★★☆☆☆ Review: Screen. Shot. by Bound Theatre

Sound and fury, signifying nothing. In the digital age, where social media can activate an angry mob at a moment’s notice, any information that could spark a flame is enough to turn into a raging wildfire. Tackling this phenomenon is Bound Theatre’s Screen. Shot., where a modern Rashomon-esque plot unfolds, and unveils what happens when rumours spread and dramatises how what you see online, may … Continue reading ★★☆☆☆ Review: Screen. Shot. by Bound Theatre

Review: How To Break A Window II by T:>works

New ways of performing, with the winners of the 24-Hour Playwriting Competition. As the longest running playwriting competition in Singapore, T:>works’ 24-Hour Playwriting Competition has seen countless scripts emerge over the years. But with only the first prize winner getting a chance to be fully staged, the encouragement of such fresh voices has always been limited at best. With the pandemic however, T:>works pivoted from … Continue reading Review: How To Break A Window II by T:>works

Blooming Through Mud: An Interview with Shannen Tan and Miriam Cheong on new show ‘Lotus Root Support Group’

For a show titled Lotus Root Support Group, you’d be forgiven if you mistook it for a tale of aunties looking for the best deals on marketplace veggies. But the truth of the matter is, it’s actually a thinly veiled metaphor for women suffering from Polycystic Ovary Syndrome (PCOS), where a woman’s ovaries may develop numerous small cysts, hence giving rise to the lotus-like ovaries. … Continue reading Blooming Through Mud: An Interview with Shannen Tan and Miriam Cheong on new show ‘Lotus Root Support Group’

Preview: Lotus Root Support Group by Miriam Cheong, Shannen Tan and Renee Yeong

You may not have heard of Polycystic Ovary Syndrome (PCOS) before, but by the end of Lotus Root Support Group, you’ll be fully aware of how common the condition is and how it affects women in Singapore. Devised and performed by Miriam Cheong and Shannen Tan, and directed by Renee Yeong, Lotus Root Support Group is a brand new independent theatre show, and the first … Continue reading Preview: Lotus Root Support Group by Miriam Cheong, Shannen Tan and Renee Yeong

Preview: Opposition 对峙 by The Necessary Stage and Drama Box

Over the last few years, local theatre companies Drama Box and The Necessary Stage (TNS) have been closely collaborating with each other, resulting in two critically-acclaimed productions – 2016’s Manifesto and 2018’s Underclass. Now, the two companies are set to present the final show in their trilogy of collaborations, with Opposition in March. “Opposition is a fascinating blend of live and multimedia performance. The narrative … Continue reading Preview: Opposition 对峙 by The Necessary Stage and Drama Box

★★★☆☆ Review: Being 息在 by 微 Wei Collective

Sometimes escapism is the answer. In the busy urban lives we lead, it can often be hard to find breathing space, keeping us stressed and unable to function well. Perhaps the solution to all that is to leave it all behind. Written and performed by Neo Hai Bin, Wei Collective’s Being explores the concept of escapism as a means of regulating stress, through a surreal … Continue reading ★★★☆☆ Review: Being 息在 by 微 Wei Collective

Preview: How To Break A Window II by T:>works

Following the gruelling 2021 edition of T:>works’ marathon 24-Hour Playwriting Competition, six out of 80 participants have emerged with winning scripts. Select scripts from the winners will be presented as part of How To Break A Window II, a hybrid production taking place in February 2022. Noorlinah Mohamed, Artistic Director of Festival of Women N.O.W. (2019-2021) who moderated three annual competitions since 2019 added, “This … Continue reading Preview: How To Break A Window II by T:>works

Arts of Hong Kong 2022: Hong Kong Arts Festival announces six finalists of “Arts X Tech Creative Competition”, part of the 50th HKAF Special Project “Laila”

The Hong Kong Arts Festival (HKAF) is pleased to announce six finalists in the “Arts X Tech Creative Competition”, a specially curated outreach and education initiative for the special project Laila. The finalists include two teams from the Secondary School Division, and four teams from the Tertiary Division. They were submitted by students from: Queen’s College, Po Leung Kuk Lee Shing Pik College, The University of Hong … Continue reading Arts of Hong Kong 2022: Hong Kong Arts Festival announces six finalists of “Arts X Tech Creative Competition”, part of the 50th HKAF Special Project “Laila”

★★★★☆ Review: Borderline by PSYCHEdelight

Tragicomic physical theatre presents the refugee crisis in a whole new light. Mention the refugee crisis, and comedy probably isn’t the first thing that comes to mind. Yet, in PSYCHEdelight’s Borderline, director and facilitator Sophie Besse uses it to incredible effect, as she leads a group of refugees and professional actors to share their experiences with heart, humour and physical comedy. Streaming as part of … Continue reading ★★★★☆ Review: Borderline by PSYCHEdelight

★★★★☆ Review: IMAGO by Travis Clausen-Knight and James Pett

Capturing the beauty and pain of love gone bad. If the pandemic is anything to go by, nothing good should be taken for granted, and it’s likely, never lasts forever. In psychoanalysis, the term ‘imago’ refers to an unconscious idealized mental image of someone, which influences a person’s behaviour. Using this definition as a starting point, UK dancers Travis Clausen-Knight and James Pett attempt to … Continue reading ★★★★☆ Review: IMAGO by Travis Clausen-Knight and James Pett