★★★★★ Review: Two men, ten years later (两男常罩) by HORSE

30 years of growing together as friends and artists. Category Score (out of 10) Direction (Edward Lam) 9 Performance (Chen Wu-kang and Su Wei-chia) 9 Choreography (Chen Wu-kang and Su Wei-chia) 9 Music (Lee Shih-yang) 9 Lighting Design (Chen Chao-chun) 8 Video Design (Sun Ruey-horng) 8 Stage Design (Liao Yin-chiao) 8 Costume Design (Yu-fang Teng) 8 Total 68/80 (85%) Final Score: ★★★★★ After meeting as … Continue reading ★★★★★ Review: Two men, ten years later (两男常罩) by HORSE

★★★★☆ Review: The Paiseh Pieces by The Second Breakfast Company

New musical sees 2BCo stretching into new directions as they tackle the perils of adulting. Category Score (out of 10) Direction (Adeeb Fazah) 8 Book (Adeeb Fazah) 8 Music/Lyrics (Bennett Bay/Stephanie Phang) 8 Performance (Gail Belmonte, Kevin Brendan, Nadya Zaheer, Fiona Chua, Misha Paule Tan, Rino Junior John, Sharon Mah, Tan Rui Shan) 8 Costume Design (Denise Dolendo) 8 Choreography (Pat Jon Gregory) 8 Set … Continue reading ★★★★☆ Review: The Paiseh Pieces by The Second Breakfast Company

★★★★★ Review: ART by Godot Theatre Company

Fragile friendship torn asunder by abstract art. Category Score (out of 10) Direction (Liang Chi-Ming) 10 Script (Yasmina Reza) 9 Performance (Pu Hsueh-Liang, Chu Chung Heng and Tseng Kuo Chen) 10 Stage Design (Nieh Kuang-Yen) 8 Costume Design (Chin Ping-Ping) 8 Lighting Design (Tsao An-Huei) 8 Music Composition/Arrangement (Chen Kao-Hwa) 8 Total 61/70 (87%) Final Score: ★★★★★ No matter how many times we’ve watched ART, … Continue reading ★★★★★ Review: ART by Godot Theatre Company

★★★☆☆ Review: Never The Bride by The Necessary Stage

Searching for meaning beyond marriage as the endgame. Category Score (out of 10) Direction (Alvin Tan) 6 Script (Rajkumar Thiagaras, Ryan Ang, Fadhil Daud) 6 Performance (Rajkumar Thiagaras, Ryan Ang, Fadhil Daud) 6 Composition / Sound Design (Emily Wong Ng Jing) 7 Scenography (Petrina Dawn Tan) 6 Multimedia /Film (Genevieve Peck / Tan Wei Ting) 8 Choreography (Ryan Ang) 7 Total 46/70 (66%) Final Score: … Continue reading ★★★☆☆ Review: Never The Bride by The Necessary Stage

★★★☆☆ Review: Less Than Half by Adib Kosnan, Yarra Ileto & Nanyang Academy of Fine Arts

Glass half empty perspective towards how a nation cares for its minorities. Category Score (out of 10) Direction (Adib Kosnan, Yarra Ileto) 7 Script (Aswani Aswath, NAFA students) 6 Performance (NAFA students) 7 Sound Design (Alif Danial Ahmad) 7 Lighting (Tai Zi Feng) 7 Total 34/50 (68%) Final Score: ★★★☆☆ In a world where appearances are everything, it is far too often that we try … Continue reading ★★★☆☆ Review: Less Than Half by Adib Kosnan, Yarra Ileto & Nanyang Academy of Fine Arts

★★★☆☆ Review: Tree Confessions by This Is Not A Theatre Company

The hidden life of trees, revealed. Written by Jenny Lyn Bader and directed by Erin B Mee, in This Is Not A Theatre Company’s Tree Confessions, audience members get to hear from a character they’d never have imagined ever hearing the voice of: a tree. The mechanics of the show are simple – audience members are required to find a tree of their choosing, sit … Continue reading ★★★☆☆ Review: Tree Confessions by This Is Not A Theatre Company

★★★★☆ Review: Django In Pain by Por Piedad Teatro & The Play Company

Darkly comic fairytale about seeking help, told through a surreal puppet show. It’s not often a puppet show opens with a scene of its protagonist attempting to hang himself. But that is precisely how homemade puppet theatre show Django In Pain begins, and only goes down an increasingly surreal narrative that will surprise you at every turn. Co-created by husband and wife theatremaking duo Antonio … Continue reading ★★★★☆ Review: Django In Pain by Por Piedad Teatro & The Play Company

Review: RATA – new grounds, new sounds by RATA Orkestra and Esplanade – Theatres on The Bay

New forms of composition for a new year. In a year that has seen the world emerge from the wake of a global pandemic, lies an opportunity to reimagine our practices and interactions. In many ways, the RATA Orkestra is a group that represents that first step into a new future, with an eclectic band of musicians led by Safuan Johari presenting new music through … Continue reading Review: RATA – new grounds, new sounds by RATA Orkestra and Esplanade – Theatres on The Bay

★★★★☆ Review: MILIEU 2022 by Frontier Danceland

Double bill of new introspective dance work looking at coexistence and cultural traditions. In the new edition of Frontier Danceland’s signature MILIEU programme, veteran female choreographers Low Mei Yoke (Singapore), Irene Kalbusch (Belgium) and Loke Soh Kim (Malaysia) produce and choreograph two intimate reflections on the interconnections of identity, place and culture, as they look towards the future, paying attention to what’s happening on the … Continue reading ★★★★☆ Review: MILIEU 2022 by Frontier Danceland

★★☆☆☆ Review: For My Highness by Toy Factory Productions

Weak direction and a script still in its infancy leave this play about drug abuse bereft of an emotional anchor. Category Score (out of 10) Direction (Adeeb Fazah) 4 Script (Shaleihin Pi’ee) 4 Performance (Zulfiqar Izzudin, Ong Xue Min, Wilfred Lee Kim Chye, Fadhil Daud, Jayden Lim Jun De) 4 Lighting (Fazree Azharie) 5 Sound (Vick Low) 5 Set (Vivien Lau) 4 Total 26/60 (43%) … Continue reading ★★☆☆☆ Review: For My Highness by Toy Factory Productions