M1 Singapore Fringe 2025: An Interview with The Necessary Stage on a new staging of Haresh Sharma’s ‘Eclipse’

Over the years, The Necessary Stage (TNS) has made a name for itself with some of the most gripping, hard-hitting plays to come out of Singapore, primarily thanks to Resident Playwright and Cultural Medallion recipient Haresh Sharma. Among these plays is Eclipse, which looks at three generations of men struggling with their dreams and their journeys, as a young Singaporean man makes a journey to … Continue reading M1 Singapore Fringe 2025: An Interview with The Necessary Stage on a new staging of Haresh Sharma’s ‘Eclipse’

M1 Singapore Fringe 2025: An Interview with Birds Migrant Theatre on ‘The Troupe’

Comprising a group of theatre enthusiasts who also happen to be migrant workers, Birds Migrant Theatre is back for another edition of the M1 Singapore Fringe Festival this coming January. Following Foreign Bodies in 2023, which we described as ‘an unflinching, objectively written story that speaks truth to the limitations of being a migrant in Singapore’, the team is back withThe Troupe, yet another original … Continue reading M1 Singapore Fringe 2025: An Interview with Birds Migrant Theatre on ‘The Troupe’

M1 Singapore Fringe 2025: An Interview with Qabilah on ‘WePushTheSky’

Friends are and have always been a key part of our lives – no man is an island after all, and more than ever, rather than seeking out tribes where we simply see the similarities, it becomes more important to make space for differences, expand our mindsets and welcome others with open arms and nuance. That is what Indian company Qabilah is doing with WePushTheSky, … Continue reading M1 Singapore Fringe 2025: An Interview with Qabilah on ‘WePushTheSky’

M1 Singapore Fringe 2025: An Interview with Noor Effendy Ibrahim and Ruby Jayaseelan on ‘Dancing with the Ghost of My Child’

Can the arts heal pain? In tackling issues such as vulnerability, trauma and the desire to heal, the students of the BA (Hons) in Performance Making programme at Nanyang Academy of Fine Arts are attempting to do just that, in Dancing with the Ghost of My Child in January. Playing as part of the M1 Singapore Fringe Festival 2025, the devised work is led by … Continue reading M1 Singapore Fringe 2025: An Interview with Noor Effendy Ibrahim and Ruby Jayaseelan on ‘Dancing with the Ghost of My Child’

M1 Singapore Fringe 2025: An Interview with Siren Theatre Co. on ‘The End of Winter’

‘The End of Winter’ sounds like the stuff of fairytales, something that some kind of supernatural, fantastical villain plots to do away with snow forever. But the truth is, with rapid climate change and global warming, that could well be a reality before we know it, particularly in Australia, where the people truly feel the heat, with warmer and shorter winters each year. How do … Continue reading M1 Singapore Fringe 2025: An Interview with Siren Theatre Co. on ‘The End of Winter’

35th Singapore International Film Festival Closes with Record-breaking Box Office, Celebrates Excellence in Asian Cinema at Silver Screen Awards

The Singapore International Film Festival (SGIFF) concluded its 35th edition on December 8 with another record-breaking year. The festival marked its highest-ever box office earnings, with total ticket sales seeing a 10% increase from the last edition. This year’s attendance also surpassed the previous edition’s record, cementing SGIFF’s place among audiences as a key platform for Asian cinema. The final night of the festival culminated in the prestigious … Continue reading 35th Singapore International Film Festival Closes with Record-breaking Box Office, Celebrates Excellence in Asian Cinema at Silver Screen Awards

35th Singapore International Film Festival Kicks Off with Southeast Asian Premiere of Stranger Eyes

The 35th Singapore International Film Festival (SGIFF) opened on the evening of 28 November, setting the stage for a vibrant celebration of Asian cinema. Held at the iconic Capitol Theatre, the evening saw the Southeast Asian premiere of Singaporean director Yeo Siew Hua’s award-winning psychological thriller Stranger Eyes, marking the first of 105 films from over 48 countries — 80% of which are from Asia — to be … Continue reading 35th Singapore International Film Festival Kicks Off with Southeast Asian Premiere of Stranger Eyes

Film Fanatic: An Interview with Jeremy Chua, General Manager of SGIFF on the state of the film industry

Jeremy Chua remembers his childhood as a lonely one, one primarily spent in what seemed to become a second home – the cinema. Growing up watching films that engaged and enchanted him, he recalls spending time doodling car parks, and in the cars parked within them, he would imagine people sitting inside, and all the little thoughts and stories that made up their lives, and … Continue reading Film Fanatic: An Interview with Jeremy Chua, General Manager of SGIFF on the state of the film industry

Film Fanatic: An Interview with Yeo Siew Hua, director of SGIFF 2024 opening film ‘Stranger Eyes’

Singaporean director and filmmaker Yeo Siew Hua has a longstanding history with the Singapore International Film Festival (SGIFF). Not only has he been consistently showcasing work he has helped produce or direct, but he looks upon the festival fondly as a key part of his formative years as a teen. But this year, Yeo is making new waves at the festival once again, with his … Continue reading Film Fanatic: An Interview with Yeo Siew Hua, director of SGIFF 2024 opening film ‘Stranger Eyes’

Kalaa Utsavam 2024: An Interview with HuM Theatre’s Subin Subaiah and Daisy Irani on ‘Train to Pakistan’

India’s Partition is often considered one of the most significant historical events of South Asia. Cleaving a nation into two upon India’s independence, millions of families faced displacement and separation from each other, with countless deaths from the violence that ensued over the bitter rivalry, with tensions that continue even into the present day. How then does one even begin to grapple with the massive … Continue reading Kalaa Utsavam 2024: An Interview with HuM Theatre’s Subin Subaiah and Daisy Irani on ‘Train to Pakistan’