Preview: The Substation’s Gathering Ground 2024 uses pop-ups to bring the arts to the community

Even without a permanent home, The Substation continues to produce and present initiatives that promote the arts, and platforms new talents. In its latest initiative, The Substation presents Gathering Ground, a fresh series of community pop-ups that invites the public to immerse themselves in the arts alongside them. Embodying their long-standing commitment to nurturing independent voices and fostering unexpected collaborations, Gathering Ground will comprise 3 … Continue reading Preview: The Substation’s Gathering Ground 2024 uses pop-ups to bring the arts to the community

Review: FACADE – Two Parallel Lives by Bhaskar’s Arts Academy

Resolving the line between the personal and the professional. Over the years, Bhaskar’s Arts Academy has consistently pushed and evolved the Bharatanatyam form, yet always maintaining its core tenets and philosophy. In their latest production, Bhaskar’s Arts Academy brings back resident choreographer Neewin Hershall’s FACADE – Two Parallel Lives, the first time it’s been staged since its premiere in 2017, and showcases the company’s ability … Continue reading Review: FACADE – Two Parallel Lives by Bhaskar’s Arts Academy

Connect Asia Now: An Interview with Joshua Serafin on healing, spirituality and the cosmos in ‘PEARLS’

Multidisciplinary artist Joshua Serafin is a force to be reckoned with. The 28-year old is already making waves across the festival circuit, with their provocative, viscerally-charged work often leaving a deep emotional impact on viewers as they reel from the sheer force of it. From performing at the Venice Biennale in 2024, to receiving nominations for the 2023 ANTI Festival International Prize for Live Art … Continue reading Connect Asia Now: An Interview with Joshua Serafin on healing, spirituality and the cosmos in ‘PEARLS’

Connect Asia Now: An Interview with Eisa Jocson and Venuri Perera on broomsticks, witchcraft and domestic work in ‘Magic Maids’

Artists and choreographers Eisa Jocson (Philippines) and Venuri Perera (Sri Lanka) may both hail from the same continent, but it took both of them being at a residency in Switzerland to finally properly befriend and begin working together. “We’ve met here and there in various places over the years, and I’ve been a fan of Eisa for some time now,” says Venuri. “But it was … Continue reading Connect Asia Now: An Interview with Eisa Jocson and Venuri Perera on broomsticks, witchcraft and domestic work in ‘Magic Maids’

Review: Hua Mu Lan by Ding Yi Music Company

Blending theatre and music to tell the story of the legendary female warrior in anti-war concert. Thanks to the popular Disney film adaptations, the legend of Hua Mu Lan has gone far beyond the confines of Chinese culture, an internationally-renowned female warrior who save her father by taking his place in the army. Something about the story of courage and ferocious tenacity never gets old, … Continue reading Review: Hua Mu Lan by Ding Yi Music Company

★★★★☆ Review: Every Brilliant Thing by Gateway Arts

Sharon Sum lifts our spirits in this fringe performance that fights back against crushing depression with hope and wonder. What are the things worth living for? As part of National Suicide Prevention Month, Gateway Arts presents a new staging Duncan Macmillan’s critically-acclaimed one-person play Every Brilliant Thing, as directed by Oliver Chong and starring Sharon Sum. Chong himself previously starred in a Mandarin adaptation of … Continue reading ★★★★☆ Review: Every Brilliant Thing by Gateway Arts

Review: Screen Play (SMU Arts Fest 2024)

Movie soundtracks go from screen to the stage in a feel-good end to SMU Arts Fest 2024. Ending off the 2024 SMU Arts Fest, student orchestra SMU Symphonia and SMU Chamber Choir came together to perform the soundtracks of some of cinema’s most popular and beloved films last Friday at the SOTA Concert Hall. Led by SMU Symphonia resident conductor Adrian Chiang, not only did … Continue reading Review: Screen Play (SMU Arts Fest 2024)

Preview: Playwrights’ Cove 2024 by The Necessary Stage

Race and religion. Love and death. Community and loneliness. These are just some of the thought-provoking themes explored in a series of bold and promising works-in-progress by the participants of The Necessary Stage’s (TNS) Playwrights’ Cove 2024, to be presented as dramatised readings from 21 to 24 November 2024. This iteration of Playwrights’ Cove is the company’s third iteration of the much sought after playwriting … Continue reading Preview: Playwrights’ Cove 2024 by The Necessary Stage

★★★★☆ Review: Dive by Wild Rice

New and Now initiative by Wild Rice plunges into the deep end with Laura Hayes’ arresting play about a long-term abusive relationship. They say there’s plenty of fish in the sea, but what if the one you end up hooking pulls you overboard? In Laura Hayes’ Wild Rice debut, the NAFA lecturer explores the often complex and damaging aspects of abusive relationships through the lens … Continue reading ★★★★☆ Review: Dive by Wild Rice

★★★★☆ Review: This Song Father Used To Sing (Three Days In May) by Wichaya Artamat

A closer look at ordinary life that carries on in spite of the extraordinary. Thai writer-director Wichaya Artamat claims that his play This Song Father Used To Sing (Three Days In May) is an unpolitical play. But can any play truly be completely devoid of any political attachment? Rounding off the Esplanade’s 2024 season of The Studios, This Song Father Used To Sing (Three Days … Continue reading ★★★★☆ Review: This Song Father Used To Sing (Three Days In May) by Wichaya Artamat