An Invitation to Play: Chong Tze Chien to honour Legacy and evoke paradigm shifts for his tenure as SIFA’s newest Festival Director

“Let’s play” sounds like an unexpected invitation at a time like this. In recent years, Singapore’s arts ecosystem has felt increasingly brittle, one defined by closures, stagnant funding, and a growing sense that artistic labour must constantly justify itself in numbers, outcomes, and economic value. Against this pragmatic backdrop, theatremaker Chong Tze Chien has emerged from the wings and prepares to stage his first act … Continue reading An Invitation to Play: Chong Tze Chien to honour Legacy and evoke paradigm shifts for his tenure as SIFA’s newest Festival Director

Singapore International Festival of Arts 2026 set to turn city into a playground for the arts with theme ‘Let’s Play’

For two weeks in May, Singapore becomes a stage. Across theatres, parks and historic civic spaces, the Singapore International Festival of Arts (SIFA) returns from 15 to 30 May with performances that stretch from aerial dance spectacles and immersive theatre to experimental late-night encounters. This year’s edition carries an unusually simple invitation: “Let’s Play.” The phrase captures the spirit of a festival that wants audiences … Continue reading Singapore International Festival of Arts 2026 set to turn city into a playground for the arts with theme ‘Let’s Play’

★★★★★ Theatre Review: Le Père (The Father) 父亲 by Shanghai Dramatic Arts Centre

by D.Y. Mandarin adaptation of acclaimed Florian Zeller play finds heartbreaking new resonance; spotlighting the Asian sensibilities of a family at war with Alzheimer’s disease.  In theatre, there are few plays that break the trust between audience and performer in its storytelling; And with an unassuming title such as ‘The Father’, the audience is lured into a false sense of familiarity. But, when the naturalistic, … Continue reading ★★★★★ Theatre Review: Le Père (The Father) 父亲 by Shanghai Dramatic Arts Centre

★★★★★ Theatre Review: Force Majeure by Pangdemonium

A storm of memory, art and family marks the beginning of Pangdemonium’s final season. Pangdemonium opens its 2026 season with Force Majeure, a quietly devastating meditation on art, family and the fragile structures that hold both together. Written by Stephanie Street and directed by Tracie Pang, the play reimagines Chekhov’s Three Sisters within a contemporary Southeast Asian context, where artists find themselves negotiating not just … Continue reading ★★★★★ Theatre Review: Force Majeure by Pangdemonium

Arts of Hong Kong: M+ Opens Its Doors for Free on 8 March to Celebrate Art March Hong Kong

HONG KONG – In celebration of Art March Hong Kong, M+, Asia’s global museum of contemporary visual culture in the West Kowloon Cultural District, will welcome visitors with free admission to its major exhibitions and public programmes on Sunday, 8 March 2026. From 10:00 to 20:00, the museum will open its doors to the public without pre-registration, inviting the community to experience contemporary visual culture … Continue reading Arts of Hong Kong: M+ Opens Its Doors for Free on 8 March to Celebrate Art March Hong Kong

Arts of Hong Kong: The Hong Kong Academy for Performing Arts and Hong Kong Arts Festival Strengthen Strategic Partnership through signing a Memorandum of Understanding

HONG KONG – The Hong Kong Academy for Performing Arts (HKAPA) and the Hong Kong Arts Festival (HKAF) are delighted to announce the signing of a Memorandum of Understanding (MoU), marking a new chapter in their long-standing partnership. The agreement builds on the two parties’ rich legacy of artistic exchange and collaboration, reinforcing both organisations’ shared vision for the future development of the arts. This MoU establishes a framework for strategic collaboration. By leveraging their complementary strengths, … Continue reading Arts of Hong Kong: The Hong Kong Academy for Performing Arts and Hong Kong Arts Festival Strengthen Strategic Partnership through signing a Memorandum of Understanding

An Interview with director Tracie Pang, and cast members Sharda Harrison and Benjamin Kheng on Pangdemonium’s ‘Force Majeure’

In its final season, Pangdemonium returns to a writer who has haunted stages for more than a century: Anton Chekhov. But this is not a museum piece, nor a reverent period revival. Force Majeure, written by Stephanie Street and adapted from Three Sisters, relocates the ache of Chekhov’s provincial dreamers into a contemporary landscape of global drift and fragile belonging. The soldiers and samovars are … Continue reading An Interview with director Tracie Pang, and cast members Sharda Harrison and Benjamin Kheng on Pangdemonium’s ‘Force Majeure’

★★★★☆ Dance Review: Diary VII ・ The Story Of…… by Mui Cheuk-yin

Mui Cheuk-yin transforms a chance encounter with a stray cat into a profound reflection on migration, memory and the circular nature of time. Diary entries often feel like streams of consciousness, a flow of thought. So for a dance piece to take inspiration from one, that results in a performance where there is no dramatic overture, no attempt to overwhelm. Instead, the theatre fills with … Continue reading ★★★★☆ Dance Review: Diary VII ・ The Story Of…… by Mui Cheuk-yin

★★★★☆ Theatre Review: The Sun by 4 CHAIRS THEATRE

A searing Taiwanese sci-fi triumph that evokes harrowing existential crises as we wonder how much humanity we leave behind as we evolve. There is something disquietingly apt about encountering The Sun in a cultural moment already steeped in suspicion, fracture and the long psychological aftershocks of global crises today. Directed by Tora Hsu and adapted by Chen Yi-En from Tomohiro Maekawa’s 2010 Japanese script, this … Continue reading ★★★★☆ Theatre Review: The Sun by 4 CHAIRS THEATRE

★★★★☆ Theatre Review: Deling and Cixi by He Jiping

A tender look at power and femininity in the dying days of the Qing dynasty. As the opening production of this year’s Huayi – Chinese Festival of Arts, Deling and Cixi arrives with imperial grandeur and no small ambition, taking us back to the days of imperial China. Written by celebrated playwright He Jiping and directed by Roy Szeto, this sweeping three-hour production brings the … Continue reading ★★★★☆ Theatre Review: Deling and Cixi by He Jiping