Choose your own Spanish dance class. Despite its status as a corporate meeting platform, Zoom has offered up a surprising number of possibilities and potential as a medium for theatre. For performer Qotn. Van Su Yun, director Adeeb Fazah, and writer Nah Dominic, it’s become a prime means of experimentation when it comes to storytelling in the pandemic season, as seen in their new work … Continue reading Review: Broken Turns by Qotn. Van Su Yun
Quintessential Haruki Murakami reflecting on the little absurdities that make up our world. I first discovered Haruki Murakami as a teenager, diving into his works from The Wind-Up Bird Chronicle to 1Q84. Often, it was the ones that had a distinct, surreal touch that struck me, creating the idea that beyond what our usual senses could detect, there lay an entire layer of alternate reality, dangerous and dream-like. … Continue reading ★★★☆☆ Book Review: First Person Singular by Haruki Murakami
Migration and movement explored through song. Following their previous live performance, one of the last to take place in a venue before circuit breaker measures in 2020, The Opera People returned to Wild Rice’s theatre studio for their annual iteration of In Our Manner of Speaking. Combining poetry read by Joel Tan), art songs, classical tunes and contemporary numbers, the performance present commentary on the … Continue reading ★★★☆☆ Review: In Our Manner of Speaking – ReClaimed Lands by The Opera People
The stories and lived experiences of minorities take centrestage in week 2 of The Substation’s SeptFest. For the second week of The Substation’s SeptFest, we watched two works centred on minorities, in terms of both race, and unique life experiences. Both pieces this week had strong messages about what they wanted to say about their identity, fiercely unique in their personal voice, and speaking loud … Continue reading SeptFest Week 2: Brown Is Haram and Tabula Rasa
Singapore’s queen of comedy is back to claim the throne in local live comedy. A chance to see Singapore’s funniest drag queen should never be passed up, especially when it’s been so long since her last show. Presented by OMT Entertainment, A Dose of Comedy welcomes Kumar back onstage for live comedy gigs since the pandemic began, with his brand of humour the vaccination you … Continue reading ★★★★☆ Review: A Dose of Comedy featuring Kumar and his Showgirls
A reminder to live life fully and without regret. Given its theme of A Question of Time, it seems appropriate that the 2021 NUS Arts Festival opens with NUS Dance Ensemble and NUS Electronic Music Lab’s Past . Presence . Future . Choreographed by Zaini Mohammad Tahir, the collaborative work combines dance, electronic music and film to tell the story of a family, and how … Continue reading Review: Past . Presence . Future . by NUS Dance Ensemble feat. NUS Electronic Music Lab (NUS Arts Fest 2021)
Chaotic energy and Gen-Z culture mark Shook as a bold step forward for NUS Stage. As the times change, so does each passing generation’s lingo and concerns. As it implies from its title, NUS Stage’s Shook brings Gen-Z culture to the stage, fully intending to leave audiences shook with its form and content. Written and directed by Sean Tobin, Shook combines original text, movement, video … Continue reading Review: Shook by NUS Stage (NUS Arts Fest 2021)
Abstract short film wrings the tears even when there are no actors and no words. In their debut production, The Aesthetic Project stretches the limits of what could be considered theatre, with their show A man waiting for the leaves to fall. Presented as a short film with no actors, the production was conceptualised and directed by Judee Tan, and highlights the skills of their multitalented … Continue reading Review: A Man Waiting For The Leaves To Fall by The Aesthetic Project
Ambitious project takes a leaf from the past and spotlights newer actors. In the making since 2018, The Singapore Trilogy marks one of The Second Breakfast Company’s (2BCo) most ambitious projects. Combining Robert Yeo’s plays Are You There, Singapore? (1974), One Year Back Home (1980) and Changi (1997) into a single 2.5 hour epic, the play traces the lives of two siblings and a close friend, … Continue reading ★★★☆☆ Review: The Singapore Trilogy by The Second Breakfast Company
We’re only as alone as we want to be. If it’s one thing that the coronavirus lockdowns have made us realise, it’s that no man is an island, and human contact is a necessity. In The Sound Inside, the latest play by Singapore Repertory Theatre (SRT), playwright Adam Rapp takes that idea a step further, with how it is human contact that can spell the … Continue reading ★★★★☆ Review: The Sound Inside by Singapore Repertory Theatre
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