Music: Piano Prodigy Mikkel Myer Lee Returns Home with third instalment of Complete Beethoven Sonata Cycle

On 23 May 2026, an extraordinary musical homecoming will unfold at the Esplanade Concert Hall. Singapore’s rising piano prodigy Mikkel Myer Lee returns to the stage for the third instalment of his ambitious Complete Beethoven Sonata Cycle — an eight-part artistic journey that will eventually see him perform all 32 piano sonatas by Ludwig van Beethoven. For Mikkel, the concert marks more than another recital. … Continue reading Music: Piano Prodigy Mikkel Myer Lee Returns Home with third instalment of Complete Beethoven Sonata Cycle

Singapore’s Classical Music Season Heats Up with a New Singapore International Piano Festival Director and a Farewell to Maestro Hans Graf

Singapore’s classical music calendar is shaping up to be an especially meaningful one this year. From a new artistic vision at the Singapore International Piano Festival to a heartfelt farewell for a beloved music director, the coming months promise a vibrant mix of world-class performances, family-friendly experiences, and artistic collaborations across the city. One of Asia’s most celebrated piano festivals enters a new era this … Continue reading Singapore’s Classical Music Season Heats Up with a New Singapore International Piano Festival Director and a Farewell to Maestro Hans Graf

★★★★★ Theatre Review: Le Père (The Father) 父亲 by Shanghai Dramatic Arts Centre

by D.Y. Mandarin adaptation of acclaimed Florian Zeller play finds heartbreaking new resonance; spotlighting the Asian sensibilities of a family at war with Alzheimer’s disease.  In theatre, there are few plays that break the trust between audience and performer in its storytelling; And with an unassuming title such as ‘The Father’, the audience is lured into a false sense of familiarity. But, when the naturalistic, … Continue reading ★★★★★ Theatre Review: Le Père (The Father) 父亲 by Shanghai Dramatic Arts Centre

★★★★★ Theatre Review: Force Majeure by Pangdemonium

A storm of memory, art and family marks the beginning of Pangdemonium’s final season. Pangdemonium opens its 2026 season with Force Majeure, a quietly devastating meditation on art, family and the fragile structures that hold both together. Written by Stephanie Street and directed by Tracie Pang, the play reimagines Chekhov’s Three Sisters within a contemporary Southeast Asian context, where artists find themselves negotiating not just … Continue reading ★★★★★ Theatre Review: Force Majeure by Pangdemonium

Arts of Hong Kong: M+ Opens Its Doors for Free on 8 March to Celebrate Art March Hong Kong

HONG KONG – In celebration of Art March Hong Kong, M+, Asia’s global museum of contemporary visual culture in the West Kowloon Cultural District, will welcome visitors with free admission to its major exhibitions and public programmes on Sunday, 8 March 2026. From 10:00 to 20:00, the museum will open its doors to the public without pre-registration, inviting the community to experience contemporary visual culture … Continue reading Arts of Hong Kong: M+ Opens Its Doors for Free on 8 March to Celebrate Art March Hong Kong

An Interview with director Tracie Pang, and cast members Sharda Harrison and Benjamin Kheng on Pangdemonium’s ‘Force Majeure’

In its final season, Pangdemonium returns to a writer who has haunted stages for more than a century: Anton Chekhov. But this is not a museum piece, nor a reverent period revival. Force Majeure, written by Stephanie Street and adapted from Three Sisters, relocates the ache of Chekhov’s provincial dreamers into a contemporary landscape of global drift and fragile belonging. The soldiers and samovars are … Continue reading An Interview with director Tracie Pang, and cast members Sharda Harrison and Benjamin Kheng on Pangdemonium’s ‘Force Majeure’

Art: Rirkrit Tiravanija’s SAY YES TO EVERYTHING at STPI

What if an art exhibition didn’t ask you to stand still and look, but instead invited you to eat, talk, play, and linger? This March, Rirkrit Tiravanija brings exactly that proposition to Singapore with SAY YES TO EVERYTHING, his largest exhibition here to date, presented at STPI from 7 March to 9 May 2026. Known for redefining what art can be, Tiravanija has spent decades … Continue reading Art: Rirkrit Tiravanija’s SAY YES TO EVERYTHING at STPI

★★★★☆ Dance Review: Diary VII ・ The Story Of…… by Mui Cheuk-yin

Mui Cheuk-yin transforms a chance encounter with a stray cat into a profound reflection on migration, memory and the circular nature of time. Diary entries often feel like streams of consciousness, a flow of thought. So for a dance piece to take inspiration from one, that results in a performance where there is no dramatic overture, no attempt to overwhelm. Instead, the theatre fills with … Continue reading ★★★★☆ Dance Review: Diary VII ・ The Story Of…… by Mui Cheuk-yin

★★★★☆ Theatre Review: The Sun by 4 CHAIRS THEATRE

A searing Taiwanese sci-fi triumph that evokes harrowing existential crises as we wonder how much humanity we leave behind as we evolve. There is something disquietingly apt about encountering The Sun in a cultural moment already steeped in suspicion, fracture and the long psychological aftershocks of global crises today. Directed by Tora Hsu and adapted by Chen Yi-En from Tomohiro Maekawa’s 2010 Japanese script, this … Continue reading ★★★★☆ Theatre Review: The Sun by 4 CHAIRS THEATRE

Preview: Saree, These Are Just Jokes! by Sharul Channa

Stand-up comedy isn’t for the faint of heart, or the slow of wit. And if there’s anyone who has proven she has both the guts and the timing to thrive, it’s Sharul Channa. Just ask Harper’s Bazaar, which praised her fearless presence on stage, or Prestige Singapore, which called her success in the male-dominated comedy world proof that women are, in fact, very funny. She’s … Continue reading Preview: Saree, These Are Just Jokes! by Sharul Channa