Esplanade’s The Studios 2024: An Interview with artist Sim Chi Yin on ‘One Day We’ll Understand’ (有那么一天​)

For artist Sim Chi Yin, history has always formed an integral part of her work and practice. Be it presented in the form of photography or film or even book-making, Sim’s work often takes her into the recent past, excavating and researching into academia and accounts to unearth previously hidden narratives. Through her artistic interventions, she paints a more complete picture of what has come … Continue reading Esplanade’s The Studios 2024: An Interview with artist Sim Chi Yin on ‘One Day We’ll Understand’ (有那么一天​)

Esplanade’s The Studios 2024: An Interview with artist Ming Wong on music, nationalism and diplomacy in ‘Rhapsody in Yellow’

If human relationships are complicated, then geopolitical ones are manifold more, particularly when it’s between two global superpowers. Such is the nature of the rising tensions between the USA and China, who have never had an easy time navigating their complex differences, rivalry and connections, playing hot and cold. It may seem like a heavy topic, but one Singaporean artist has found inspiration in the … Continue reading Esplanade’s The Studios 2024: An Interview with artist Ming Wong on music, nationalism and diplomacy in ‘Rhapsody in Yellow’

Disgraced: An Interview with director Daniel Jenkins, and cast members Ghafir Akbar and Shrey Bhargava

In 2016, Singapore Repertory Theatre (SRT) presented a sold-out run of Ayad Akhtar’s Pulitzer Prize-winning play Disgraced, gripping audiences with its provocative subject matter, dealing with race relations in a post 9/11 America. Eight years on, SRT is bringing it back for a second run this August, with a brand new cast and creative team, and perhaps, more relevant than ever before. Leading the team … Continue reading Disgraced: An Interview with director Daniel Jenkins, and cast members Ghafir Akbar and Shrey Bhargava

Preview: Dear Evan Hansen by Pangdemonium!

Following a twisted, explosive production of Who’s Afraid of Virginia Woolf? in June, Pangdemonium is ready to wrap up their 2024 season this October, with one of their biggest and most hotly-anticipated shows to date – Broadway smash hit Dear Evan Hansen. Making waves with both critics and audiences when it opened back in 2016, Dear Evan Hansen follows the story of Evan, a young … Continue reading Preview: Dear Evan Hansen by Pangdemonium!

Preview: Lotus Root Support Group (2024) by Impromptu Meetings

In 2022, theatremakers Shannen Tan and Miriam Cheong came together from a place of pain – their shared experience with Polycystic Ovary Syndrome (PCOS), a common yet often overlooked and misunderstood endocrine disorder that affects anywhere between 4 to 21% of women worldwide. From friendship and discussions, they decided to turn the pain into art, with the cheekily-titled Lotus Root Support Group, which played to … Continue reading Preview: Lotus Root Support Group (2024) by Impromptu Meetings

Preview: Disgraced (2024) by Singapore Theatre Company

The Singapore Theatre Company is delighted to announce the restaging of Ayad Akhtar’s Pulitzer Prize-winning play Disgraced at the KC Arts Centre – Home of STC from 13 August 2024. Following a sold-out run in 2016, this gripping and provocative drama returns to challenge and captivate audiences once more. Disgraced is set in an upscale New York City apartment where Amir, a successful lawyer with … Continue reading Preview: Disgraced (2024) by Singapore Theatre Company

Music Is: SSO 24/25 Season Highlights and Australia Tour

With the first half of 2024 over, the Singapore Symphony Orchestra (SSO) has had an epic 2024 thus far, and even more highlights to come. From Beethoven’s Ode to Joy to classic film soundtracks such as Silence of the Lambs and Psycho, the SSO is set for a season for all music lovers. Together with the Singapore Symphony Choruses, the SSO will also perform the … Continue reading Music Is: SSO 24/25 Season Highlights and Australia Tour

All The World’s A Sea: An Interview with director Kuo Jian Hong and cast member Clinton Zhang

No one can predict the entirety of what lies ahead, but one can always extrapolate based on current circumstances. For local theatre company The Theatre Practice (Practice), they’re giving audiences a glimpse five seconds into the future with their speculative work All The World’s A Sea this August. Restructured and reimagined from their 2018 piece I came at last to the seas, this new play has … Continue reading All The World’s A Sea: An Interview with director Kuo Jian Hong and cast member Clinton Zhang

Phinny & Wally: An Interview with writer/director Cherilyn Woo on Nine Years Theatre’s foray into children’s theatre

For years, local theatre company Nine Years Theatre has been producing original and adapted works in Mandarin, primarily targeted at adults, and showcasing the beauty and art of the Chinese language. But this July, they’re breaking new ground and attempting to bring in a completely different demographic of audience – children. Kicking off this new initiative is original production Phinny & Wally, set to premiere … Continue reading Phinny & Wally: An Interview with writer/director Cherilyn Woo on Nine Years Theatre’s foray into children’s theatre

Preview: All The World’s A Sea by The Theatre Practice

Back in 2018, The Theatre Practice (Practice) premiered their epic work I came at last to the seas at the Esplanade Theatre. Exploring issues of migration, identity, and the Chinese diaspora, the work was vastly ambitious, featuring international collaborations with Hong Kong, Taiwan and China, and marked the first time a Singaporean theatre company was commissioned to do an original work for the Esplanade’s Huayi – Chinese … Continue reading Preview: All The World’s A Sea by The Theatre Practice