Live film and theatre collide to form an elegiac reflection on trauma and connection. When theatre meets film, the latter is often done in service of the former, supporting the live performance by projecting footage that provides backstory or adds to the mood and thematic concerns. But what happens when you reverse that relationship, and theatre instead services film? That is the unusual approach that … Continue reading ★★★★☆ Review: Pompeii by Edith Podesta and K. Rajagopal (SIFA 2023)

Too much restraint turns an innovative breakup narrative into a snoozefest. In an edition of the Singapore International Festival of Arts (SIFA) that has focused so much on formal experimentation and exploration, it’s always exciting when a company like chelfitsch comes in with a new form they’ve been developing for several years, seemingly promising an original work that feels more established in style. Enter EIZO-Theater, … Continue reading ★☆☆☆☆ Review: NEW-ILLUSION by Toshiki Okada/chelfitsch (SIFA 2023)

A series of exercises in self-reflection that leaves audiences wandering. How much do you remember from your time in school? Most people are likely to tell you – not much, as we complained about the stress of exams and the pointlessness of learning certain subjects. But with participatory performance The School, the Singapore International Festival of Arts (SIFA) offers audience members a potential alternative education … Continue reading ★☆☆☆☆ Review: The School by Jean Ng, Li Xie and Joavien Ng (SIFA 2023)

Knotty forms of love and social commentary, and titillating forms of subversive entertainment. The Singapore International Festival of Arts (SIFA) has never shied away from unusual presentations and venues. But while grunge or nature has often characterised the surprise space, this year, they’ve gone a little higher – literally, with CÉ LA VI on the 57th floor of the iconic Marina Bay Sands. This wasn’t … Continue reading Review: LOVE DIVINE by SUKKI, Daniel Kok and Luke George (SIFA 2023)