“The lights on myself, the suspension of time as I move, the applause or criticisms after – for all the world to witness. I am likened to Shiva on stage. But how much of that matters off stage? Who am I really when the lights are gone?” Following successful premieres in Chennai, India in February 2017 and Singapore in May 2017, FAÇADE is set to … Continue reading Preview: FACADE – Two Parallel Lives by Bhaskar’s Arts Academy
ShanghART Singapore is delighted to present Lin Aojie’s solo exhibition “Playing it Safe in 2023, Praying for Wealth in 2024”, opening 7 September 2024 at 4pm. The exhibition brings together recent works by the artist, showcasing witty insights gathered from his observations of the art industry, the society, and the world at large. Marking his debut exhibition in Southeast Asia, the self-proclaimed Southeast Asian artist … Continue reading Art What!: Lin Aojie – ‘Playing it Safe in 2023, Praying for Wealth in 2024’ at ShanghART
Rizman Putra is probably best known for being one of the most high-energy performers in the local theatre scene. With credits that range from the physically-demanding, such as Al in A Clockwork Orange, or even behind the scenes as director on works such as Pandan, or even leading the band Tiramisu as an alternative, counterculture musician, Rizman has pretty much done it all – and … Continue reading Singapore Night Festival 2024: An Interview with artist Rizman Putra, on his work ‘The Happiest Days of Our Lives’
After 2023’s Broadway Beng: Growing gOLD, Singapore’s favourite multilingual, Hokkien-speaking, Broadway-loving East meets West performer is back for the ninth edition of the Broadway Beng series this October. Presented by Dream Academy, it’s time to welcome Sebastian Tan back to the Capitol Theatre for Broadway Beng® Fukien Special, running for just five shows. A staple of Dream Academy’s line-up since 2006, Broadway Beng® Fukien Special … Continue reading Preview: Broadway Beng® Fukien Special by Dream Academy
In a world facing impending climate change and disaster, it makes sense to take a moment to sit back and ponder over where we stand in nature. This year, in its 27th edition, Arts House Limited’s (AHL) Singapore Writers Festival (SWF) is turning the focus to the natural world, and invites us to reflect on what is truly in our nature — as humans, as … Continue reading Preview: Singapore Writers Festival 2024 – In Our Nature
Two-hander pitting professor against student in battle of allegations, yet lacking in power. While revered as among the most dramatic in theatre, David Mamet’s plays have never been easy to stage, often requiring seasoned actors with a certain aura to carry both the weight and length of his dialogue. As such, younger theatremakers tend to struggle to deliver the full extent of the material onstage, … Continue reading ★★☆☆☆ Review: Oleanna by Major Minor Encounters and The Windland Collective
This October, get ready as The Necessary Stage (TNS) presents White, All White, a new play by TNS Associate Artist Deonn Yang, who also directs. Marking TNS’ first main season production helmed entirely by Deonn, White, All White is a life-affirming play that delves into the joys and tensions of family and personal dreams, giving audiences a glimpse into the quiet lives of a family … Continue reading Preview: White, All White by The Necessary Stage
Fathers in Asian society have always had certain stereotypes associated with them – a sense of the austere, reserved and detached from openly expressing love for their children, and perhaps, even as a microcosm of the greater paternalistic, patriarchal governance style adopted by those in power. In many ways, a father is often an anchor within a family that determines their relations and dynamics, resulting … Continue reading Esplanade’s The Studios 2024: An Interview with director/playwright Wichaya Artamat and producer Sasapin Siriwanij on ‘This Song Father Used To Sing (Three Days In May)’
Back in 2022, fellow theatremakers Shannen Tan and Miriam Cheong found solace and friendship in each other over their shared pain – the fact that both of them suffered from Polycystic Ovary Syndrome (PCOS), a common yet often misunderstood endocrine disorder affecting up to 21% of women worldwide. Aiming to find a way to both educate others about the condition, while also sharing their own … Continue reading An Interview with Shannen Tan and Miriam Cheong on McDonald’s, pain and friendship in ‘Lotus Root Support Group’ (2024)
This August, graduates from the Intercultural Theatre Institute (ITI) will be staging an independent production of David Mamet’s controversial play, Oleanna. The production is the result of a collaboration between independent collectives Major Minor Encounters, co-founded by Singaporean theatre performer, playwright, and arts manager Choy Chee Yew, and The Windland Collective, co-founded by Swathilakshmi Perumal, actor and theatre-maker from Tamil Nadu, India. Both collectives strive … Continue reading Preview: Oleanna by Major Minor Encounters and The Windland Collective
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