Preview: Sim Yan Ying and Renee Yeong complete their TRIP journey with two new shows this April at the Esplanade Theatre Studio

After making their The Studios debuts in 2023 under Esplanade – Theatres on the Bay’s TRIP programme for early career directors to showcase their work, Sim Yan Ying “YY” and Renee Yeong are back this April to each present a brand new work to round off their journey. In 2023, YY presented Joel Tan’s No Particular Order, while Renee presented Michelle Tan’s I Am Trying … Continue reading Preview: Sim Yan Ying and Renee Yeong complete their TRIP journey with two new shows this April at the Esplanade Theatre Studio

T:>Works presents second edition of Per°Form Open Academy of Arts and Activations (POA) this April

Returning for its second edition, T:Works once again hosts Per°Form Open Academy of Arts and Activations (POA) this April, and features the live gathering of 15 Per°Form Fellows from the Global South—Africa, Arab world, Asia, and South America. These fellows, intersectional practitioners across diverse disciplines of activism, film, fashion, design, curation, research, education, visual culture, spoken word, performance, will present their strategies for activating contexts … Continue reading T:>Works presents second edition of Per°Form Open Academy of Arts and Activations (POA) this April

★★★★★ Review: Falling by Pangdemonium!

Stunning revival shines spotlight on the difficulty of caregiving. It is the natural tendency of every parent to shower their own child with unconditional love. But there are times that love is tested and pushed to its limits, when faced with nigh impossible circumstances facing a family. One example might be bringing up a child on the autism spectrum, often requiring additional care, attention and … Continue reading ★★★★★ Review: Falling by Pangdemonium!

Preview: The Last Gardener by The Theatre Practice

This April, The Theatre Practice (Practice) proudly presents The Last Gardener by performer, theatremaker and Practice associate artist Isabella Chiam. A compelling mix of heart and humour, the one-woman show is a tender portrayal of the maddening, beautifully complex relationship between parent and child. The first edition of The Last Gardener was developed during the COVID-19 pandemic as part of Practice’s It’s Not About The … Continue reading Preview: The Last Gardener by The Theatre Practice

Arts of Hong Kong: The Doctor by Hong Kong Repertory Theatre

What is the value of “truth”? Is there a universal truth? A medical incident triggers contentions between medical ethics and religious faith. Heated debates on gender, race, class and identity sparked; maelstroms of difficult emotions harboured – will it all come out in the wash?  The play dissects the furtive surface of our murky world, throwing down the gauntlet in search of truth for both cast and audience alike. The Doctor is a breakthrough contemporary drama that Robert Icke adapted … Continue reading Arts of Hong Kong: The Doctor by Hong Kong Repertory Theatre

★★★☆☆ Review: Grounded by Singapore Theatre Company

Pride comes before a fall. Among the many male-dominated industries that exist in the world, the military may be among the most skewed, with a much smaller minority of female professionals who exist within the field. In that sense, the women who do find success in the military often seem to have to shelve their femininity, to become ‘one of the boys’ to fit in … Continue reading ★★★☆☆ Review: Grounded by Singapore Theatre Company

Of Disasters and Carrying On: An Interview with co-directors A Yagnya and Alvin Tan on The Necessary Stage’s ‘Hi, Can You Hear Me?’

There are days the COVID-19 pandemic feels like a distant fever dream, a time where everyone was touting the ‘new normal’ when it seemed we would never wake from it. But as suddenly as it came, everything seemed to disappear again when we opened up to the world again, and we entered a new era of chaos. Previously glued to our phones, we saw countries … Continue reading Of Disasters and Carrying On: An Interview with co-directors A Yagnya and Alvin Tan on The Necessary Stage’s ‘Hi, Can You Hear Me?’

★★★☆☆ Review: Transplant 《移心》by The Finger Players and RUDRA

The family that sins together, stays together. In the Chinese classic anthology Liaozhai (Strange Tales from a Chinese Studio), the short stories often focused on portraying the social norms of the time through a supernatural lens. Even in modern interpretations of the text, it remains a key source of inspiration for social commentary and what it means to live, resulting in director/playwright Oliver Chong’s continued … Continue reading ★★★☆☆ Review: Transplant 《移心》by The Finger Players and RUDRA

★★★★☆ Review: Dance a Dance from My Body by Esplanade – Theatres on the Bay and National Kaohsiung Center for the Arts Weiwuying

The beauty of diversity in motion. There is always something exciting about an artistic collaboration between two distinct groups of people, be they from different companies, mediums or even places of origin, as they discover points of connection and difference. In the case of Esplanade – Theatres on the Bay and National Kaohsiung Center for the Arts Weiwuying co-production Dance a Dance From My Body, … Continue reading ★★★★☆ Review: Dance a Dance from My Body by Esplanade – Theatres on the Bay and National Kaohsiung Center for the Arts Weiwuying

Pangdemonium’s Falling: An Interview with star Andrew Marko on reprising an iconic role eight years on, and the difficulty of tough love

Maybe it’s because of good genetics, but Andrew Marko is the kind of man you look at and looks eternally youthful. Even in his 30s, there’s something about his demeanour that still suggests a child-like sense of wonder and innocence, while carrying the hidden weight of experiences he’s willing to put onstage. All that makes him the perfect candidate to return to the role where … Continue reading Pangdemonium’s Falling: An Interview with star Andrew Marko on reprising an iconic role eight years on, and the difficulty of tough love