★★★★★ Review: pass·ages by Sim Yan Ying

Resonant work on ageing shows YY’s vision and true capabilities as a director given enough time and resources. Time is a cruel mistress. Regardless of where we come from, it is the one thing we are all subject to, eventually resulting in death. But along the way, time also brings with it age, our bodies going through significant transformations at every stage of our life. … Continue reading ★★★★★ Review: pass·ages by Sim Yan Ying

Preview: Pesta Raya – Malay Festival of Arts 2024 by Esplanade – Theatres on the Bay

As is tradition, the Esplanade’s Pesta Raya – Malay Festival of Arts returns for a brand new edition after Hari Raya Puasa this May. This year, the arts centre and its collaborating and invited artists are ready to whisk audience members to the Nusantara region, with the meeting of tradition and folklore with the contemporary. Highlights of the festival this year include two new commissioned … Continue reading Preview: Pesta Raya – Malay Festival of Arts 2024 by Esplanade – Theatres on the Bay

Preview: Flipside 2024 at Esplanade – Theatres on the Bay

This June, get ready for the return of Esplanade – Theatres on the Bay’s Flipside festival, with a series of programmes that showcase the lighter side of the arts, from puppetry to circus, physical theatre to comedy. Joy and delight is at the heart of these productions, as these artists utilise absurdity and humour to find the beauty or depth in the everyday. This year’s … Continue reading Preview: Flipside 2024 at Esplanade – Theatres on the Bay

TRIP 2024: An Interview with Renee Yeong on directing ‘How I Learned To Drive’, finding balance and her place as a director in Singapore

Renee Yeong is a bit of a superwoman. Maintaining a full-time job against her theatrical pursuits, the young theatremaker has just come off directing a successful production of George Brant’s Grounded for Singapore Theatre Company, and is ready to present another production less than a month after closing, with Paula Vogel’s How I Learned To Drive. Marking her second and ‘graduating’ production for the Esplanade’s … Continue reading TRIP 2024: An Interview with Renee Yeong on directing ‘How I Learned To Drive’, finding balance and her place as a director in Singapore

TRIP 2024: An Interview with Sim Yan Ying ‘YY’ on directing ‘pass·ages’ and the process of collaborative learning and the joy of creation

Theatremaker Sim Yan Ying ‘YY’ may only be in her 20s, but she’s already able to list a slew of artistic achievements to her name across both Singapore and New York, starting from humble devised works, to experiments online, to working with major theatre companies such as T:>works and W!ld Rice. Now, fresh from a rejuvenating break, YY returns to the Esplanade to complete her … Continue reading TRIP 2024: An Interview with Sim Yan Ying ‘YY’ on directing ‘pass·ages’ and the process of collaborative learning and the joy of creation

Preview: A Tapestry of Sacred Music 2024 by Esplanade – Theatres on the Bay

Now in its 15th edition, Esplanade – Theatres on the Bay’s A Tapestry of Sacred Music returns once more to bless audiences with religious music, showcasing the spirituality of sound to bring peace to our hearts in this conflict-ridden reality we live in. As always, the festival aims to help audiences better appreciate the beauty of others through art, with these songs and dances performed … Continue reading Preview: A Tapestry of Sacred Music 2024 by Esplanade – Theatres on the Bay

Artists and technologists collaborate for the first edition of the Performing Arts x Tech Lab with new experiences for audiences

This April, the Performing Arts x Tech Lab (Lab) will launch an Industry Sharing at the Esplanade Annexe Studio till 13 April 2024 for the public, potential partners and adopters to experience new possibilities in performance creation. This marks the completion of the nine-month long incubation, organised by the National Arts Council (NAC) in partnership with Esplanade – Theatres on the Bay (Esplanade).  The Industry … Continue reading Artists and technologists collaborate for the first edition of the Performing Arts x Tech Lab with new experiences for audiences

★★★★☆ Review: Hi, Can You Hear Me? by The Necessary Stage

Hell lies somewhere between a bar and a breakout room. Considering that we live in a world ravaged by war, beset by pandemics, and face unprecedented climate change that brings with it the assurance of disaster, it’s not entirely surprising that something eventually breaks inside us from how overwhelming it can all be. But when faced with such existential anxiety – do we end up … Continue reading ★★★★☆ Review: Hi, Can You Hear Me? by The Necessary Stage

Esplanade Chairman Lee Tzu Yang to hand over baton to Lim Ming Yan from 1 Apr 2024

After 21 years of serving The Esplanade Co Ltd, first as a Board Member since 2003 and as its Chairman from January 2015, Lee Tzu Yang will be stepping down on 31 Mar 2024. Lim Ming Yan, current Deputy Chairman of Esplanade and Chairman of the Singapore Business Federation, will assume chairmanship from 1 Apr 2024. Mr Lim Ming Yan is an Independent/Non-Executive Director on … Continue reading Esplanade Chairman Lee Tzu Yang to hand over baton to Lim Ming Yan from 1 Apr 2024

Preview: Sim Yan Ying and Renee Yeong complete their TRIP journey with two new shows this April at the Esplanade Theatre Studio

After making their The Studios debuts in 2023 under Esplanade – Theatres on the Bay’s TRIP programme for early career directors to showcase their work, Sim Yan Ying “YY” and Renee Yeong are back this April to each present a brand new work to round off their journey. In 2023, YY presented Joel Tan’s No Particular Order, while Renee presented Michelle Tan’s I Am Trying … Continue reading Preview: Sim Yan Ying and Renee Yeong complete their TRIP journey with two new shows this April at the Esplanade Theatre Studio