★★★★☆ Review: Caino e Abele #1 (Corpo a Corpo) by Compagnia Zappala Danza (cont·act Contemporary Dance Festival 2022)

A history of violence, and the start of forgiveness.  William-Adolphe Bouguereau’s painting The First Mourning is so named for its depiction of Adam and Eve discovering the body of their son Abel, slain by his own brother Cain, and marking the first human death in the Bible. What is striking about this image is to see Abel arched over in death, completely vulnerable and stretched … Continue reading ★★★★☆ Review: Caino e Abele #1 (Corpo a Corpo) by Compagnia Zappala Danza (cont·act Contemporary Dance Festival 2022)

★★★☆☆ Review: ASYLUM by Intercultural Theatre Institute

Going mad over the isolation of quarantine. During the pandemic, all of us have experienced what it’s like to be locked down, and isolated from society. In being forced to see the same faces day in, day out, settle into a fixed routine in a highly confined space, and little contact with the outside world, it’s enough to make anyone go mad. Exploring this idea, … Continue reading ★★★☆☆ Review: ASYLUM by Intercultural Theatre Institute

Review: Open Stage 2022 (cont·act Contemporary Dance Festival 2022)

Diverse line-up of international work join local artists for Open Stage 2022. One of the highlights and mainstays of every edition of T.H.E Dance Company’s cont·act Contemporary Dance Festival is Open Stage, where local and international artists are curated from a global open call, and only the best and most exciting work is chosen to perform. With seven works spread over two programmes performed over … Continue reading Review: Open Stage 2022 (cont·act Contemporary Dance Festival 2022)

★★★★☆ Review: Vilangkuppannai (Animal Farm) by Agam Theatre Lab

The more things change, the more they stay the same. Since it was first published in 1945, George Orwell’s Animal Farm has become one of the most renowned allegories in the English language, still studied in schools to this day, and ever relevant with its hard-hitting truths about the fallibility of humans and the difficulty of subverting established power systems. Receiving countless stage adaptations, the … Continue reading ★★★★☆ Review: Vilangkuppannai (Animal Farm) by Agam Theatre Lab

Preview: The Studios 2022 – Nervous System by Esplanade – Theatres on the Bay

Change is coming to the Esplanade, and before that happens, the the final season of The Studios in its current format will be taking its last bow. Themed Nervous System, The Studios 2022 is a product of reflecting on the past, as it examines how it relates to the strange “new” world we find ourselves in. Perhaps it is similar to how our nervous systems respond to … Continue reading Preview: The Studios 2022 – Nervous System by Esplanade – Theatres on the Bay

★★☆☆☆ Review: Hitting (On) Women by A Mirage

Strong direction can’t patch the pre-existing holes in this dated look at lesbian relationships. It’s June, Pride Month for most other countries, and the month of Pink Dot in Singapore, an event where the nation continues to push for ‘the freedom to love’. Existing as a queer person in Singapore remains unusual and generally undiscussed in public, and positive portrayals of LGBTQ+ people media generally … Continue reading ★★☆☆☆ Review: Hitting (On) Women by A Mirage

A Legacy Through Song: An Interview with Julian Wong, writer of Wild Rice’s ‘Don’t Call Him Mr. Mari Kita’

Before National Day comes around and we once again celebrate the nation, have a think about one of the nation’s most enduring symbols – our national anthem. How many of us really know about its composer – Zubir Said, and only refer to him as ‘Mr. Mari Kita’? This July, Wild Rice is here to change that forever, with Don’t Call Him Mr. Mari Kita, … Continue reading A Legacy Through Song: An Interview with Julian Wong, writer of Wild Rice’s ‘Don’t Call Him Mr. Mari Kita’

Preview: Kwa Geok Choo by Toy Factory Productions

Everyone knows her as the wife of Lee Kuan Yew and mother of Lee Hsien Loong. But what do we know about Kwa Geok Choo? This monologue follows her from girlhood and early romance to life as political wife and mother; and top conveyancing lawyer and main breadwinner of the Lee Family. It explores how it might have felt to be, as Lee Kuan Yew … Continue reading Preview: Kwa Geok Choo by Toy Factory Productions

★★★★☆ Review: project SALOME by Ong Keng Sen / T:>works (SIFA 2022)

Unpacking and reimagining the complexities of Salome through a modern lens. Princess of Judea, villainous exotic dancer, or vengeful femme fatale? The historical figure of Salome’s claim to fame lies in her request to see the head of John the Baptist as reward for performing a dance for her step-father. But one thing that is never made clear is her intentions for doing so, with … Continue reading ★★★★☆ Review: project SALOME by Ong Keng Sen / T:>works (SIFA 2022)

★★★★☆ Review: Only Bones by Kallo Collective

Dancing to the beat of the body. Kallo Collective’s Only Bones has a deceptively simple set-up – onstage there is only performer Thom Monckton, limited to a small red circle lit by a single bulb. But by sheer virtue of a boundless imagination and complete control over the body, Only Bones ends up as a wildly entertaining fringe show that exemplifies a class act in … Continue reading ★★★★☆ Review: Only Bones by Kallo Collective