Film: An Interview with director Anthony Chen on new film ‘We Are All Strangers’ and closing the final chapter of his Growing Up trilogy
Seven years ago, when Anthony Chen last sat down to speak about Wet Season as the opening film of the 2019 Singapore International Fim Festival, he was reflecting on a film about longing, restraint, and quiet emotional fractures, hallmarks of a filmmaker deeply attuned to the rhythms of everyday life. Today, the conversation feels both like a continuation and a turning point, with his latest … Continue reading Film: An Interview with director Anthony Chen on new film ‘We Are All Strangers’ and closing the final chapter of his Growing Up trilogy
T:>works presents PerºForm Open Academy of Arts and Activations (POA) 2026 – The Post-Migrant Academy
If your idea of a meaningful weekend goes beyond brunch and browsing, there’s something quietly powerful happening this Labour Day stretch in Singapore. From 29 April to 3 May 2026, T:>Works transforms its home at 72-13 Mohamed Sultan Road into a living, breathing space of ideas, performance, and conversation. Welcome to Per°Form Open Academy of Arts and Activations (POA) 2026: The Post-Migrant Academy, a gathering … Continue reading T:>works presents PerºForm Open Academy of Arts and Activations (POA) 2026 – The Post-Migrant Academy
Preview: A Tapestry of Sacred Music 2026 by Esplanade – Theatres on the Bay
Presented by Esplanade – Theatres on the Bay, A Tapestry of Sacred Music returns for its 17th edition from 30 April to 3 May 2026, offering audiences a rare opportunity to experience the rich diversity of sacred musical traditions from Singapore and around the world. Once again, the festivals offers up an immersive journey across spiritual landscapes spanning mosques, temples, village grounds, and cathedrals, where … Continue reading Preview: A Tapestry of Sacred Music 2026 by Esplanade – Theatres on the Bay
A Little Piece of Eternity: An Interview with Anne Teresa De Keersmaeker on repetition and return in Fase, Four Movements to the Music of Steve Reich
When Anne Teresa De Keersmaeker created Fase, Four Movements to the Music of Steve Reich in the spring of 1982, she was starting, quite deliberately, at the beginning. “I wanted to develop my own choreographic writing,” she recalls. Trained in classical ballet (“a very strictly codified language”), she chose instead “to go step by step, literally one movement at a time,” trusting an emerging intuition … Continue reading A Little Piece of Eternity: An Interview with Anne Teresa De Keersmaeker on repetition and return in Fase, Four Movements to the Music of Steve Reich
Preview: da:ns focus – On Loop by Esplanade – Theatres on the Bay
This year’s da:ns focus unfolds under the theme On Loop, a meditation on repetition as both structure and sensation. From 23–25 April 2026, Esplanade – Theatres on the Bay opens the season with Fase, Four Movements to the Music of Steve Reich by Rosas, the internationally acclaimed company led by Anne Teresa De Keersmaeker. First premiering in 1982, Fase is widely recognised as a cornerstone … Continue reading Preview: da:ns focus – On Loop by Esplanade – Theatres on the Bay
Music Review: Shostakovich with Leonidas Kavakos & Hannu Lintu by Singapore Symphony Orchestra
Under Hannu Lintu, the Singapore Symphony Orchestra delivers a gripping, emotionally-charged Shostakovich marathon alongside violinist Leonidas Kavakos. There was something revealing in a remark shared in conversation with Hannu Lintu beforehand, where he stated that the soloist, above all, must remain central. It is a simple philosophy, but one that shaped the entire evening. What emerged was not just a display of orchestral discipline, but … Continue reading Music Review: Shostakovich with Leonidas Kavakos & Hannu Lintu by Singapore Symphony Orchestra
Concert Review: Traversing 《“樂”无界》by Ding Yi Music Company
Ding Yi opens their 2026/27 season with a bold, celebratory selection of works that shows off the chamber ensemble’s capabilities and global vision. Opening its 2026/27 season, Traversing by Ding Yi Music Company makes an ambitious artistic claim: that a Chinese chamber ensemble can be not only rooted in tradition, but also be expansive, borderless, and globally resonant. Under the direction of maestro Tsung Yeh, … Continue reading Concert Review: Traversing 《“樂”无界》by Ding Yi Music Company
Music: A new chapter for Singapore Symphony Orchestra’s 2026/27 season with Hannu Lintu as Music Director
The Singapore Symphony Orchestra’s 2026/27 season signals a turning point. With Finnish conductor Hannu Lintu stepping in as Quantedge Music Director, the orchestra enters what its leadership describes as a period of discovery, recalibration and ambition. For Lintu, the decision to come to Singapore was not incidental, but deeply tied to a moment of transition in his own career. These kinds of engagements depend on … Continue reading Music: A new chapter for Singapore Symphony Orchestra’s 2026/27 season with Hannu Lintu as Music Director
Pesta Raya 2026: An Interview with Maria Tri Sulistyani, founder of Papermoon Puppet Theatre, and playwright/director of ‘PUNO – Sewing Memories’
Twelve years ago, the story that would become PUNO: Sewing Memories began with a promise. Back in 2013, Papermoon Puppet Theatre was planning a collaboration with a close friend from the Philippines: puppetry artist Don Salubayba. “It was kind of like, wow, it’s amazing that we have so much in common, let’s do something together,” recalls director and playwright Maria Tri Sulistyani, also a co-founder … Continue reading Pesta Raya 2026: An Interview with Maria Tri Sulistyani, founder of Papermoon Puppet Theatre, and playwright/director of ‘PUNO – Sewing Memories’
Pesta Raya 2026: An Interview with Dr. Norzizi Zulkifli on adapting Macbeth for Randai and traditional arts in Malaysia
When Dr Norzizi speaks about randai, she does not describe it as an artefact or a genre. She describes the art form as something breathing, precarious, but alive. “Without ASWARA,” she says plainly of the National Academy of Arts, Cultural and Heritage of Malaysia, “randai is a dying traditional art form. It exists, but it is also not there. If you come to Kuala Lumpur … Continue reading Pesta Raya 2026: An Interview with Dr. Norzizi Zulkifli on adapting Macbeth for Randai and traditional arts in Malaysia
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