Preview: Esplanade’s The Studios 2025 – Sustenance

Two years ago, Esplanade – Theatres on the Bay’s annual theatre season, The Studios, embarked on a three-year curatorial arc revolving around the theme of LAND. In 2023, they covered Landings, exploring the natural world we live in and the way we interact with it, while in 2024, they covered Fault Lines, focusing on disruptions and movements that shift the trajectory of our lives. Now … Continue reading Preview: Esplanade’s The Studios 2025 – Sustenance

An Interview with the cast and creatives of Teater Ekamatra’s ‘National Memory Project’

This June, Teater Ekamatra returns with National Memory Project, a quietly devastating, politically astute, and culturally layered play by Jonny Jon Jon. Originally staged in 2012 and again in 2016, this third incarnation marks the play’s first under Ekamatra’s banner, and will be helmed by Mohd Fared Jainal, who directs the two-hander starring Ellison Tan and Fir Rahman. At the helm is Ekamatra’s long-time artistic … Continue reading An Interview with the cast and creatives of Teater Ekamatra’s ‘National Memory Project’

Preview: Les Misérables The Arena Spectacular World Tour by Cameron Mackintosh, in association with Nick Grace Management and Base Entertainment Asia

Cameron Mackintosh, in association with Nick Grace Management and Base Entertainment Asia, is proud to announce that tickets are now on sale for Boublil and Schönberg’s legendary musical Les Misérables The Arena Spectacular World Tour. The highly anticipated production will take the stage at the Sands Theatre, Marina Bay Sands from 24 March 2026, as part of its acclaimed world tour celebrating the 40th anniversary of … Continue reading Preview: Les Misérables The Arena Spectacular World Tour by Cameron Mackintosh, in association with Nick Grace Management and Base Entertainment Asia

★★☆☆☆ Review: No Man’s Land by The Necessary Stage

The message is lost in this uneven and confusing exploration of masculinity, its title aptly representing the wasteland and vacuum of modern manhood. In 2025, men find themselves in an interesting new era of their gender, where stereotypes and roles are being questioned, and it seems that we now need new definitions, new ways of seeing and defining where exactly masculinity stands today. Promising that … Continue reading ★★☆☆☆ Review: No Man’s Land by The Necessary Stage

Dance with Me: An Interview with Kuik Swee Boon on the 15th cont·act Contemporary Dance Festival and the Paths That Bind Us

This June marks a pivotal moment for contemporary dance in Singapore as cont·act Contemporary Dance Festival returns for its milestone 15th edition. Themed Paths That Bind Us, the 2025 programme is more than a showcase of works; it’s also a meditation on connection, memory, collaboration, and resilience. At its helm is Kuik Swee Boon, Artistic Director of T.H.E Dance Company and founding festival director of … Continue reading Dance with Me: An Interview with Kuik Swee Boon on the 15th cont·act Contemporary Dance Festival and the Paths That Bind Us

Review: Grand Theft Theatre (Singapore) (WIP Showcase) by Miriam Cheong and Adeeb Fazah

Joyous, self-aware wink in a celebration of local theatre. In the midst of SG60, what if we threw Singapore theatre a birthday party? That’s the cheeky, heartfelt premise behind Grand Theft Theatre (Singapore), a new devised performance by Miriam Cheong and Adeeb Fazah, inspired by the original concept of the same name by Australian collective Pony Cam. This work-in-progress draws from interviews with theatre practitioners, … Continue reading Review: Grand Theft Theatre (Singapore) (WIP Showcase) by Miriam Cheong and Adeeb Fazah

Preview: Grand Theft Theatre (Singapore) (WIP Showcase) by Miriam Cheong and Adeeb Fazah

What if Singapore theatre history were stolen, remixed, and retold, with a wink, a song, and a whole lot of heart? Miriam Cheong and Adeeb Fazah present Grand Theft Theatre (Singapore), a cheeky, cross-genre devised performance that pays homage to pivotal moments in Singapore theatre, by quite literally stealing them. Inspired by the original work by Australia’s award-winning experimental collective Pony Cam, this Singapore iteration … Continue reading Preview: Grand Theft Theatre (Singapore) (WIP Showcase) by Miriam Cheong and Adeeb Fazah

Review: Snakes & Ladders – Life Edition! by Dwayne Lau

Dwayne Lau shows you how to find the silver lining in every moment, in this sincere, autobiographical show disguised as an interactive cabaret. There’s something charmingly chaotic about Snakes and Ladders: Life Edition!, a 40-minute cabaret-style solo show performed by actor Dwayne at the Esplanade Concourse. Free and open to the public, it’s an earnest, heartfelt experiment in autobiographical performance, part-musical, part-game-show, part-memoir, as well … Continue reading Review: Snakes & Ladders – Life Edition! by Dwayne Lau

Concert Review: Kamasi Washington – Fearless Movement at Capitol Theatre

Kamasi Washington is the kind of man who brings jazz into the new age, utilising unusual riffs and instrumentation to add on to his preexisting body of work. Let’s start with a caveat: I’m not a jazz person and can’t recognise the specific technicalities that go into jazz, but if anything, the crowd at capitol theatre was buzzing as they gathered before the show. It … Continue reading Concert Review: Kamasi Washington – Fearless Movement at Capitol Theatre

Preview: Much Ado About Nothing by The Winter Players

Following their debut production as Singapore Repertory Theatre’s (SRT) Company-in-Residence, emerging theatre collective The Winter Players return this June with their most ambitious production to date: a vibrant reimagining of William Shakespeare’s Much Ado About Nothing, set in 1960s Singapore. In this version of Much Ado About Nothing, come join the community of Messina, Singapore celebrating a break from ongoing political and military confrontations. But … Continue reading Preview: Much Ado About Nothing by The Winter Players