★★☆☆☆ Review: Screen. Shot. by Bound Theatre

Sound and fury, signifying nothing. In the digital age, where social media can activate an angry mob at a moment’s notice, any information that could spark a flame is enough to turn into a raging wildfire. Tackling this phenomenon is Bound Theatre’s Screen. Shot., where a modern Rashomon-esque plot unfolds, and unveils what happens when rumours spread and dramatises how what you see online, may … Continue reading ★★☆☆☆ Review: Screen. Shot. by Bound Theatre

Preview: Kumar Locks Down by Base Entertainment Asia and Ra Ra Productions

Following the sell-out season of Kumar Unmasked in 2021, Base Entertainment Asia and Ra Ra Productions are back to present Singapore’s comedy legend and her funniest jokes of all-time, for the last time. Will this be the show where our reigning local Queen of Comedy will perform her high-in-demand jokes for the last time? From the 90s through to this new normal, you can expect … Continue reading Preview: Kumar Locks Down by Base Entertainment Asia and Ra Ra Productions

Preview: Majulah Live – It’s A Rap by Base Entertainment Asia and Red Spade

A celebration of Singaporean culture, music and talent is set to take centre stage on 19 March at Sands Theatre with Majulah Live x It’s A Rap. Top homegrown acts and independent artists will come together for a live entertainment extravaganza, featuring a diverse mix of 13 local veteran and up-and-coming artists spanning the genres of music, rap and comedy. Majulah Live x It’s A … Continue reading Preview: Majulah Live – It’s A Rap by Base Entertainment Asia and Red Spade

Review: How To Break A Window II by T:>works

New ways of performing, with the winners of the 24-Hour Playwriting Competition. As the longest running playwriting competition in Singapore, T:>works’ 24-Hour Playwriting Competition has seen countless scripts emerge over the years. But with only the first prize winner getting a chance to be fully staged, the encouragement of such fresh voices has always been limited at best. With the pandemic however, T:>works pivoted from … Continue reading Review: How To Break A Window II by T:>works

Blooming Through Mud: An Interview with Shannen Tan and Miriam Cheong on new show ‘Lotus Root Support Group’

For a show titled Lotus Root Support Group, you’d be forgiven if you mistook it for a tale of aunties looking for the best deals on marketplace veggies. But the truth of the matter is, it’s actually a thinly veiled metaphor for women suffering from Polycystic Ovary Syndrome (PCOS), where a woman’s ovaries may develop numerous small cysts, hence giving rise to the lotus-like ovaries. … Continue reading Blooming Through Mud: An Interview with Shannen Tan and Miriam Cheong on new show ‘Lotus Root Support Group’

Preview: Lotus Root Support Group by Miriam Cheong, Shannen Tan and Renee Yeong

You may not have heard of Polycystic Ovary Syndrome (PCOS) before, but by the end of Lotus Root Support Group, you’ll be fully aware of how common the condition is and how it affects women in Singapore. Devised and performed by Miriam Cheong and Shannen Tan, and directed by Renee Yeong, Lotus Root Support Group is a brand new independent theatre show, and the first … Continue reading Preview: Lotus Root Support Group by Miriam Cheong, Shannen Tan and Renee Yeong

Review: Writing with AI (Chinese showcase) by Emergency Stairs

Does artificial intelligence dream of meta-jokes? In his No More Theatre series, Emergency Stairs Artistic Director Liu Xiaoyi takes a deep dive into the infinite realm of possibilities for theatre, breaking convention and seeking new frameworks and means of presenting theatre and the arts. Most significantly, with the advent of the COVID-19 pandemic, Xiaoyi’s research has taken him down a tech-heavy route, as he wonders … Continue reading Review: Writing with AI (Chinese showcase) by Emergency Stairs

Preview: Opposition 对峙 by The Necessary Stage and Drama Box

Over the last few years, local theatre companies Drama Box and The Necessary Stage (TNS) have been closely collaborating with each other, resulting in two critically-acclaimed productions – 2016’s Manifesto and 2018’s Underclass. Now, the two companies are set to present the final show in their trilogy of collaborations, with Opposition in March. “Opposition is a fascinating blend of live and multimedia performance. The narrative … Continue reading Preview: Opposition 对峙 by The Necessary Stage and Drama Box

★★★★☆ Review: Miss Julie by Singapore Repertory Theatre

Clash of the classes in this post-colonial reimagining of Strindberg’s classic. Almost any and all relationships can be seen through the lens of power, be it between master and servant, or simply lovers. And it is managing that careful balance of power that determines the difference between equilibrium and a barrage of emotions, something that is thoroughly explored across the dangerous games played by the … Continue reading ★★★★☆ Review: Miss Julie by Singapore Repertory Theatre

★★★☆☆ Review: Being 息在 by 微 Wei Collective

Sometimes escapism is the answer. In the busy urban lives we lead, it can often be hard to find breathing space, keeping us stressed and unable to function well. Perhaps the solution to all that is to leave it all behind. Written and performed by Neo Hai Bin, Wei Collective’s Being explores the concept of escapism as a means of regulating stress, through a surreal … Continue reading ★★★☆☆ Review: Being 息在 by 微 Wei Collective