★★★★☆ Review: Between 5 Cows and the Deep Blue Sea by A Yagnya (Kalaa Utsavam 2022)

Interrogating the confused, multi-faceted identity of the modern Indian woman in a meta, self-reflexive play. Category Score (out of 10) Direction (A Yagnya and Alvin Tan) 6 Script (A Yagnya) 6 Performance (Indumathi Tamilselvan and Kewal Kartik) 8 Costumes (Max Tan) 8 Set (Chan Silei) 7 Lighting (Faith Liu Yong Huay) 8 Multimedia (Jevon Chandra) 9 Sound (Jevon Chandra) 8 Total 60/80 (75%) Final Score: … Continue reading ★★★★☆ Review: Between 5 Cows and the Deep Blue Sea by A Yagnya (Kalaa Utsavam 2022)

Music Is: An Interview with Hans Sørensen, Director of Artistic Planning, Singapore Symphony Orchestra

Hans Sørensen is Director of Artistic Planning at the Singapore Symphony Orchestra. What that means is that among the many hats he wears, Sørensen is also responsible for the dynamic programming that goes into the Orchestra’s upcoming season, including acclaimed international and local musicians from Paul Lewis to Daniel Moult, the Thomas Clausen Trio to Yu Jing. A violin player, throughout his career, Sørensen has … Continue reading Music Is: An Interview with Hans Sørensen, Director of Artistic Planning, Singapore Symphony Orchestra

★★★☆☆ Review: The Change by Gangguan Theatre

Gangguan makes their debut with a solution for climate change in search of a medium. Category Score (out of 10) Direction (Edward Eng) 6 Script (Edward Eng) 6 Performance (Dennis Sofian) 7 Lighting Design (Ian Pereira) 6 Total 25/40 (63%) Final Score: ★★★☆☆ Everyone knows the climate crisis is important. But the sheer magnitude of the climate crisis and individual paralysis in the face of … Continue reading ★★★☆☆ Review: The Change by Gangguan Theatre

★★★★☆ Review: Chestnuts – Sibeh Strange in the Multiverse

Singapore’s longest running parody returns with a vengeance after 7 years, spoofing everything from Marvel to The LKY Musical. Category Score (out of 10) Direction (Jonathan Lim) 7 Script (Jonathan Lim) 7 Performance (Jonathan Lim, Judy Ngo, Audrey Luo, Timothy Wan, Nelson Chia) 8 Music (Elaine Chan) 8 Sound Design (Bob Wong) 7 Multimedia Design (Genevieve Peck) 7 Lighting Design (Tai Zi Feng) 7 Costumes … Continue reading ★★★★☆ Review: Chestnuts – Sibeh Strange in the Multiverse

RATA – new grounds, new sounds: An Interview with director Safuan Johari

In the blink of an eye, another year has gone by, and we’ll soon be saying goodbye to 2022. But before the year ends, sound artist and music producer Safuan Johari will be concluding it with a bang, as he and the Esplanade premiere the RATA Orkestra this December. Rounding off the Esplanade’s In New Light season of commissioned work at the newly opened Singtel … Continue reading RATA – new grounds, new sounds: An Interview with director Safuan Johari

Wild Rice announces An Inspector Calls, The Butterfly Lovers and Hotel as first three shows of 2023

With the end of 2022 comes the beginning of 2023, and with that – a brand new theatre season for leading Singapore theatre company Wild Rice, who’ve just announced the first three shows of 2023 – a new staging of J.B. Priestley’s An Inspector Calls, the arrival of the first English-language opera adaptation The Butterfly Lovers, and the restaging of their critically-acclaimed Hotel. A thought-provoking … Continue reading Wild Rice announces An Inspector Calls, The Butterfly Lovers and Hotel as first three shows of 2023

★★★★★ Review: Pinocchio by Wild Rice

Italian fairytale proves powerful inspiration for Wild Rice’s annual pantomime. Category Score (out of 10) Direction (Pam Oei) 10 Script (Thomas Lim) 9 Performance (Mae Elliessa, Ebi Shankara, Siti Khalijah Zainal, Dwayne Lau, Michelle Ler, Vester Ng) 9 Music – Composition/Lyrics (Julian Wong / Joel Tan) 9 Live Music (Joel Nah, Feri Susanto, Colin Yong, Brandon Wong, Rizal Sanip) 9 Choreography (Gino Babagay) 9 Set … Continue reading ★★★★★ Review: Pinocchio by Wild Rice

★★★★☆ Review: A Singaporean In Paris (2022) by Sing’theatre

Light-hearted musical revue rings in the holiday season with joy and laughter. Category Score (out of 10) Direction (Hossan Leong) 8 Script (Alison Jean Lester) 7 Performance (Amin Alifin, Ethel Yap, Gaby Rae, Hossan Leong, Peter Ong) 8 Choreography (George Chan) 9 Set Design (Wong Chee Wai) 9 Lighting Design (Reuben Ong) 8 Sound Design (Shah Tahir) 8 Costumes/Hair (Theresa Chan/Ashley Lim) 8 Music (Elaine … Continue reading ★★★★☆ Review: A Singaporean In Paris (2022) by Sing’theatre

Review: Playwrights’ Cove 2022 by The Necessary Stage

From featuring promising young theatremakers at the M1 Singapore Fringe Festival, to the creative jamming of The Orange Playground, in recent years, The Necessary Stage (TNS) has been increasingly moving towards the developing of new works and setting the foundations for a new generation of theatremakers. This year, TNS has also brought back Playwrights’ Cove, a playwriting training and mentorship programme led by Resident Playwright … Continue reading Review: Playwrights’ Cove 2022 by The Necessary Stage

An Interview with Gangguan Theatre’s Edward Eng, Writer/Director of new play ‘The Change’

In a year where we have finally begun to move beyond the shadow of the pandemic, new global problems begin to rear their head in our face once again, with the most prominent of those being climate change. But in the face of a global crisis, how do we keep our chin up and do something useful about it? New theatre company Gangguan Theatre will … Continue reading An Interview with Gangguan Theatre’s Edward Eng, Writer/Director of new play ‘The Change’