SIFA 2023: An Interview with Festival Director Natalie Hennedige

In 2022, Natalie Hennedige went from artistic director of Cake Theatre, to Festival Director of the annual Singapore International Festival of Arts. Together with her team, the veteran theatremaker programmed a slew of works in her debut year, and established her own spin on the festival by theming each edition around ‘The Anatomy of Performance’, specifically zooming in on the concept of rituals last year. … Continue reading SIFA 2023: An Interview with Festival Director Natalie Hennedige

SIFA 2023: An Interview with Hyerim Jang, choreographer behind ‘Abyss’

The concept of ‘han’ in Korea refers to a feeling of multiple layers of sorrow and sadness that represents the suffering of Korean lives from wars and colonialism. These days, it still persists, even if more removed from its historical context, and continues to plague even the modern Korean person with its sadness. Artistic director of 99 Art Company Hyerim Jang seeks to address that … Continue reading SIFA 2023: An Interview with Hyerim Jang, choreographer behind ‘Abyss’

SIFA 2023: An Interview with Brian Gothong Tan and Huang Ruo, co-creators of ‘Angel Island’

With its continued mention across history books, film and other media, most people would be familiar with New York’s Ellis Island, a symbol of the American Dream that welcomed European migrants to America searching for a new hopeful life, along with its proximity to the Statue of Liberty. But few know about Ellis Island’s counterpart – Angel Island in the San Francisco Bay, which instead … Continue reading SIFA 2023: An Interview with Brian Gothong Tan and Huang Ruo, co-creators of ‘Angel Island’

★★★★☆ Review: The Monster In The Mirror by Bitesize Theatre Productions

Heartfelt, quintessentially Singaporean musical resonates with students and adults alike. Category Score (out of 10) Direction (Terrance Tan) 8 Script (Terrance Tan) 7 Performance (Sharon Sum, Andrea Alingalan, Sharon Mah, Estelle Fly, Ryan Ang, Zulfiqar Izzudin, Noah Yap, Seah Janice, Liew Ai Wen, Afiq Abdul, Clement Yeo) 8 Music/Lyrics (Michelle Ler/Cheryl Chitty Tan) 9 Choreography (Tan Rui Shan) 9 Set Design (Petrina Dawn Tan) 8 … Continue reading ★★★★☆ Review: The Monster In The Mirror by Bitesize Theatre Productions

Arts of Hong Kong 2023: Juliet and Romeo by Lost Dog (Review)

HONG KONG – Shakespeare’s Romeo and Juliet was always a tragic tale of teen romance gone awry. But what if they didn’t die, and the two of them grew up to live happily ever after? That’s the hypothetical situation dance company Lost Dog poses in their work Juliet and Romeo, as they imagine the two lovers in middle age, tackling our cultural obsession with youth … Continue reading Arts of Hong Kong 2023: Juliet and Romeo by Lost Dog (Review)

Pesta Raya 2023: An Interview with ‘Potong’ director Mohd Fared Jainal

What does it mean to be a Singaporean Malay man? Is it having gone through National Service? Is it simply by virtue of being brown? Or could it be the quintessential rite of passage for Muslim males – circumcision? Those are key questions that will be addressed and more in Johnny Jon Jon’s play Potong, which receives a new staging next week as part of … Continue reading Pesta Raya 2023: An Interview with ‘Potong’ director Mohd Fared Jainal

★★★★★ Review: Revisor by Kidd Pivot

Gogol’s satirical comedy becomes a spellbinding movement piece about truth, lies, and power. Category Score (out of 10) Direction/Choreography (Crystal Pite) 10 Writer (Jonathon Young) 10 Music / Sound Design (Owen Belton, Alessandro Juliani, Meg Roe) 10 Performance (Renée Sigouin, Doug Letheren, Rakeem Hardy, Rena Narumi, Ella Rothschild, Brandon Alley, Jennifer Florentino, Gregory Lau) 10 Scenic Design (Jay Gower Taylor) 10 Costume Design (Nancy Bryant) … Continue reading ★★★★★ Review: Revisor by Kidd Pivot

Review: Come On In by Faye Driscoll (Esplanade’s da:ns focus 2023)

ASMR meets meditation in this private dance between yourself and Faye Driscoll. In her exploration of connection and the relationship between audience and performer, American choreographer Faye Driscoll has conceptualised Come On In, a dance-installation work that eschews traditional dance conventions. Rather than watching a performer enact a series of choreographic movements, the audience becomes the performer, taking instruction from Driscoll as she leads us … Continue reading Review: Come On In by Faye Driscoll (Esplanade’s da:ns focus 2023)

Preview: Catfished by The Flux Media

This May, The Flux media presents Catfished, a contemporary Mandarin theatre production that explores the impact of technology on relationships in today’s digital age. Written and produced by Dennis Toh, co-produced by Mandy Tan, and directed by Yeo Lyle, Catfished follows the lives of three women who turn to social media to satisfy their yearning to be loved and find themselves trapped by the allure … Continue reading Preview: Catfished by The Flux Media

★★★★★ Review: The Future Show by Chong Tze Chien and Jo Tan

Making sense of the uncertain future, one moment at a time. Life often moves at breakneck speed, so fast that we hardly have time to reflect on all we’ve been through. To take a moment to pause and consider the sum total of our experiences then, is a luxury we must afford, if we are to actively, consciously build a better future for ourselves. That … Continue reading ★★★★★ Review: The Future Show by Chong Tze Chien and Jo Tan