Back in 2018, new theatre company Autopoetics, founded by Chelsea Crothers, Laura Hayes and Maiya Murphy, made their professional stage debut as a company with original script Provenance, showing off core tents of what the company stood for – rich visuals, a tight script, and powerful physical theatre. Six years on, and the company are back with another new work, this time focusing on the … Continue reading Preview: no there there by Autopoetics
Ensemble work about unfulfilled desires and the inevitability of death messy amidst truth. In the final collaborative effort between Nine Years Theatre (NYT) and NAFA School of Theatre, director Timothy Wan and the Year 3 graduating students of NAFA’s Diploma in Theatre (English Drama) present Adam Bernard’s unusual play Buckets. Referencing the idea of a bucket list and the endless unfulfilled tasks one is left … Continue reading ★★☆☆☆ Review: Buckets by NAFA School of Theatre and Nine Years Theatre
Snapshots of fleeting youth and the tragedy of life in three acts. If it’s one thing in life money can’t buy, it’s youth. Doomed to age till the day we die, it is far too often that by the time we reach a degree of emotional maturity to appreciate what we have, it is often already too late to enjoy it in all its glory. … Continue reading ★★★☆☆ Review: The Fall by NAFA School of Theatre and Nine Years Theatre
Hallucinations and violence cause chaos in this Mandarin adaptation of Goldberg’s classic. As civilised as we might seem, when placed in extreme situations, any human is likely to regress into survival mode, reverting to our animal instincts in a primal state closer to beast than man. One of the most prominent works in the English language to explore this is William Golding’s seminal novel Lord … Continue reading ★★★★☆ Review: Lord Of The Flies by NAFA School of Theatre and Nine Years Theatre
Experimental adventures in the future and philosophy of artmaking. Legendary experimental theatre company Zuni Icosahedron have essentially become an institution in Hong Kong and internationally-renowned, always daring to push at the boundaries of what constitutes theatre and asking difficult questions about art and artmaking. It is significant then, that the company has agreed to a three-year strategic collaboration with Nanyang Academy of Fine Arts’ (NAFA) … Continue reading ★★★★☆ Review: One Table Two Chairs by Zuni Icosahedron and NAFA
Hong Kong’s renowned avant-garde theater company, Zuni Icosahedron, and Singapore’s pioneer arts institution, Nanyang Academy of Fine Arts (NAFA), are set to co-present the triplebill production “One Table Two Chairs” to kick start a three-year strategic collaboration and endorse NAFA’s new programme, Bachelor of Arts (Honours) Contemporary Chinese Theatres (BACCT). The degree is conferred by the University of the Arts Singapore (UAS), where NAFA is … Continue reading Zuni Icosahedron and NAFA co-present three shows in Singapore in association with new BA (Hons) Chinese Contemporary Theatres programme
Glass half empty perspective towards how a nation cares for its minorities. Category Score (out of 10) Direction (Adib Kosnan, Yarra Ileto) 7 Script (Aswani Aswath, NAFA students) 6 Performance (NAFA students) 7 Sound Design (Alif Danial Ahmad) 7 Lighting (Tai Zi Feng) 7 Total 34/50 (68%) Final Score: ★★★☆☆ In a world where appearances are everything, it is far too often that we try … Continue reading ★★★☆☆ Review: Less Than Half by Adib Kosnan, Yarra Ileto & Nanyang Academy of Fine Arts
Language is a prison in this cerebral play about oppressive society. In line with her penchant for cerebral scripts heavy on text, director Edith Podesta’s efforts at bringing Austrian writer Peter Handke’s Kaspar to life with the help of NAFA’s BA Theatre students is a valiant one, no easy feat given its absurdist, non-linear flow and often nonsensical, non-sequitur language. Loosely inspired by the story … Continue reading M1 Singapore Fringe Festival 2019: Kaspar by Edith Podesta and NAFA (Review)
Jo Tan tackles racism and identity in this story about a Singaporean fish out of water. Jo Tan’s playwriting debut is a simple yet familiar story of one Singaporean girl with big dreams. In Forked, Ethel Yap plays Jeanette, a young aspiring actor who heads to London for drama school. Upon arrival in London though, Jeanette gets the biggest culture shock of her life when … Continue reading M1 Singapore Fringe Festival 2018: Forked by Jo Tan (Review)
Thong Pei Qin summons the old guard of feminist artists for a new generation. If Step Outta Line was anyone’s first introduction to playwright Ovidia Yu, they’d probably come away with the impression that this was one angry woman. And rightfully so. Yu was one of the most outspoken and prominent female local playwrights of the 90s, with seminal plays that dared rebel against the patriarchy, pushed … Continue reading M1 Singapore Fringe Festival 2018: Step Outta Line by Thong Pei Qin (Review)
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