Category: Theatre Companies

Arts, Review, Singapore Arts, Theatre., Theatre, Wild Rice, Wild Rice @ Funan

★★☆☆☆ Theatre Review: All You Can Eat by Wild Rice’s Young & Wild and The Rice Cooker

Undercooked, repetitively formulaic scripts do this promising batch of young actors a disservice. Graduation showcases are a notoriously difficult dish to plate. A director has to decide exactly what they want audiences to leave remembering: is it an ensemble spread where every graduate gets equal time to shine? A curated tasting menu built around the strongest performers? Or a riskier selection that leans classical, experimental, … Continue reading ★★☆☆☆ Theatre Review: All You Can Eat by Wild Rice’s Young & Wild and The Rice Cooker

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Arts, KC Arts Centre, musical, Review, SRT, Theatre

★★★★☆ Theatre Review: Myles – Soulmate In A Box by Singapore Repertory Theatre

Inch Chua blends immersive multimedia and song into a visually arresting experience about the dangerous allure of frictionless love. If an AI could love you perfectly, from anticipating your every need, to removing every friction, and never misunderstanding you, would you still want a real person? Presented by Singapore Repertory Theatre after its earlier work-in-progress showing at the Singapore International Festival of Arts in 2024, … Continue reading ★★★★☆ Theatre Review: Myles – Soulmate In A Box by Singapore Repertory Theatre

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Arts, Review, Theatre, Toy Factory

★★★☆☆ Theatre Review: Master White Dragon 白龙王子  by Toy Factory

A distinctly Singaporean fable about about faith and modern spirituality that buries its strongest ideas beneath flat humour and an ending that feels rushed. Few recent local productions have started with a premise as immediately striking as Toy Factory’s Master White Dragon: an ah beng mistaken for the reincarnation of a temple deity, caught between street hustling, spiritual performance and a journalist intent on exposing … Continue reading ★★★☆☆ Theatre Review: Master White Dragon 白龙王子  by Toy Factory

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Dream Academy, Esplanade Concert Hall, Music, Preview

Preview: Broadway Beng 20th Anniversary TWENTY POON PIPI by Dream Academy

If there’s one Singaporean stage icon who has managed to outshine sequins, satire, and even the most dramatic Broadway crescendos, it’s Broadway Beng®. And this July, the larger-than-life persona returns—older, glitzier, and arguably more fabulous than ever. At the centre of it all is Sebastian Tan, the man who has spent two decades perfecting the art of being unapologetically “Beng”, equal parts cheeky, heartfelt, and … Continue reading Preview: Broadway Beng 20th Anniversary TWENTY POON PIPI by Dream Academy

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Arts, KC Arts Centre, musical, Preview, SRT, Theatre

Myles – Soulmate In A Box: An Interview with Inch Chua on how to build the perfect boyfriend

There’s a particular kind of artist who is driven purely by curiosity and follows it all the way down, whether that means learning an entirely new discipline, rethinking their creative language. And in the case of Inch Chua, that means building an AI boyfriend from scratch just to see what might happen. When Myles – Soulmate in a Box first appeared at the Singapore International … Continue reading Myles – Soulmate In A Box: An Interview with Inch Chua on how to build the perfect boyfriend

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Arts, Intercultural Theatre Institute, Review, Theatre

Theatre Review: godategod by Intercultural Theatre Institute

Spiritual sequel to Haresh Sharma’s godeatgod explores faith, identity and belonging through a modern, foreign lens. Presented by the Intercultural Theatre Institute’s graduating class of 2026, Haresh Sharma’s godategod acts as a spiritual successor to his earlier godeatgod, originally written as a theatrical response to the devastating events of 9/11 and how to carry on in the face of the existential and spiritual crises it … Continue reading Theatre Review: godategod by Intercultural Theatre Institute

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Arts, Checkpoint Theatre, musical, Review, Singapore, Theatre

★★★★★ Theatre Review: Secondary – The Musical (2026) by Checkpoint Theatre

Note: the performance reviewed featured understudies in the following major roles: Risa Ann Wong as Lilin, Nadya Zaheer as Mandy, Izzul Irfan as Omar, Fahim Murshed as Reyansh, Coco Wang as Ensemble (Discipline, Rong, Vice-Principal, Hui Ling), Nurulhuda Hassan as (Ensemble: Humour, Nadrah, Welfare, Amira, Cik Sya) weish’s Secondary: The Musical returns with a surer, more confident restaging, deepening the emotional resonance of an already … Continue reading ★★★★★ Theatre Review: Secondary – The Musical (2026) by Checkpoint Theatre

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Arts, Review, Singapore Arts, Theatre., Theatre, Wild Rice, Wild Rice @ Funan

★★★★☆ Theatre Review: The Christians by Wild Rice

Hell is other Christians. The Christians arrives as one of the most unexpected entries in Wild Rice’s 2026 programming, and perhaps one of its most surprisingly provocative. A company long associated with sharp political critique, queer advocacy, and a willingness to satirise conservative structures, this is a show that feels almost disarming in its restraint. Where one might expect irreverence, Lucas Hnath’s critically-acclaimed play instead … Continue reading ★★★★☆ Theatre Review: The Christians by Wild Rice

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Arts, Drama Centre, musical, Review, The Theatre Practice, Theatre

★★★★★ Theatre Review: Lao Jiu – The Musical 《老九》音乐剧 (2026) by The Theatre Practice

This definitive Singaporean Chinese musical reckons with the impossible decision between dreams and duty, and more crucially, what it costs to choose your own life in Singapore. First written and staged in 1990 by the late theatre doyen Kuo Pao Kun with The Theatre Practice (Practice), Lao Jiu was a script that was always meant to evolve. Originally a stage play, its eventual transformation into … Continue reading ★★★★★ Theatre Review: Lao Jiu – The Musical 《老九》音乐剧 (2026) by The Theatre Practice

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Arts, Chinese Theatre, Nine Years Theatre, Review, Theatre, Theatre Companies

★★★★★ Theatre Review: God of Carnage 《杀戮之神》by Nine Years Theatre

Polite company quickly gives way to violent, yet cathartic truth in Nine Years Theatre’s God of Carnage. It begins, as so many civilised disasters do, with good intentions. A carefully drafted statement, coffee and cake, and adults determined to behave. In Yasmina Reza’s God of Carnage, politeness is not resolution but provocation, and in Nine Years Theatre’s staging in Mandarin, that provocation unfolds with a … Continue reading ★★★★★ Theatre Review: God of Carnage 《杀戮之神》by Nine Years Theatre

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