Toy Factory’s For My Highness: An Interview with director Adeeb Fazah and playwright Shaleihin Pi’ee

Toy Factory Productions Ltd has never shied away from nurturing the next generation of thetaremakers, with programmes such as playwright incubation programme The Wright Stuff and their more experimental Lab Projects. Next week, the company will be turning the spotlight on their DIRECT ENTRY programme, a director-mentorship programme led by Toy Factory Artistic Director Goh Boon Teck, as the chosen mentee culminates the mentorship with … Continue reading Toy Factory’s For My Highness: An Interview with director Adeeb Fazah and playwright Shaleihin Pi’ee

Preview: Toy Factory’s DIRECT ENTRY returns with new play, “For My Highness” by Shaleihin Pi’ee

Toy Factory Productions Ltd’s director-mentorship programme, DIRECT ENTRY, returns for it’s second season to bestow promising theatre director, Adeeb Fazah with a timely original script, For My Highness – which spotlights on the crippling vices of substance abuse and its inevitable infliction onto familial ties. DIRECT ENTRY is spearheaded and mentored by award-winning director, Goh Boon Teck, as an initiative to nurture more theatre directors … Continue reading Preview: Toy Factory’s DIRECT ENTRY returns with new play, “For My Highness” by Shaleihin Pi’ee

Kalaa Utsavam 2022: An Interview with Playwright/Director A Yagnya on ‘Between 5 Cows and the Deep Blue Sea’

When theatremaker A Yagnya’s play Between 5 Cows and the Deep Blue Sea was given a dramatised reading in 2020, we praised it as ‘relatable, fun and poignant’, impressed and hoping for it to receive a full staging at some point. 2 years later, and that staging is finally happening, as part of the Esplanade’s 2022 Kalaa Utsavam – Indian Festival of Arts. Written and … Continue reading Kalaa Utsavam 2022: An Interview with Playwright/Director A Yagnya on ‘Between 5 Cows and the Deep Blue Sea’

Kingdoms Apart: An Interview with Playwright/Director Chong Tze Chien on adapting the Mahābhārata

The Indian epic The Mahabharata is often considered ‘the longest poem ever written’, charting an age old battle between two groups of cousins in the Kurukshetra War for power. To date, it remains one of the most well-known texts in world mythology, and has received countless retellings and adaptations over the years. For theatremaker Chong Tze Chien, The Mahabharata has held a special place in … Continue reading Kingdoms Apart: An Interview with Playwright/Director Chong Tze Chien on adapting the Mahābhārata

★★★★☆ Review: Slava’s Snow Show by Base Entertainment Asia

Russian clowns use humour and imagination to cope with crushing solitude. First premiering in Russia in 1993, Slava’s Snow Show is a surreal tragicomedy that takes place in a wintry world straight out of a painting. Born from the mind of Russian clown Slava Polunin, the show follows a clown in yellow as he navigates the strangeness of the world he’s in, alongside the odd … Continue reading ★★★★☆ Review: Slava’s Snow Show by Base Entertainment Asia

Sibeh Strange: An Interview with Jonathan Lim and Judy Ngo on the long-anticipated return of their signature Chestnuts parody show

In its heyday, the Chestnuts series was one of Singapore’s most popular and beloved parody shows. Known as Singapore’s ‘first and longest running parody shows’, since their humble beginnings in 1996, the team have grown and evolved over the years from strength to strength, going from Christmas sketch shows at the now-defunct Jubilee Hall, to a massive SG50 special edition in 2015 at the Drama … Continue reading Sibeh Strange: An Interview with Jonathan Lim and Judy Ngo on the long-anticipated return of their signature Chestnuts parody show

★★★★☆ Review: The Almighty Sometimes by Singapore Repertory Theatre

Newcomer Arielle Jasmine delivers a stellar performance in this play about the side effects of psychotropics and perils of parenthood. Category Score (out of 10) Direction (Daniel Jenkins) 8 Script (Kendall Feaver) 7 Performance (Arielle Jasmine Van Zuijlen, Karen Tan, Salif Hardie, Shona Benson) 9 Set Design (Eucien Chia) 7 Lighting Design (Gabriel Chan) 10 Sound Design (Daniel Wong) 8 Costumes (Leonard Augustine Choo) 8 … Continue reading ★★★★☆ Review: The Almighty Sometimes by Singapore Repertory Theatre

Practice Tuckshop’s Recess Time Receives #CreateCOP27 Honourable Mention

The Theatre Practice has announced that Practice Tuckshop’s flagship programme Recess Time has been chosen as one of the twenty honourable mentions for #CreateCOP27.  An “ugly” produce lunch party, Recess Time is a long-running participatory work which stages a social event, i.e. lunch, as the site for performance and engagement. Combining cooking, making conversation and storytelling into a single encounter, invited home cooks and professional … Continue reading Practice Tuckshop’s Recess Time Receives #CreateCOP27 Honourable Mention

SRT’s The Almighty Sometimes: An Interview with director Daniel Jenkins and rising star Arielle Jasmine

Mental health issues have been a concern since time immemorial, but it is only in more contemporary times that they have finally been taken seriously, with proper psychiatric treatment and medication used to curb the symptoms and cure patients. But with the rise of treatment comes the controversy of side effects and criticism from older generations – is there such a thing as a ‘medication … Continue reading SRT’s The Almighty Sometimes: An Interview with director Daniel Jenkins and rising star Arielle Jasmine

Preview: M1 Singapore Fringe Festival 2023

It feels like just yesterday that we were still in January 2022, but with 2 months left before the new year, it’s about time to preview 2023’s arts season as we always do with the first major performing arts festival of the year – the annual M1 Singapore Fringe Festival (M1SFF). Organised by The Necessary Stage, 2023’s edition of M1SFF marks the first time in … Continue reading Preview: M1 Singapore Fringe Festival 2023