★★☆☆☆ Review: Hitting (On) Women by A Mirage

Strong direction can’t patch the pre-existing holes in this dated look at lesbian relationships. It’s June, Pride Month for most other countries, and the month of Pink Dot in Singapore, an event where the nation continues to push for ‘the freedom to love’. Existing as a queer person in Singapore remains unusual and generally undiscussed in public, and positive portrayals of LGBTQ+ people media generally … Continue reading ★★☆☆☆ Review: Hitting (On) Women by A Mirage

A Legacy Through Song: An Interview with Julian Wong, writer of Wild Rice’s ‘Don’t Call Him Mr. Mari Kita’

Before National Day comes around and we once again celebrate the nation, have a think about one of the nation’s most enduring symbols – our national anthem. How many of us really know about its composer – Zubir Said, and only refer to him as ‘Mr. Mari Kita’? This July, Wild Rice is here to change that forever, with Don’t Call Him Mr. Mari Kita, … Continue reading A Legacy Through Song: An Interview with Julian Wong, writer of Wild Rice’s ‘Don’t Call Him Mr. Mari Kita’

Preview: Kwa Geok Choo by Toy Factory Productions

Everyone knows her as the wife of Lee Kuan Yew and mother of Lee Hsien Loong. But what do we know about Kwa Geok Choo? This monologue follows her from girlhood and early romance to life as political wife and mother; and top conveyancing lawyer and main breadwinner of the Lee Family. It explores how it might have felt to be, as Lee Kuan Yew … Continue reading Preview: Kwa Geok Choo by Toy Factory Productions

★★★★☆ Review: project SALOME by Ong Keng Sen / T:>works (SIFA 2022)

Unpacking and reimagining the complexities of Salome through a modern lens. Princess of Judea, villainous exotic dancer, or vengeful femme fatale? The historical figure of Salome’s claim to fame lies in her request to see the head of John the Baptist as reward for performing a dance for her step-father. But one thing that is never made clear is her intentions for doing so, with … Continue reading ★★★★☆ Review: project SALOME by Ong Keng Sen / T:>works (SIFA 2022)

★★★★☆ Review: Only Bones by Kallo Collective

Dancing to the beat of the body. Kallo Collective’s Only Bones has a deceptively simple set-up – onstage there is only performer Thom Monckton, limited to a small red circle lit by a single bulb. But by sheer virtue of a boundless imagination and complete control over the body, Only Bones ends up as a wildly entertaining fringe show that exemplifies a class act in … Continue reading ★★★★☆ Review: Only Bones by Kallo Collective

Hong Kong 2022: ‘Arts in Hong Kong’ Campaign Launched to Showcase City’s Appeal as an Arts and Culture Hub to a Global Audience

HONG KONG – This summer, bask in the warm glow of Hong Kong’s dazzling arts and culture scene – wherever you are in the world. Riding on the staging of international art and cultural events, the Hong Kong Tourism Board (HKTB) has launched an ‘Arts in Hong Kong’ campaign to showcase to a global audience the city’s extraordinary and enduring appeal as an arts and … Continue reading Hong Kong 2022: ‘Arts in Hong Kong’ Campaign Launched to Showcase City’s Appeal as an Arts and Culture Hub to a Global Audience

Preview: Don’t Call Him Mr. Mari Kita by Wild Rice

How much do you know about Zubir Said, besides the fact that he composed our national anthem? This July, Wild Rice’s latest production will ensure you know enough about the great man that you’ll no longer refer to him as ‘Mr. Mari Kita’. Don’t Call Him Mr, Mari Kita is a sensational new musical tribute to Zubir Said, who, besides the National Anthem, is also … Continue reading Preview: Don’t Call Him Mr. Mari Kita by Wild Rice

★★★☆☆ Review: Devil’s Cherry by Kaylene Tan and Paul Rae (SIFA 2022)

The outback becomes both nightmare and dreamscape for a couple running from their own problems. The name ‘devil’s cherry’ brings to mind a great many things – ideas of temptation, of evil, and perhaps, the loss of innocence. The moniker itself is an alternative to its more common name ‘deadly nightshade’, a poisonous plant and invasive species to Australia, bearing black, cherry-like fruit. Just a … Continue reading ★★★☆☆ Review: Devil’s Cherry by Kaylene Tan and Paul Rae (SIFA 2022)

★★★★★ Review: Bangsawan Gemala Malam by Teater Ekamatra (SIFA 2022)

Shakespeare’s classic comedy lends itself perfectly to the bangsawan form. In Malay culture, the bangsawan is a traditional opera form performed by theatre troupes, regaling its audiences with epic tales, its scenes both melodramatic and comedic, punctuated by song and dance. While no longer as common in modern day Singapore, the form has found new life during the 2022 Singapore International Festival of Arts (SIFA), … Continue reading ★★★★★ Review: Bangsawan Gemala Malam by Teater Ekamatra (SIFA 2022)

★★★★☆ Review: Sylvia by Pachyderm Theatre

Man’s best friend counters the dog days of life. How much do we love our pets? For one man, it might just be a relationship that’s unnervingly close to a romance, much to the chagrin of his wife. Written by A.R. Gurney and directed by Pavan J. Singh, Sylvia is a modern romantic comedy that follows middle-aged ‘empty-nesters’ Greg and Kate (Sean Worrall and Susie … Continue reading ★★★★☆ Review: Sylvia by Pachyderm Theatre