Incendiary play that shows you exactly how people are pushed to extreme measures. It is only human to want to connect, to reach out and share in the friendship of others. It makes sense then that in Qabila’s WePushTheSky, playwright and performer Nisha Abdulla greets us when we first enter the theatre, her voice warm and welcoming as we settle into our seats. Behind her, there … Continue reading ★★★★☆ Review: WePushTheSky by Qabila
Ambitious attempt at tackling issues of xenophobia and the ever-growing refugee crisis. When we last saw Birds Migrant Theatre at the 2023 M1 Singapore Fringe Festival, the team of migrants and theatre enthusiasts had put on a deeply personal show about their lived experiences as foreign workers in Singapore. Since then, the group has continued to pursue their passion for the arts, and in 2025, … Continue reading Review: The Troupe by Birds Migrant Theatre
Growing up in fast-paced Singapore with its high expectations gets to even the most resilient of people. There always comes a breaking point for everyone, yet, we keep telling ourselves we can take on more and more and more. For Cheryl Ho, Rachel Lee, who form theatre collective MASHH (Mm and Something Happens Here), they liken it to the unusual metaphor of seaweed, and how … Continue reading M1 Singapore Fringe 2025: An Interview with MASHH (Mm and Something Happens Here) on ‘I Am Seaweed’
Everyone knows that bureaucracy and paperwork is the bane of any civil servant. But look hard enough into the abyss of red tape and jargon, and you’ll start to uncover darkness like never before. Investigating the depths of paperwork and commissions of inquiries is South Africa’s Noma Yini Pty Ltd with their work Commission Continua, which makes its Singapore premiere at the M1 Singapore Fringe … Continue reading M1 Singapore Fringe 2025: An Interview with Noma Yini Pty Ltd on ‘Commission Continua’
Over the years, The Necessary Stage (TNS) has made a name for itself with some of the most gripping, hard-hitting plays to come out of Singapore, primarily thanks to Resident Playwright and Cultural Medallion recipient Haresh Sharma. Among these plays is Eclipse, which looks at three generations of men struggling with their dreams and their journeys, as a young Singaporean man makes a journey to … Continue reading M1 Singapore Fringe 2025: An Interview with The Necessary Stage on a new staging of Haresh Sharma’s ‘Eclipse’
Comprising a group of theatre enthusiasts who also happen to be migrant workers, Birds Migrant Theatre is back for another edition of the M1 Singapore Fringe Festival this coming January. Following Foreign Bodies in 2023, which we described as ‘an unflinching, objectively written story that speaks truth to the limitations of being a migrant in Singapore’, the team is back withThe Troupe, yet another original … Continue reading M1 Singapore Fringe 2025: An Interview with Birds Migrant Theatre on ‘The Troupe’
Friends are and have always been a key part of our lives – no man is an island after all, and more than ever, rather than seeking out tribes where we simply see the similarities, it becomes more important to make space for differences, expand our mindsets and welcome others with open arms and nuance. That is what Indian company Qabilah is doing with WePushTheSky, … Continue reading M1 Singapore Fringe 2025: An Interview with Qabilah on ‘WePushTheSky’
Can the arts heal pain? In tackling issues such as vulnerability, trauma and the desire to heal, the students of the BA (Hons) in Performance Making programme at Nanyang Academy of Fine Arts are attempting to do just that, in Dancing with the Ghost of My Child in January. Playing as part of the M1 Singapore Fringe Festival 2025, the devised work is led by … Continue reading M1 Singapore Fringe 2025: An Interview with Noor Effendy Ibrahim and Ruby Jayaseelan on ‘Dancing with the Ghost of My Child’
‘The End of Winter’ sounds like the stuff of fairytales, something that some kind of supernatural, fantastical villain plots to do away with snow forever. But the truth is, with rapid climate change and global warming, that could well be a reality before we know it, particularly in Australia, where the people truly feel the heat, with warmer and shorter winters each year. How do … Continue reading M1 Singapore Fringe 2025: An Interview with Siren Theatre Co. on ‘The End of Winter’
The Necessary Stage (TNS) continues to champion innovation and inclusivity in socially engaged theatre by welcoming two groundbreaking additions to its 2025 Associate Artists Programme (AAP). For the first time, the programme will feature designers, with sound designer and composer Safuan Johari and lighting designer Faith Liu Yong Huay joining the current dynamic cohort. This move marks an exciting evolution in the AAP, spotlighting the … Continue reading The Necessary Stage expands Associate Artists Programme with Two Trailblazing Designers for 2025
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