Chapter 2: An Interview with Thai dancer and choreographer Pichet Klunchun on dancing with shadows and what AI reveals about being human

Twenty years ago, Pichet Klunchun’s solo performance I AM A DEMON announced him as one of Thailand’s most daring choreographers. Created in 2005 to commemorate the third death anniversary of his beloved teacher, Master Chaiyot Khummanee, the piece became a landmark work. Pichet now revisits that landmark work, as the Thai dancer-choreographer prepares to premiere the spiritual sequel, Chapter 2, at Esplanade – Theatres on … Continue reading Chapter 2: An Interview with Thai dancer and choreographer Pichet Klunchun on dancing with shadows and what AI reveals about being human

SoftMachine – The Return: An Interview with Choy Ka Fai on a decade of collaboration, innovation, and the future of Asian contemporary dance

When artist Choy Ka Fai reflects on his collaborators, his language meanders like a dance itself; improvisatory, sudden shifts, and heartfelt pauses. “In the arts scene, no matter how close or friendly you are, it’s rare to remain friends and collaborators,” he says. “Which is why SoftMachine is such a rarity. We premiered it in 2015 with four solos, and toured two of them all … Continue reading SoftMachine – The Return: An Interview with Choy Ka Fai on a decade of collaboration, innovation, and the future of Asian contemporary dance

Preview: da:ns focus – CAN – Connect Asia Now (2025) by Esplanade

The third edition of the Esplanade – Theatres on the Bay’s da:ns focus – Connect Asia Now (CAN) takes place over a weekend this September, presenting three works that push the boundaries of dance, and uniting the unique perspectives of artists from the Asia Pacific. Imagining the future through dance, watch as Antony Hamilton, Choy Ka Fai and Pichet Klunchun reimagine the limitations and potentials of physical … Continue reading Preview: da:ns focus – CAN – Connect Asia Now (2025) by Esplanade

T.H.E Dance Company’s Searching Blue《寻蓝》 Heads to Malaysia and Australia

T.H.E Dance Company is taking its acclaimed site-adaptive work Searching Blue《寻蓝》, choreographed by Founding Artistic Director Kuik Swee Boon, on tour again, this time to Malaysia and Australia This next chapter follows a growing international journey for the work. Since premiering in Singapore in 2023 at Goodman Arts Centre, Searching Blue has toured Southeast Asia with performances in Penang, Bandung, and Jakarta. In 2024, an … Continue reading T.H.E Dance Company’s Searching Blue《寻蓝》 Heads to Malaysia and Australia

★★★★★ Review: Burn The Floor by BTF Productions Pte Ltd

High octane, fiery dance spectacle that sets the stage ablaze. There’s good reason why it’s been going strong for 25 years now; Burn the Floor: Ballroom Reimagined isn’t just your ordinary dance show, but the ultimate high-voltage theatrical experience. From the moment it opens as the violin rings out and the dancers emerge, you know you’re in for something special. Arriving at Singapore’s Esplanade Waterfront … Continue reading ★★★★★ Review: Burn The Floor by BTF Productions Pte Ltd

★★★★☆ Review: Sloth Canon by T.H.E Dance Company and Company 605

Surreal, fragile and delusional collaboration is a keen exploration of shared desire and movement. Envisioned and choreographed by Anthea Seah of Singapore’s T.H.E Dance Company, and Josh Martin of Canada’s Company 605, new collaborative work Sloth Canon sees a dynamic team of performers and collaborators from both cities coming together to seek out what it means to build and to break. At the heart of … Continue reading ★★★★☆ Review: Sloth Canon by T.H.E Dance Company and Company 605

Dance with Me: An Interview with Kuik Swee Boon on the 15th cont·act Contemporary Dance Festival and the Paths That Bind Us

This June marks a pivotal moment for contemporary dance in Singapore as cont·act Contemporary Dance Festival returns for its milestone 15th edition. Themed Paths That Bind Us, the 2025 programme is more than a showcase of works; it’s also a meditation on connection, memory, collaboration, and resilience. At its helm is Kuik Swee Boon, Artistic Director of T.H.E Dance Company and founding festival director of … Continue reading Dance with Me: An Interview with Kuik Swee Boon on the 15th cont·act Contemporary Dance Festival and the Paths That Bind Us

Review: The Sea and the Neighbourhood by Singapore International Festival of Arts

Multidisciplinary performance in the heartlands marks a sweaty start to 2025 edition of SIFA, with little consideration for the spatial limitations of an outdoor venue and an ill-fated attempt to make art ‘accessible’. Bedok was one of the earliest documented places in Singapore, fast growing from its origins as a Malay and Orang Laut-inhabited fishing village, to becoming one of the most heavily populated heartland … Continue reading Review: The Sea and the Neighbourhood by Singapore International Festival of Arts

Pesta Raya 2025: An Interview with Hafidz Rahman on ‘My Name is (NOT) Khan’

In spite of his years of working in theatre and the arts, with plenty of comedy sketches both onstage and online, artist Hafidz Rahman is doing something he’s never done before – a full-length one-man show. Best known for his viral comedy videos on social media (@asonofapeach), Hafidz is set to premiere My Name Is (NOT) Khan this May, as part of the Esplanade – … Continue reading Pesta Raya 2025: An Interview with Hafidz Rahman on ‘My Name is (NOT) Khan’

Pesta Raya 2025: An Interview with director Atin Amat and actor Fir Rahman on staging ‘SALINA’

It’s been almost three decades since the last time local Malay theatre company Teater Kami staged a theatrical adaptation of Malaysia’s National Laureate A. Samad Said’s seminal novel SALINA. But that’s about to change, as it receives a brand new staging as part of the Esplanade’s 2025 Pesta Raya – Malay Festival of Arts. Adapted and directed by Teater Kami artistic director Atin Amat, SALINA … Continue reading Pesta Raya 2025: An Interview with director Atin Amat and actor Fir Rahman on staging ‘SALINA’