Preview: A Fiend’s Diary by The Finger Players + An Interview with Oliver Chong

There are some people who have lost touch with society, or rather, no longer find meaning in life. They find their existence to be absurd. If that’s the case, is their existence meaningful, if at all? A man does not shed a single tear during his mother’s funeral. He commits an irreversible act, deemed unforgivable under the judicial system. Witnesses take to the stand, each … Continue reading Preview: A Fiend’s Diary by The Finger Players + An Interview with Oliver Chong

Review: Dear Elena (青春禁忌游戏) by Nine Years Theatre

Worst birthday ever makes for one of the best shows of 2019. Growing up in Singapore, the hard and fast path to ‘success’ has always been made abundantly clear to each and every child: study hard, get into a good school, rinse and repeat, and you’ll lead a happy life. But for those who don’t follow exactly as the system dictates, the consequences could be … Continue reading Review: Dear Elena (青春禁忌游戏) by Nine Years Theatre

Review: Tanah•Air 水•土 – A Play In Two Parts by Drama Box

Remembering those we’ve forgotten via two tales of the dispossessed.  As much as the Bicentennial celebrations claim to remember the some 700 years of recorded history of Singapore and the people who lived here back then, it tends to forget that those same people aren’t extinct, and in fact, still walk among us today. With Drama Box’s incredibly ambitious two part play Tanah•Air 水•土 then, the … Continue reading Review: Tanah•Air 水•土 – A Play In Two Parts by Drama Box

The Bicentennial Experience: An Interview with Creative Directors Beatrice Chia-Richmond and Michael Chiang

Amidst the countless ways each and every Singaporean entity is attempting to deconstruct, grapple with or straight up capitalise on the Bicentennial year, at the heart of the event remains the Singapore Bicentennial Office’s blockbuster centrepiece – From Singapore to Singaporean: The Bicentennial Experience. Meeting with overwhelming demand upon its launch, so much such that it’s now been extended all the way till the end … Continue reading The Bicentennial Experience: An Interview with Creative Directors Beatrice Chia-Richmond and Michael Chiang

Review: Merdeka / 獨立 /சுதந்திரம் by W!ld Rice

Uncovering Singapore’s untold history we were never taught in school. ‘Merdeka’ is a Malay word that roughly translates to freedom or independence in English. To most Singaporeans, it’s also a word synonymous with late founding father Lee Kuan Yew, who frequently employed it as a rallying cry to unite against colonialism in the years leading up to the 1963 merger, inextricably linked to our own … Continue reading Review: Merdeka / 獨立 /சுதந்திரம் by W!ld Rice

Preview: Heather by Adeeb & Shai + An Interview with Adeeb Fazah and Karen Tan

Following their debut production of Sam Steiner’s Lemons, Lemons, Lemons, Lemons, Lemons in 2018, Adeeb & Shai are back to bring more Fringe theatre works to a local audience. This time around, they’ll be presenting UK writer Thomas Eccleshare’s Heather, which first premiered at the Edinburgh Festival Fringe 2017 and the Bush Theatre in London. Marking director Adeeb Fazah’s residence presentation under the Gateway Artist-in-Residence Programme, Heather stars Karen Tan … Continue reading Preview: Heather by Adeeb & Shai + An Interview with Adeeb Fazah and Karen Tan

In London’s (Off) West End 2019: Antic Disposition’s A Christmas Carol (Preview)

LONDON – Returning to the spectacular Middle Temple Hall, where Charles Dickens himself studied law, Antic Disposition’s acclaimed adaptation of A Christmas Carol is back for a fifth magical season this December. One of London’s most heart-warming festive treats, the production combines the ghostly tale of Ebenezer Scrooge with original songs inspired by traditional Victorian Christmas carols. Olivier Award-nominated West End actor David Burt (Enjolras in … Continue reading In London’s (Off) West End 2019: Antic Disposition’s A Christmas Carol (Preview)

da:ns festival 2019: FULL OUT! (Review)

Living proof that street dance is just as much of an art form as every other production gracing the Esplanade Theatre. It’s hard to believe it’s been over a decade since the Esplanade’s da:ns festival has featured street dance performers on the mainstage. Almost as if to make up for this absence, FULL OUT! features some of the world’s very best dance crews gathering for a single, … Continue reading da:ns festival 2019: FULL OUT! (Review)

In London’s (Off) West End 2019: Hungerland at The Bread & Roses Theatre (Preview)

LONDON – Following the success of The Black Eye Club by Phil Charles and The Buzz by Lydia Rynne, The Bread & Roses Theatre presents the first instalment of the 2019/20 Playwriting Award: Rachel O’Regan’s Hungerland. The production brings together a collaboration of talent from the theatre’s playwriting, emerging director and emerging producer schemes and marks an exciting moment as Artistic Director Velenzia Spearpoint and Managing … Continue reading In London’s (Off) West End 2019: Hungerland at The Bread & Roses Theatre (Preview)

Review: Lim Boon Keng – The Musical by Musical Theatre Limited

A musical digest reclaiming the life of a Singaporean icon ahead of his time.  Honest question: how many of you can say you know who Lim Boon Keng was? Sure, you may know him because of Boon Keng MRT station, but who was he really, and why is he such an important figure in Singapore’s history? The answer to that question comes neatly packaged in Musical … Continue reading Review: Lim Boon Keng – The Musical by Musical Theatre Limited