Category: Review

Arts, Review, Singapore, Theatre

★★★★☆ Review: Slava’s Snow Show by Base Entertainment Asia

Russian clowns use humour and imagination to cope with crushing solitude. First premiering in Russia in 1993, Slava’s Snow Show is a surreal tragicomedy that takes place in a wintry world straight out of a painting. Born from the mind of Russian clown Slava Polunin, the show follows a clown in yellow as he navigates the strangeness of the world he’s in, alongside the odd … Continue reading ★★★★☆ Review: Slava’s Snow Show by Base Entertainment Asia

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Arts, Review, SRT, Theatre

★★★★☆ Review: The Almighty Sometimes by Singapore Repertory Theatre

Newcomer Arielle Jasmine delivers a stellar performance in this play about the side effects of psychotropics and perils of parenthood. Category Score (out of 10) Direction (Daniel Jenkins) 8 Script (Kendall Feaver) 7 Performance (Arielle Jasmine Van Zuijlen, Karen Tan, Salif Hardie, Shona Benson) 9 Set Design (Eucien Chia) 7 Lighting Design (Gabriel Chan) 10 Sound Design (Daniel Wong) 8 Costumes (Leonard Augustine Choo) 8 … Continue reading ★★★★☆ Review: The Almighty Sometimes by Singapore Repertory Theatre

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Arts, Dance with Me, Review

★★★★☆ Review: No.60 by Pichet Klunchun Dance Company

Demonstrative performance-lecture capturing Pichet Klunchun’s research and resistance against the traditional Khon format. Thai dancer Pichet Klunchun has spent the last twenty years of his life studying and performing the Thai traditional dance-drama form of khon, and in that time, has achieved a degree of mastery over the form. At the same time, he found frustration in the limitations with which it is taught and … Continue reading ★★★★☆ Review: No.60 by Pichet Klunchun Dance Company

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Arts, Music, Review, Theatre

★★★★★ Review: Dragon Ladies Don’t Weep by Margaret Leng Tan

Fragments of memory and avant garde performance come together for a singular work that could only be performed by Singapore’s most famous toy pianist. Category Score (out of 10) Performer (Margaret Leng Tan) 9 Composition (Erik Griswold) 9 Direction (Tamara Saulwick) 8 Video (Nick Roux) 9 Lighting (Andy Lim) 8 Costume (Yuan Zhiying) 8 Total 51/60 (85%) Stars ★★★★★ Born in 1945, experimental musician Margaret … Continue reading ★★★★★ Review: Dragon Ladies Don’t Weep by Margaret Leng Tan

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Film, News, Review, Singapore

★★★★★ Review: Ajoomma 《花路阿朱妈》 dir. He Shuming

Hong Huifang shines in poignant film about finding strength and hope in life. As the world recovers from the ruins of a global pandemic, life can often feel hopeless and bleak, as we’re left to wonder about the uncertain future, and the increasingly pointless drudgery of daily living. Yet every so often, a work of art comes along to summon a sense of hope that … Continue reading ★★★★★ Review: Ajoomma 《花路阿朱妈》 dir. He Shuming

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Arts, Dance with Me, Review

★★★★☆ Review: Infinitely Closer by T.H.E Dance Company

T.H.E shows off the capabilities of the new Singtel Waterfront Theatre with this new show melding tech and art. Coinciding with the ongoing da:ns Festival, the newly opened Singtel Waterfront Theatre begins its journey with a bang, with the latest work from The Human Expression (T.H.E) Dance Company. Choreographed by T.H.E artistic director Kuik Swee Boon in conjunction with the performers (Brandon Khoo, Ng Zu … Continue reading ★★★★☆ Review: Infinitely Closer by T.H.E Dance Company

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Arts, Pangdemonium, Review, Singapore

★★★★★ Review: End of the Rainbow by Pangdemonium!

Mina Kaye turns out her finest performance yet as Judy Garland in her final days. Category Score (out of 10) Direction (Tracie Pang) 9 Script (Peter Quilter) 8 Performance (Mina Kaye, Shane Mardjuki, TJ Taylor, Andrew Marko) 10 Set (Eucien Chia) 10 Lighting (James Tan) 10 Costumes (Leonard Augustine Choo, Ashley Lim, Bobbie Ng) 10 Sound (Ctrl Fre@k) 10 Live Music (Joel Nah, Brandon Wong, … Continue reading ★★★★★ Review: End of the Rainbow by Pangdemonium!

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Arts, Review, Singapore, Theatre

★★★★☆ Review: Pulau Ujong / Island at the End by Wild Rice

Can we change before climate does? At the beginning of Pulau Ujong, playwright Alfian Sa’at positions himself as the first character to speak, his lines divided across all five cast members (Al-Matin Yatim, Ryan Ang, Koh Wan Ching, Krish Natarajan and Siti Khalijah Zainal). The five Alfians look around the Wild Rice theatre, wondering aloud about the story behind the ‘wayang timber’ used to build … Continue reading ★★★★☆ Review: Pulau Ujong / Island at the End by Wild Rice

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Arts, Esplanade Theatre Studio, Nine Years Theatre, Review, Singapore

★★★★★ Review: See You, Anniversary by Nine Years Theatre

Timely, immensely moving play reminding audiences to cherish all we have. What’s in an anniversary? For some people, it’s an arbitrary date in the calendar, used as a good reason to come together and celebrate an occasion with people who matter. For others, it runs much deeper than that, a triumphant acknowledgement of having reached another milestone for every year that goes by, remembrance for … Continue reading ★★★★★ Review: See You, Anniversary by Nine Years Theatre

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Arts, Review, Theatre

★★★★★ Review: Recalling Mother – Her Lines, My Lines by Checkpoint Theatre

Reflections on aging and mortality in the latest version of this ‘living play’. Originating as a simple idea where Claire Wong and Noorlinah Mohamed simply wanted to share stories of their mothers, over the last 16 years, the two theatremakers have managed to perform their show Recalling Mother across multiple iterations and across multiple countries, each version seeing the play grow and evolve alongside them. … Continue reading ★★★★★ Review: Recalling Mother – Her Lines, My Lines by Checkpoint Theatre

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