Cj Hendry’s whimsical world comes to Singapore with Flower Market and juju world at IMBA Theatre

Singapore’s arts scene is about to get a major dose of colour, nostalgia and playfulness. This June and July, IMBA Theatre at Gardens by the Bay will host two highly anticipated experiences by internationally acclaimed Australian artist Cj Hendry, marking her Southeast Asia debut. First comes Flower Market, the immersive installation that has drawn hours-long queues and overwhelming demand in cities including New York, Hong … Continue reading Cj Hendry’s whimsical world comes to Singapore with Flower Market and juju world at IMBA Theatre

An Interview with Joanna Dong on risk taking and reinvention in her immersive sound and sculpture performance ‘BIG BIG small small’

For Joanna Dong, better known as a jazz vocalist and local musical star, the shift into experimental, interdisciplinary performance isn’t a reinvention so much as a return to something unfinished. Long before she became widely recognised through television and large-scale performances, she was already drawn to work that resisted neat categorisation, pieces that blurred sound, movement, and space into something less easily named. “Going into … Continue reading An Interview with Joanna Dong on risk taking and reinvention in her immersive sound and sculpture performance ‘BIG BIG small small’

Preview: Titan Sculptors by Singapore Chinese Orchestra

What does a sculpture sound like? This June, audiences will have the chance to find out as the Singapore Chinese Orchestra (SCO) transforms some of Singapore’s most beloved public artworks into music with Titan Sculptors, a one-night-only concert that celebrates four of the nation’s most influential sculptors. Taking place on 6 June at the SCO Concert Hall, the performance is the latest instalment of the … Continue reading Preview: Titan Sculptors by Singapore Chinese Orchestra

Books: Raphaël Millet’s ‘Singapore – A Cinematic Portrait’ reimagines 125 years of life on screen

What does a city look like when you trace it not through maps or monuments, but through cinema? A new publication from the Asian Film Archive and film scholar Raphaël Millet offers a striking answer: Singapore, reframed as a living, evolving character across more than a century of film. Launched on 21 May 2026 at Oldham Theatre, Singapore: A Cinematic Portrait is a richly illustrated … Continue reading Books: Raphaël Millet’s ‘Singapore – A Cinematic Portrait’ reimagines 125 years of life on screen

Flipside 2026: An interview with Guy Waerenburgh on risk, absurdity and the thrill of unpredictability in ‘Der Lauf (The Way Things Go)’

Contemporary circus rarely sits still, but Der Lauf (The Way Things Go) thrives in a state of beautiful collapse. Created by Belgian juggler and performer Guy Waerenburgh, the internationally acclaimed production transforms juggling into something far stranger and more theatrical: part cabaret, part endurance test, part social experiment. Blindfolded performers navigate towering stacks of wine glasses, spinning plates, flying buckets and razor-sharp knives, while the … Continue reading Flipside 2026: An interview with Guy Waerenburgh on risk, absurdity and the thrill of unpredictability in ‘Der Lauf (The Way Things Go)’

Flipside 2026: Lachlan Binns on how ‘A Simple Space’ celebrates human connection, trust, and play

When A Simple Space first premiered in 2013, contemporary circus was undergoing a global shift. Traditional big-top spectacles and variety-style performances were still dominant, shaped in part by the influence of companies like Cirque du Soleil, with their elaborate staging, narrative framing, and theatrical spectacle. But for co-creator and performer Lachlan Binns, the goal was to go in the opposite direction. “We made the show … Continue reading Flipside 2026: Lachlan Binns on how ‘A Simple Space’ celebrates human connection, trust, and play

Flipside 2026: An Interview with Dwayne Lau on rolling with the punches with ‘Snakes and Ladders!’

For actor and musical theatre performer Dwayne Lau, his original work Snakes & Ladders! is a way of re-living, re-framing, and re-negotiating the unpredictable shape of a life that has unfolded very much like the board game at its centre. What began as a 40-minute showcase at the Esplanade Concourse has now grown into a full 90-minute theatrical experience a year later. But for Dwayne, … Continue reading Flipside 2026: An Interview with Dwayne Lau on rolling with the punches with ‘Snakes and Ladders!’

SIFA 2026: Lush Life – An interview with director Ong Keng Sen on making art out of life and legacy

Before streaming platforms, before bedroom recordings, and before Singapore had any real infrastructure for popular music, there were artists like Jacintha Abisheganaden and Dick Lee, figures who carved out creative lives with few precedents and even fewer guarantees. Their songs, relationships and artistic decisions did not just define their own careers; they helped shape what it meant to be a musician in Singapore at all. … Continue reading SIFA 2026: Lush Life – An interview with director Ong Keng Sen on making art out of life and legacy

SIFA 2026: Planet [wanderer] – An interview with choreographer Damien Jalet and scenographer Kohei Nawa in search of the body’s place in the world

Strange and bewitching, Planet [wanderer] is a rare theatre production that unfolds like a dream one cannot quite hold onto. Created by choreographer Damien Jalet and visual artist Kohei Nawa, the work brings eight dancers into a shifting terrain of textures and matter, where bodies bend, sway, and reorganise themselves like reeds in the wind, caught in a fragile balance between “power and vulnerability, harmony … Continue reading SIFA 2026: Planet [wanderer] – An interview with choreographer Damien Jalet and scenographer Kohei Nawa in search of the body’s place in the world

SIFA 2026: Hedda Gabler – An interview with director Park Jung Hee on Henrik Ibsen’s universal cultural resonance

Few characters in modern theatre are as enduringly enigmatic as Hedda Gabler, a figure suspended between control and chaos, desire and restraint. In this latest staging by Park Jung-hee, Artistic Director of the National Theater Company of Korea, the question is not how to modernise Hedda Gabler, but how to encounter it anew. Rather than imposing a contemporary veneer, Park approaches the work as a … Continue reading SIFA 2026: Hedda Gabler – An interview with director Park Jung Hee on Henrik Ibsen’s universal cultural resonance