★★★★☆ Dance Review: Elusive—A Double Bill by T.H.E Dance Company

International collaborations produce clean, thematically-resonant double bill that proves T.H.E’s dancers are still at the top of the game. Contemporary dance often gravitates towards the intangible: memory, emotion, systems of power, the invisible forces that shape how we move through the world. Elusive, T.H.E Dance Company’s latest double bill presented as part of cont·act Dance Festival, pairs two international collaborations that approach these concerns from … Continue reading ★★★★☆ Dance Review: Elusive—A Double Bill by T.H.E Dance Company

da:ns focus: An Interview with Kevin O’Hare, Director of the Royal Ballet, on legacy, live performance and reinvention

For Kevin O’Hare, director of The Royal Ballet, the long-awaited return of the world class British ballet company to Singapore this June goes far beyond just another international stop on a touring calendar. More than two decades have passed since the company last performed here, and the scale of The Royal Ballet Gala, part of the Esplanade – Theatres on the Bay’s da:ns focus – … Continue reading da:ns focus: An Interview with Kevin O’Hare, Director of the Royal Ballet, on legacy, live performance and reinvention

★★★★★ Dance Review: Planet [wanderer] by Damien Jalet & Kohei Nawa (SIFA 2026)

Awe-inspiring, hypnotic dance-installation, that takes audiences on an existential odyssey through a world that’s hostile, hauntingly beautiful, and beyond our control. Some performances tell stories, but Planet [wanderer] creates a world. Surreal, unnerving, and at times profoundly unsettling, Damien Jalet and Kohei Nawa’s latest collaboration unfolds less like a dance performance than a waking dream. Playing as part of the 2026 Singapore International Festival of … Continue reading ★★★★★ Dance Review: Planet [wanderer] by Damien Jalet & Kohei Nawa (SIFA 2026)

★★★☆☆ Dance Review: Strangely Familiar《熟悉的陌生》 by T.H.E Dance Company (SIFA 2026)

T.H.E toes the line between human and machine in this visually ambitious production, occasionally overwhelmed by technology superseding the very humanity it seeks to explore.  Playing as part of the 2026 Singapore International Festival of Arts, before T.H.E Dance Company’s Strangely Familiar even begins, the world of the performance is already quietly consuming us. The soundscape hums through the theatre with an eerie, dystopian distance, … Continue reading ★★★☆☆ Dance Review: Strangely Familiar《熟悉的陌生》 by T.H.E Dance Company (SIFA 2026)

SIFA 2026: Lush Life – An interview with director Ong Keng Sen on making art out of life and legacy

Before streaming platforms, before bedroom recordings, and before Singapore had any real infrastructure for popular music, there were artists like Jacintha Abisheganaden and Dick Lee, figures who carved out creative lives with few precedents and even fewer guarantees. Their songs, relationships and artistic decisions did not just define their own careers; they helped shape what it meant to be a musician in Singapore at all. … Continue reading SIFA 2026: Lush Life – An interview with director Ong Keng Sen on making art out of life and legacy

SIFA 2026: Planet [wanderer] – An interview with choreographer Damien Jalet and scenographer Kohei Nawa in search of the body’s place in the world

Strange and bewitching, Planet [wanderer] is a rare theatre production that unfolds like a dream one cannot quite hold onto. Created by choreographer Damien Jalet and visual artist Kohei Nawa, the work brings eight dancers into a shifting terrain of textures and matter, where bodies bend, sway, and reorganise themselves like reeds in the wind, caught in a fragile balance between “power and vulnerability, harmony … Continue reading SIFA 2026: Planet [wanderer] – An interview with choreographer Damien Jalet and scenographer Kohei Nawa in search of the body’s place in the world

SIFA 2026: Hedda Gabler – An interview with director Park Jung Hee on Henrik Ibsen’s universal cultural resonance

Few characters in modern theatre are as enduringly enigmatic as Hedda Gabler, a figure suspended between control and chaos, desire and restraint. In this latest staging by Park Jung-hee, Artistic Director of the National Theater Company of Korea, the question is not how to modernise Hedda Gabler, but how to encounter it anew. Rather than imposing a contemporary veneer, Park approaches the work as a … Continue reading SIFA 2026: Hedda Gabler – An interview with director Park Jung Hee on Henrik Ibsen’s universal cultural resonance

★★★☆☆ Dance Review: Tempo by Kalle Nio and Fernando Melo (SIFA 2026)

Moments stretch, reverse and repeat through magic, circus and dance in this frustratingly slow meditation on time.  Time is supposed to be objective, but more often than not, it is deeply relative; stretching, compressing and slowing according to emotion, attention and memory. Presented as part of the 2026 Singapore International Festival of Arts, Tempo takes that idea and turns it into a performance experiment, where … Continue reading ★★★☆☆ Dance Review: Tempo by Kalle Nio and Fernando Melo (SIFA 2026)

SIFA 2026: Strangely Familiar《熟悉的陌生》 – An interview with choreographer Kuik Swee Boon on coexistence and projection

In Strangely Familiar, the stage becomes a meeting ground between worlds. A shifting digital presence, neither fully human nor entirely machine, moves alongside five dancers, blurring the boundaries between body and projection, instinct and invention. Created by Kuik Swee Boon, founding artistic director of T.H.E Dance Company, the work unfolds less as a linear narrative than as an evolving encounter: a space where the human … Continue reading SIFA 2026: Strangely Familiar《熟悉的陌生》 – An interview with choreographer Kuik Swee Boon on coexistence and projection

SIFA 2026: Last Rites – An interview with director Liu Xiaoyi on the temporality of live performance and preparing for the end

What would it mean to stage your final act, not as a last bow, but as a reflection of everything that came before? In Last Rites, Liu Xiaoyi brings together five veteran performers from across Asia to confront this question, weaving their personal histories into a meditation on life, art, and what remains after both have passed. Presented at the 2026 Singapore International Festival of … Continue reading SIFA 2026: Last Rites – An interview with director Liu Xiaoyi on the temporality of live performance and preparing for the end