★★★★☆ Review: Opposition 对峙 by The Necessary Stage and Drama Box

Learning to accept the inevitability of change. Change has never been easy. This is especially so the longer the status quo has been in play, whether in terms of a relationship, or a place one calls home, when routines and habits so firmly set in place, the very idea of change fills one with fear at what the future holds. Yet change is inevitable, and … Continue reading ★★★★☆ Review: Opposition 对峙 by The Necessary Stage and Drama Box

Against All Odds: An Interview with Alvin Tan, Haresh Sharma and Kok Heng Leun on ‘Opposition 对峙’

In any arts scene, you’re bound to find a sizeable number of big personalities, with headstrong artistic directors and scriptwriters who believe themselves the best and insist on a ‘my way or no way’ approach. It is for that same reason that collaborations between companies tend to be complicated affairs, and require not just a common vision, but also an open-minded creative team willing to … Continue reading Against All Odds: An Interview with Alvin Tan, Haresh Sharma and Kok Heng Leun on ‘Opposition 对峙’

Preview: Opposition 对峙 by The Necessary Stage and Drama Box

Over the last few years, local theatre companies Drama Box and The Necessary Stage (TNS) have been closely collaborating with each other, resulting in two critically-acclaimed productions – 2016’s Manifesto and 2018’s Underclass. Now, the two companies are set to present the final show in their trilogy of collaborations, with Opposition in March. “Opposition is a fascinating blend of live and multimedia performance. The narrative … Continue reading Preview: Opposition 对峙 by The Necessary Stage and Drama Box

★★★★☆ Review: _____ Can Change by The Necessary Stage

Using theatre as a framework for diversity of thought. As human beings who have evolved and adapted to our environment over millennia, change is a constant in our lives. But as a consequence of that, should minorities then be expected change, to assimilate and bend to the majority’s will? Restaged for the first time since its premiere in 2010, The Necessary Stage’s (TNS) ______ Can … Continue reading ★★★★☆ Review: _____ Can Change by The Necessary Stage

Can We Change?: An Interview with Alvin Tan and Haresh Sharma on restaging ‘________ Can Change’

Change is never easy, especially when forced. Sure, change is possible, but whether people should change for the sake of conforming is a whole other matter altogether. Luckily, local theatre company The Necessary Stage is here to tackle that issue head on, with a restaging of their play ______ Can Change at the Esplanade Recital Studio this November. Comprising of three playlets – the cheekily … Continue reading Can We Change?: An Interview with Alvin Tan and Haresh Sharma on restaging ‘________ Can Change’

Preview: ________ Can Change by The Necessary Stage

Humans are adaptable creatures, so is it really too much to ask Indians, homosexuals and Marxists to change? Thats the question at the heart of The Necessary Stage’s (TNS) restaging of their work ________ Can Change (pronounced ‘blank’ can change), which plays at the Esplanade Recital Studio this November. Last staged in 2010 as part of the M1 Singapore Fringe Festival 2010: Art & Law, the work … Continue reading Preview: ________ Can Change by The Necessary Stage

Review: Acting Mad by The Necessary Stage

Exemplary, no holds barred look at mental health in the theatre industry. As much as mental health has entered common conversation these days, it remains one of the most misunderstood conditions in the workplace, seen as some kind of weakness, a burden to employers or worse, a fake excuse to get out of work. But what about in the theatre industry, where actors are constantly … Continue reading Review: Acting Mad by The Necessary Stage

Review: We Were So Hopeful Then by The Necessary Stage

An attempt to highlight the invisible people key to a production’s success. In any theatre production, those deemed worthy of praise are often limited to cast and creatives. But even beyond them, there still exist people who are present in every production, yet never receive praise or acknowledgement they deserve. To highlight these invisible people then acts as one of the key goals of Ellison Tan’s We … Continue reading Review: We Were So Hopeful Then by The Necessary Stage

Preview: The Orange Production 2019 by The Necessary Stage

The Necessary Stage (TNS) is having an incredibly busy 2019, with a festival, and two mainstage productions. Of course, it doesn’t stop there, and come this July, they’re bringing back their developmental platform, The Orange Production for the second time, ready to bring new talent and new work into the local theatre scene. Through The Orange Production, TNS turns the spotlight on young artists, providing the … Continue reading Preview: The Orange Production 2019 by The Necessary Stage

Review: Civilised by The Necessary Stage

An audacious celebration of the Singapore Bicentennial and our post-colonial hangups in true TNS fashion.  From the very moment the Singapore Bicentennial was announced, fiery controversy was sparked as the sheer audacity of such an event was called into question. After all, which country actually celebrates the anniversary of their colonisation? It is from this central question that The Necessary Stage’s newest production seems to be … Continue reading Review: Civilised by The Necessary Stage