Multisensory journey transporting audiences to Perak’s Lenggong Valley, in all its natural and mystical beauty. Modern Singapore rarely leaves much space or opportunity for truly connecting with nature. As much as we tout ourselves as a garden city, green spaces are often integrated into the urban landscape, rather than allowed to simply grow amok, or we lack older geological formations teeming with life. So if … Continue reading ★★★★☆ Review: REFUGE by The Observatory

The Observatory are not your ordinary band. Going beyond making music alone, the local Singaporean band has been closely involved in art beyond entertainment for two decades, always ready to speak truth to power and constantly using their sound to amplify their thoughts and feelings about social issues, even expanding into the realm of visual art in 2022’s REFUSE at the Singapore Art Museum which … Continue reading SIFA 2024: An Interview with Singapore experimental band The Observatory on exploring darkness and the underground in ‘REFUGE’

One of the most exciting and outrageous pavilions at the 2019 Venice Biennale came from a rather surprising source – Lithuania, which till then had only occasionally caught the public eye when it came to the art world. When visitors stepped into the Lithuanian pavilion, they entered an entirely different world, one that was dappled in sunlight, a room full of sand and actual people … Continue reading SIFA 2024: An Interview with Lithuanian artists Rugilė Barzdžiukaitė, Vaiva Grainytė & Lina Lapelytė on beach opera ‘Sun & Sea’

The arts have always grown in tandem with technology, be it developments in set-building and engineering that allow for new stunts and stage movements, or in terms of audio and the ability to bring sound and voice to new heights. With Artificial Intelligence (AI) touted as the next big thing, it was only a matter of time before it too was incorporated into theatrical productions. … Continue reading SIFA 2024: An Interview with Alex Serrano, co-creator of AI-driven dance performance ‘Una Isla’