★★☆☆☆ Film Review: We Can Save The World!!! dir. Chai Hong Cheng

Rare local sci-fi film fumbles the funny despite strong efforts from the cast. Singapore hasn’t had many science fiction films, perhaps because our regional storytelling often leans toward fantasy or the supernatural. In that sense, We Can Save The World!!! is a bold undertaking, pioneering a genre that’s still vastly underexplored here. In a small arts industry like ours, even completing a feature-length film is … Continue reading ★★☆☆☆ Film Review: We Can Save The World!!! dir. Chai Hong Cheng

★★★★☆ Dance Review: Chapter 2 by Pichet Klunchun

ChatGPT becomes a conversation partner, co-creator and dramaturg in Pichet Klunchun’s new show. Artificial Intelligence (AI) has rapidly developed to the point where it can hold conversations, generate images, and even craft videos. But as it increasingly encroaches on the arts, one question lingers: can AI dance? For Thai dancer, choreographer and khon master Pichet Klunchun, the answer is a tentative yes. In his newest … Continue reading ★★★★☆ Dance Review: Chapter 2 by Pichet Klunchun

★★★★☆ Dance Review: Softmachine – The Return by Choy Ka Fai

Choy Ka Fai reunites five artists to reflect on change, growth, and their relationship to body and the world. The world in 2015 was a very different place. Since then, politics, pandemics, technology, and society at large have shifted dramatically, but so have each of us, for better or worse. Yet one thing remains constant: our individuality and the human drive to innovate. This is … Continue reading ★★★★☆ Dance Review: Softmachine – The Return by Choy Ka Fai

★★★★☆ Dance Review: U>N>I>T>E>D by Chunky Move

The future of human evolution is on display as man and machine meld into a cohesive whole. In a world where art is often dismissed as derivative, Melbourne-based dance company Chunky Move continues to prove that originality is alive and well. Their latest work, U>N>I>T>E>D, conceived and choreographed by Artistic Director Antony Hamilton, pushes audiences into new imaginative territory, conjuring visions of what humanity might … Continue reading ★★★★☆ Dance Review: U>N>I>T>E>D by Chunky Move

★★★★☆ Concert Review: COMMISSIONS by SMU Chinese Orchestra

A hearty musical tribute to SMU’s contributions and support of local talent over the years. The SMU Chinese Orchestra’s concert for SMU25 and SG60 was a celebration of new beginnings, community, and inclusion. Featuring three world premieres alongside commissioned works from previous years, the evening showed how far the orchestra has come and where it hopes to go. The concert opened with Sulwyn Lok’s Spring … Continue reading ★★★★☆ Concert Review: COMMISSIONS by SMU Chinese Orchestra

★★★★★ Theatre Review: Hotel (2025) by Wild Rice

Ten years on, Hotel remains a five-star experience, and a love letter to Singapore’s resilience and ever-changing nature, alive with endless possibility. When we first watched Hotel in 2016, Singapore, and the world, were different. It was before the global pandemic reshaped how we gathered, before Wild Rice unveiled its own theatre at Funan, and before the leadership changes that now signal a new chapter … Continue reading ★★★★★ Theatre Review: Hotel (2025) by Wild Rice

★★★★☆ Concert Review: The River Remembers by Ding Yi Music Company

Ding Yi Music Company’s SG60 tribute pays tribute to the Singapore River, with Sharon Au at the fore. A quiet, gentle river, yet her lifeblood runs deep and wide. That is the portrayal of the Singapore River in Ding Yi Music Company’s The River Remembers, an SG60-themed concert focusing on the river’s history and significance. From the very first notes, the concert traces a reflective … Continue reading ★★★★☆ Concert Review: The River Remembers by Ding Yi Music Company

★★★☆☆ Review: Pickle Party by The Theatre Practice

Part educational workshop, part reflection on the past and future of food in Singapore, the latest work by Ang Xiao Ting raises poignant questions but may still need time to ferment. Theatremaker Ang Xiao Ting has always been interested in matters of conservation in consumption, themes which eventually came to manifest in her original creations under The Theatre Practice (Practice), such as her work on … Continue reading ★★★☆☆ Review: Pickle Party by The Theatre Practice

★★★☆☆ Review: Third Man Syndrome by Gateway Arts

This original play by Gateway Arts takes on the urgent theme of toxic masculinity and men’s silence around their emotions, but faces uneven execution. In a country where men find it difficult to talk about their feelings, Gateway Arts’ new play Third Man Syndrome tackles the urgent and deeply relevant subject of how toxic masculinity silences men and prevents them from confronting their emotions. Written … Continue reading ★★★☆☆ Review: Third Man Syndrome by Gateway Arts

★★★★★ Theatre Review: Partial Eclipse Of The Heart《逆光》by The Theatre Practice

Emotionally-charged jukebox musical brings together the best of Singapore’s Mandopop with stellar performances. Coinciding with both Singapore’s SG60 celebrations and their own 60th anniversary, The Theatre Practice (Practice) marks its first original musical since Lao Jiu: The Musical (2012) with a production that feels every bit like a homecoming. Fittingly, Partial Eclipse of the Heart pays tribute to Singapore’s surprisingly rich Mandopop songbook while reaffirming … Continue reading ★★★★★ Theatre Review: Partial Eclipse Of The Heart《逆光》by The Theatre Practice