An Interview with Meenakshy Bhaskar, choreographer of Bhaskar’s Arts Academy’s ‘Radin Mas’

As the daughter of legendary Indian classical dance artists K.P. Bhaskar and Santha Bhaskar, Meenakshy Bhaskar has a lot to live up to when she took over Bhaskar’s Arts Academy as Artistic Director. In her first year, she found herself fully helming the projects her mother had been working on, dealing with collaborators and stakeholders, and most of all, learning the ropes of what it … Continue reading An Interview with Meenakshy Bhaskar, choreographer of Bhaskar’s Arts Academy’s ‘Radin Mas’

da:ns focus 2023: An Interview with Tao Ye on movement, performance, and his signature ‘Numerical Series’

After their sold-out performance at da:ns festival nine years ago, the acclaimed TAO Dance Theater is set to take the stage at Esplanade once again as part of da:ns focus – Connect Asia Now (CAN), a weekend that spotlights contemporary dance works by Asian artists focusing on distinct voices and creative impulses from the region. Presenting a double bill of two works choreographed by TAO Dance Theater … Continue reading da:ns focus 2023: An Interview with Tao Ye on movement, performance, and his signature ‘Numerical Series’

Preview: Radin Mas by Bhaskar’s Arts Academy, with Sri Warisan Som Said Performing Arts

Supported by Temasek Foundation, Bhaskar’s Arts Academy, Singapore’s premier institution for Indian performing arts is pleased to unveil its latest production – Radin Mas. This one-night-only performance presented in collaboration with Sri Warisan Som Said Performing Arts, promises to touch the heart and stir the soul. Radin Mas is lovingly portrayed through captivating Bharatanatyam and Javanese dance, and features traditional folk arts of wayang kulit, … Continue reading Preview: Radin Mas by Bhaskar’s Arts Academy, with Sri Warisan Som Said Performing Arts

da:ns focus 2023: An Interview with Melati Suryodarmo on performance art, the body, and ‘Lapse’

One of Indonesian artist Melati Suryodarmo’s most iconic works is her dance work Exergie: Butter Dance (2000), in which she dances atop a pile of fast melting butter. It is a strange work to witness, as she increasingly loses her balance on the slippery, oily floor, meant to have her exploring the specific bodily sensation experienced in the single “delicate moment” where the body loses … Continue reading da:ns focus 2023: An Interview with Melati Suryodarmo on performance art, the body, and ‘Lapse’

da:ns focus 2023: An Interview with Kornkarn Rungsawang on communing with the gods in a modern world, in ‘Mali Bucha: Dance Offering’

When we watched Thai contemporary dancer Pichet Kluchun’s No.60 at last year’s edition of the Esplanade’s da:ns Festival, we were left mesmerised by the way he brought the traditional khon dance into the modern day, reimagining it for a new generation that brought together spirituality, technology and skill. Performing alongside him was fellow Thai dancer Kornkarn Rungsawang, a full-time artist in Pichet Klunchun Dance Company … Continue reading da:ns focus 2023: An Interview with Kornkarn Rungsawang on communing with the gods in a modern world, in ‘Mali Bucha: Dance Offering’

Review: MMRS by SMU Eluminix (SMU Arts Fest 2023)

The power of camaraderie and feelings of family are in full display in this epic reunion spanning generations of SMU EMIX dancers. Looking back on school days of years past, it’s rarely the hours spent poring over lectures and notes that stick with you in adulthood, but the happier times spent with schoolmates chilling out or discovering one’s passions. One of the greatest sources of … Continue reading Review: MMRS by SMU Eluminix (SMU Arts Fest 2023)

Review: liTHE 2023 by T.H.E Second Company

Triple bill of work reflects on the self and our relationship with society.  Even with the apocalyptic pandemic somewhat behind us, 2023 still feels like a nightmare at times, whether it’s waking up to more bad news brought to us on our feeds, messy politics and scandals, and all of it making us want to curl up into a ball and tuck ourselves away from … Continue reading Review: liTHE 2023 by T.H.E Second Company

Preview: da:ns focus 2023: CAN – Connect Asia Now

Running as part of their da:ns focus 2023 programme, Esplanade – Theatres on the Bay presents the first edition of CAN – Connect Asia Now, a weekend dedicated to contemporary works by Asian dancemakers, from 13th to 15th October 2023. Slated to become an annual event, CAN is dedicated to supporting and platforming regional artists, gathering artists, practitioners, producers and international presenters to come together, … Continue reading Preview: da:ns focus 2023: CAN – Connect Asia Now

Review: Beyond Human by SMU INDANCITY (SMU Arts Fest 2023)

Imagining the future through movement, dance and costume. What does the future look like? According to student contemporary dance group SMU INDANCITY, it’s a time where humans have evolved in new unimaginable ways, where technology becomes integrated into our lives, and where our relationship with the world around us has irrevocably changed. Playing last Saturday as part of the annual SMU Arts Fest, SMU INDANCITY’s … Continue reading Review: Beyond Human by SMU INDANCITY (SMU Arts Fest 2023)

Review: MILIEU 2023 by Frontier Danceland

Swansong for Frontier Danceland takes a critical look at its history, and ends on a note of joy. As the artistic director and co-founder of Frontier Danceland, Low Mei Yoke has seen the contemporary dance company through every single one of its ups and downs for over 30 years now. From its humble beginnings as a group of hobbyist dancers to becoming one of Singapore’s … Continue reading Review: MILIEU 2023 by Frontier Danceland