Banding together against the monopoly. If you’ve ever step foot into Bangkok, you’ll be well aware that there’s a convenience store on every corner, perfect for grabbing a cool drink when the temperature peaks. But for the segment of society that can’t even afford it, that’s simply not an option for them – who is the store really convenient for? Streaming as part of the … Continue reading ★★★★☆ Review: OK Land by Circle Theatre

From their very first production, Rupa co.lab has always delivered on arresting scripts about the intricacies of Malay culture, homing in on familial bonds of unusual household structures, and winning Best Original Script at our Bakchormeeboy Awards in 2019 for Nessa Anwar’s Rumah Dayak and 2021 for Hazwan Norly’s Pandan. Now, a third member of Rupa co.lab will be making his debut with the company, … Continue reading M1 Singapore Fringe 2022: An Interview with Adib Kosnan and Raimi Safari on adoption in ‘Rindu di Bulan’

In this Internet age, cybersecurity is no longer limited to keeping your devices and accounts protected by a well-devised password. With fake news on the rise, angry mobs arising from social media, and a single comment can spark a wildfire, even a simple look at someone’s Instagram stories without response can label you a degenerate of society. How do we survive the sheer madness of … Continue reading M1 Singapore Fringe 2022: An Interview with Bound Theatre on the age of the Internet in ‘Screen. Shot.’

We’ve always called the concrete jungle our home, existing in a thriving metropolis with fast-paced living, a thousand and one things on our to-do list, and the nagging feeling that we can’t stop, won’t stop. But when COVID-19 struck and we were sent into a lockdown, everything in the world seemed to come to a complete standstill for a moment in time, as we took … Continue reading M1 Singapore Fringe 2022: An Interview with 微 Wei Collective on breath and co-existence in ‘Being 息在’

Increasingly, theatre and the arts are becoming upper-middle class affairs, where ticket prices are skyrocketing, and the very act of attending a show can be seen as ‘atas’ So when a company creates a show about essential workers, who exactly is the intended audience, and what do they hope to achieve? For The Second Breakfast Company (2BCo), these were some of the questions and issues … Continue reading M1 Singapore Fringe 2022: An Interview with Adeeb Fazah and Zulfiqar Izzudin on ‘The Essential Playlist’