begin to fray. What starts with politeness gradually descends into sly victimisation and bad behaviour, while language shifts from playful and absurd to threatening and deadly serious. In MULTIPLE BAD THINGS, award-winning Australian company Back … Continue reading Esplanade’s The Studios 2026: An interview with Ingrid Voorendt, Associate Director, Back to Back Theatre on ‘Multiple Bad Things’

Preview: The Forest Heroes 《 大森林,小勇士》 by Nine Years Theatre

Imagine opening your door one morning to discover a lost baby elephant standing outside. To the villagers, the unexpected visitor might look like trouble. To Ying, a young girl who dreams of becoming a superhero, the elephant is a friend who needs help. That encounter sets the stage for The Forest Heroes, the latest Mandarin theatre production for young audiences by Singapore’s Nine Years Theatre … Continue reading Preview: The Forest Heroes 《 大森林,小勇士》 by Nine Years Theatre

Who cares for artists?: An interview with CITRUS fest 2026 curator Chong Gua Khee

For the people who keep Singapore’s arts scene moving, care can be difficult to separate from the work itself. It can mean managing workloads and expectations, navigating difficult conversations, making space for different needs, or simply recognising when a person or team has reached their limits. These questions are at the centre of CITRUS fest 2026: Kacang Puteh, Care-Oke?, the second edition of the ten-day … Continue reading Who cares for artists?: An interview with CITRUS fest 2026 curator Chong Gua Khee