Hong Kong filmmaker Jenny Suen has a strange relationship with her home country. Like many artists, she felt stifled growing up in the congested, business-centric city and wanted out. But upon moving to America for her studies, she felt a sudden pang of homesickness, and when she watched Wong Kar Wai’s In The Mood For Love for the first time, she was suddenly struck with how beautiful … Continue reading Artist Spotlight: Jenny Suen, Co-Director of The White Girl (SGIFF 2017)