★★★★★ Film Review: The Solitary Gourmet (劇映画 孤独のグルメ) dir. Yutaka Matsushige

The Solitary Gourmet finds new friends and new fans in this moving, life-affirming feature film continuation of the hit television series. In Singapore at least, eating alone is considered a social faux pas. Why don’t you have any friends? Are you a misanthrope who shuns humanity? But as hit manga series The Solitary Gourmet shows, there is no shame in eating alone, and in fact, … Continue reading ★★★★★ Film Review: The Solitary Gourmet (劇映画 孤独のグルメ) dir. Yutaka Matsushige

★★★★☆ Review: A Doll’s House, Part 2 by Pangdemonium!

The past comes knocking, as Pangdemonium tackles the resounding fallout from the dramatic decision made by one of Ibsen’s most iconic heroines. Nora Helmer is perhaps one of theatre’s most iconic heroines of all times, famed for daring to fight back against oppressive, conservative Norwegian society by walking out on her family, slamming the door behind to pursue her independence, in Henrik Ibsen’s A Doll’s … Continue reading ★★★★☆ Review: A Doll’s House, Part 2 by Pangdemonium!

How Singaporean Movies Shape National Sports Identity

The world of sports is about much more than just results and achievements. In Singapore, cinema has proven to be a powerful platform for telling stories that shape national identity and collective consciousness. Two films stand out particularly in this narrative: “Kallang Roar the Movie” and “Homerun”. Sports as national pride: “Kallang Roar the Movie” The film about Singapore’s historic victory in the 1977 Malaysia … Continue reading How Singaporean Movies Shape National Sports Identity

35th Singapore International Film Festival Closes with Record-breaking Box Office, Celebrates Excellence in Asian Cinema at Silver Screen Awards

The Singapore International Film Festival (SGIFF) concluded its 35th edition on December 8 with another record-breaking year. The festival marked its highest-ever box office earnings, with total ticket sales seeing a 10% increase from the last edition. This year’s attendance also surpassed the previous edition’s record, cementing SGIFF’s place among audiences as a key platform for Asian cinema. The final night of the festival culminated in the prestigious … Continue reading 35th Singapore International Film Festival Closes with Record-breaking Box Office, Celebrates Excellence in Asian Cinema at Silver Screen Awards

35th Singapore International Film Festival Kicks Off with Southeast Asian Premiere of Stranger Eyes

The 35th Singapore International Film Festival (SGIFF) opened on the evening of 28 November, setting the stage for a vibrant celebration of Asian cinema. Held at the iconic Capitol Theatre, the evening saw the Southeast Asian premiere of Singaporean director Yeo Siew Hua’s award-winning psychological thriller Stranger Eyes, marking the first of 105 films from over 48 countries — 80% of which are from Asia — to be … Continue reading 35th Singapore International Film Festival Kicks Off with Southeast Asian Premiere of Stranger Eyes

Film Fanatic: An Interview with Jeremy Chua, General Manager of SGIFF on the state of the film industry

Jeremy Chua remembers his childhood as a lonely one, one primarily spent in what seemed to become a second home – the cinema. Growing up watching films that engaged and enchanted him, he recalls spending time doodling car parks, and in the cars parked within them, he would imagine people sitting inside, and all the little thoughts and stories that made up their lives, and … Continue reading Film Fanatic: An Interview with Jeremy Chua, General Manager of SGIFF on the state of the film industry

Film Fanatic: An Interview with Yeo Siew Hua, director of SGIFF 2024 opening film ‘Stranger Eyes’

Singaporean director and filmmaker Yeo Siew Hua has a longstanding history with the Singapore International Film Festival (SGIFF). Not only has he been consistently showcasing work he has helped produce or direct, but he looks upon the festival fondly as a key part of his formative years as a teen. But this year, Yeo is making new waves at the festival once again, with his … Continue reading Film Fanatic: An Interview with Yeo Siew Hua, director of SGIFF 2024 opening film ‘Stranger Eyes’

Full lineup revealed for Singapore International Film Festival 2024, including ‘Nightbitch’ and Cronenberg’s ‘The Shrouds’

As the Singapore International Film Festival (SGIFF) marks its 35th edition, the nation’s largest and longest-running film event reinforces its position as a key reference point for Singapore and Asian cinema, while showcasing its unique perspective on contemporary trends in global cinema. Held from 28 November to 8 December, this year’s lineup features 105 films from 45 countries, with 80% of the selections hailing from … Continue reading Full lineup revealed for Singapore International Film Festival 2024, including ‘Nightbitch’ and Cronenberg’s ‘The Shrouds’

5 Memorable Casino Scenes in Movies 

Casinos have long served as vibrant backdrops in cinema, offering a blend of luxury, risk, and often high-stakes drama. The glittering lights and the suspense of gambling provide a dynamic setting for pivotal movie scenes. From Bond films to heist capers, casinos play a key role in the narrative development and visual splendour of movies. Here are five of the most famous casino scenes in … Continue reading 5 Memorable Casino Scenes in Movies 

Film Fanatic: I NOT STUPID 3 scores 2nd highest opening day for an Asian film in 2024

Local movie I NOT STUPID 3 《小孩不笨3》, helmed by Singapore’s most commercially successful director Jack Neo, scores the 2nd highest opening day for Asian films this year! The third instalment from the renowned franchise I NOT STUPID 《小孩不笨》 collected S$56,000 on its first day, the only film that ranked behind Chinese New Year movie MONEY NO ENOUGH 3 《钱不够用3:全部够用》, a drama-comedy also by Neo. I NOT STUPID 3 was released on 6 June. OPENING DAY BOX OFFICE CHART FOR ASIAN FILMS IN 2024   English … Continue reading Film Fanatic: I NOT STUPID 3 scores 2nd highest opening day for an Asian film in 2024