Category: Theatre

Arts, Review, Singapore, Theatre

★★★★☆: Molière’s Tartuffe – The Imposter by Wild Rice

New adaptation of Molière’s classic is a politically-charged, cautionary tale. Considering how much they preach about being holier than thou, the good name of Christianity has been increasingly run into the ground thanks to more than a few bad apples. Not only do we have the recent example of evangelists forcing passengers trapped 30,000 feet in the air to listen to songs of worship; we … Continue reading ★★★★☆: Molière’s Tartuffe – The Imposter by Wild Rice

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Arts, Preview, SRT, Theatre

Reconnecting Through Theatre: An Interview with director Daniel Jenkins on promenade theatre show C-O-N-T-A-C-T

Recently announced as the new Deputy Artistic Director of the Singapore Repertory Theatre (SRT), Daniel Jenkins has a busy year ahead of him. Not only will he be learning the ropes of what it takes to steer the company towards the future, he’s also heavily involved in planning the upcoming season, casting, scheduling, directing and producing a couple of shows, and even taking on a … Continue reading Reconnecting Through Theatre: An Interview with director Daniel Jenkins on promenade theatre show C-O-N-T-A-C-T

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Arts, Preview, SRT, Theatre

Preview: C-O-N-T-A-C-T by Singapore Repertory Theatre

Singapore Repertory Theatre (SRT) is no stranger to unusual theatrical presentations, with productions such as Ghost Light (2020) and Caught (2019). This April, they’re breaking the mould once again, with C-O-N-T-A-C-T, a live theatre experience like no other. Originally staged in France with sold-out performances, this ground breaking, life-affirming promenade theatre production now comes to Singapore. Members of the audience, armed with headphones and a … Continue reading Preview: C-O-N-T-A-C-T by Singapore Repertory Theatre

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Review, Singapore, Theatre

★★★★☆ Review: Quasimodo – A Musical Story by Sing’theatre

Passionate cast breathes life into Victor Hugo’s classic. Receiving dozens of adaptations since it was first written in 1831, French novelist Victor Hugo’s Notre-Dame de Paris (better known as The Hunchback of Notre-Dame) has endured the test of time, and emerged as one of the most recognizable stories surrounding the iconic cathedral and its place in literary canon. Nothing could have prepared the world for … Continue reading ★★★★☆ Review: Quasimodo – A Musical Story by Sing’theatre

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Arts, online, Review, Theatre

★★★☆☆ Review: Gallery of Secrets – The Lost Lily by The Theatre Practice and National Gallery Singapore

Fiendishly convoluted mystery makes this a real treasure for puzzle diehards. Following their first venture into digital theatre with The Bride Always Knocks Twice – Killer Secrets in 2021, The Theatre Practice (Practice) has furthered their exploration with new hybrid mystery meets treasure hunt Gallery of Secrets: The Lost Lily. Co-produced with National Gallery Singapore, Gallery of Secrets is helmed by the same creative team … Continue reading ★★★☆☆ Review: Gallery of Secrets – The Lost Lily by The Theatre Practice and National Gallery Singapore

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Arts, Review, Singapore, Theatre

Review: Carnival of the Animals by CIRCA and Base Entertainment Asia

Imaginary menagerie set to Camille Saint-Saëns. In the public imagination, beyond clowns and death-defying acrobatic acts, circuses are often associated with images of tamed animals performing incredible tricks, from dancing horses to ferocious lions. But in a modern day setting, these types of circuses are now all but gone. How then can we still recreate that sense of wonder with ethics in mind? Acclaimed Australian … Continue reading Review: Carnival of the Animals by CIRCA and Base Entertainment Asia

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Arts, Review, Theatre

★★★☆☆ Review: Lotus Root Support Group by Miriam Cheong, Shannen Tan and Renee Yeong

The body is a construct, the body is a cage. In a world where our bodies so often feel like they have become the property of society, governed and restricted by social expectations, an additional layer of complication is introduced when our bodies rebel in ways beyond our control. And for the 1 in 10 women who suffer from polycystic ovary syndrome (PCOS), a condition … Continue reading ★★★☆☆ Review: Lotus Root Support Group by Miriam Cheong, Shannen Tan and Renee Yeong

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Arts, Singapore, Theatre

Preview: Carnival of the Animals by Base Entertainment Asia

Internationally acclaimed contemporary circus company Circa from Brisbane, Australia and the leading presenter of live entertainment in Asia Pacific Base Entertainment Asia present Carnival of the Animals at Sands Theatre, a blend of circus, multimedia and music. This family-friendly show magically reinvents the classic music suite by French romantic composer Camille Saint-Saëns. Depicting creatures from land, sea and sky, Circa’s performers take children and their … Continue reading Preview: Carnival of the Animals by Base Entertainment Asia

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Arts, Preview, Singapore, Theatre

Wild Rice announces three shows for May-July 2022 season

This May, June and July, local theatre company Wild Rice is presenting a slate of three shows at the The Ngee Ann Kongsi Theatre, with Faghag (from 12th May 2022), Straight Acting (16th June – 2nd July 2022) and Don’t Call Him Mr. Mari Kita (7th – 23rd July 2022). “Wild Rice is proud to present these critically acclaimed productions, which represent the very best … Continue reading Wild Rice announces three shows for May-July 2022 season

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Arts, Interview, Preview, Singapore, Theatre

Molière’s Tartuffe: An Interview with director Glen Goei, playwright Joel Tan, and star Ivan Heng

French playwright Molière is often considered one of the greatest writers, with his farces and comedies ranking among his best work. In conjunction with the 400th anniversary of Molière’s birth, local theatre company Wild Rice has commissioned a new adaptation of satirical comedy Tartuffe: The Imposter. Written by Joel Tan, directed by Wild Rice’s Co-Artistic Director, Glen Goei, and starring Wild Rice Founding Artistic Director … Continue reading Molière’s Tartuffe: An Interview with director Glen Goei, playwright Joel Tan, and star Ivan Heng

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