Category: Review

Arts, Checkpoint Theatre, musical, Review, Singapore, Theatre

★★★★★ Theatre Review: Secondary – The Musical (2026) by Checkpoint Theatre

Note: the performance reviewed featured understudies in the following major roles: Risa Ann Wong as Lilin, Nadya Zaheer as Mandy, Izzul Irfan as Omar, Fahim Murshed as Reyansh, Coco Wang as Ensemble (Discipline, Rong, Vice-Principal, Hui Ling), Nurulhuda Hassan as (Ensemble: Humour, Nadrah, Welfare, Amira, Cik Sya) weish’s Secondary: The Musical returns with a surer, more confident restaging, deepening the emotional resonance of an already … Continue reading ★★★★★ Theatre Review: Secondary – The Musical (2026) by Checkpoint Theatre

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Arts, musical, Review, Theatre

★★★★☆ Theatre Review: [title of show] (2026) by Sing’theatre

Metatheatrical musical pokes fun at the Broadway dream with charm and twee humour. Few musicals are as self-mythologising or as beloved within musical theatre circles as [title of show]. Since its debut, the meta-musical about two writers racing to create a musical has earned a kind of cult status, not just for its wit, but for how closely it mirrors the aspirations, anxieties, and inside … Continue reading ★★★★☆ Theatre Review: [title of show] (2026) by Sing’theatre

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Arts, festival, Malay Theatre, Review, Singapore, Theatre

★★★★★ Theatre Review: Randai Macbeth by ASWARA

Shakespeare meets the Nusantara in a bold, visceral Macbeth reborn through randai. It’s no small feat to make a 400-year-old play feel fresh, but Randai Macbeth achieves exactly that, and then some. Presented by Malaysia’s ASWARA and directed by Dr Norzizi Zulkifli, this bold adaptation reimagines Macbeth through the cultural lens of the Nusantara, transforming Shakespeare’s tale of ambition and moral decay into something visceral, … Continue reading ★★★★★ Theatre Review: Randai Macbeth by ASWARA

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Arts, festival, Malay Theatre, Review, Singapore, Theatre

★★★★★ Theatre Review: PUNO – Sewing Memories by Papermoon Puppet Theatre

A universally affecting, timeless tale of love and loss by masters of the puppetry form. PUNO: Sewing Memories is, in many ways, a ghost story. Or perhaps more precisely, it is the story of a ghost, though not in the way we might expect. From the very outset of the show, which played as part of the Esplanade’s 2026 Pesta Raya – Malay Festival of … Continue reading ★★★★★ Theatre Review: PUNO – Sewing Memories by Papermoon Puppet Theatre

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Arts, festival, Malay Theatre, Review, Singapore, Theatre

★★★☆☆ Theatre Review: La Luna by Teater Ekamatra

A lively but unfocused stage adaptation of La Luna struggles to balance satire and substance, losing the impact and weight of its source material. Adapting a film for the stage is never about simple reproduction. Theatre demands transformation, with a rethinking of form, rhythm, and storytelling. But that transformation must still serve the story. The most successful adaptations do not replicate but reinterpret with purpose. … Continue reading ★★★☆☆ Theatre Review: La Luna by Teater Ekamatra

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Arts, Review, Singapore Arts, Theatre., Theatre, Wild Rice, Wild Rice @ Funan

★★★★☆ Theatre Review: The Christians by Wild Rice

Hell is other Christians. The Christians arrives as one of the most unexpected entries in Wild Rice’s 2026 programming, and perhaps one of its most surprisingly provocative. A company long associated with sharp political critique, queer advocacy, and a willingness to satirise conservative structures, this is a show that feels almost disarming in its restraint. Where one might expect irreverence, Lucas Hnath’s critically-acclaimed play instead … Continue reading ★★★★☆ Theatre Review: The Christians by Wild Rice

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Arts, festival, Hong Kong, Review

★★★★★ Theatre Review: Handle with Care by Ontroerend Goed (HKAF 2026)

A tiny theatrical miracle is experienced as you forge memories with complete strangers under an hour. HONG KONG – Belgian avant-garde theatre company Ontroerend Goed has long built a reputation for dismantling what theatre is supposed to be. With Handle with Care, they take that idea to its most radical extreme: there are no actors, no technicians, just a box, a stage, and an audience. … Continue reading ★★★★★ Theatre Review: Handle with Care by Ontroerend Goed (HKAF 2026)

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Arts, Music, News, Review, Singapore

Music Review: Shostakovich with Leonidas Kavakos & Hannu Lintu by Singapore Symphony Orchestra

Under Hannu Lintu, the Singapore Symphony Orchestra delivers a gripping, emotionally-charged Shostakovich marathon alongside violinist Leonidas Kavakos. There was something revealing in a remark shared in conversation with Hannu Lintu beforehand, where he stated that the soloist, above all, must remain central. It is a simple philosophy, but one that shaped the entire evening. What emerged was not just a display of orchestral discipline, but … Continue reading Music Review: Shostakovich with Leonidas Kavakos & Hannu Lintu by Singapore Symphony Orchestra

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Arts, Music, Review, Singapore

Concert Review: Traversing 《“樂”无界》by Ding Yi Music Company

Ding Yi opens their 2026/27 season with a bold, celebratory selection of works that shows off the chamber ensemble’s capabilities and global vision. Opening its 2026/27 season, Traversing by Ding Yi Music Company makes an ambitious artistic claim: that a Chinese chamber ensemble can be not only rooted in tradition, but also be expansive, borderless, and globally resonant. Under the direction of maestro Tsung Yeh, … Continue reading Concert Review: Traversing 《“樂”无界》by Ding Yi Music Company

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Arts, Dance with Me, Review

★★★★☆ Dance Review: liminal by T.H.E Dance Company

In T.H.E Dance Company newest platform, mid-career dancers explore what it means to exist in the in-between, and the movements it inspires. With liminal, T.H.E Dance Company turns its attention to the in-between, not the polished arrival of mastery, nor the raw urgency of emergence, but the textured, often complicated terrain of mid-career artistry. As a new platform dedicated to choreographic voices in this phase, … Continue reading ★★★★☆ Dance Review: liminal by T.H.E Dance Company

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