In London’s (Off) West End 2020: Jennifer Tang named Young Vic Genesis Fellow

LONDON – Young Vic Artistic Director Kwame Kwei-Armah has announced director Jennifer Tang as the next Genesis Fellow at the Young Vic. Jennifer is an award-winning UK and international theatre-maker and stage director, specialising in making new work across multiple disciplines. Her practice spans new writing, devised work and theatre with music, and she has extensive experience of working with communities and young people. Jennifer trained at the … Continue reading In London’s (Off) West End 2020: Jennifer Tang named Young Vic Genesis Fellow

Touring the UK 2020: Jeeves and Wooster in Perfect Nonsense by The Theatre Chipping Norton and Barn Theatre (Preview)

LONDON – Adapted from the works of the great British humourist PG Wodehouse, two of the smallest producing theatres in the UK have joined forces to tour a brand-new production of the Olivier Award-winning comedy of mishaps, misadventures and mischief. Written by the Goodale Brothers and directed by John Terry, this brand new production is to set off on a 17-week tour of the UK, playing … Continue reading Touring the UK 2020: Jeeves and Wooster in Perfect Nonsense by The Theatre Chipping Norton and Barn Theatre (Preview)

In London’s (Off) West End 2020: For the Sake of Argument at Bridewell Theatre (Preview)

LONDON – The cast has been announced for the hard-hitting production For the Sake of Argument, which explores the dangerous power of language after a journalist’s words inspire a young man to enlist in the army. Georgie Farmer (Ready Player One, Warner Brothers; Mowgli, Netflix; Treadstone, USA Network) joins the cast as Mark Bradley, alongside Greg Snowden (Emmerdale, Coronation Street, ITV; My Mind is Free, Rah … Continue reading In London’s (Off) West End 2020: For the Sake of Argument at Bridewell Theatre (Preview)

London’s VAULT Festival 2020: Sticky Door by Kate Arnstein (Preview)

LONDON –  The multi-award-winning team behind Sexy Lamp and Bicycles and Fish are back with the third part of their It’s a Girl! trilogy. Sticky Door by Katie Arnstein is a personal, honest and funny look at sex, dating and feminism, directed by Ellen Havard (Ad Libido by Fran Bushe, Edinburgh Fringe 2018 and VAULT 2018; Sexy Lamp, Edinburgh Fringe 2019). Set two years after … Continue reading London’s VAULT Festival 2020: Sticky Door by Kate Arnstein (Preview)

M1 Singapore Fringe Festival 2020: An Interview with Rei Poh (A Tiny Country)

After making their debut as a collective at the 2017 M1 Singapore Fringe Festival, ATTEMPTS is back for another show at the 2020 M1 Singapore Fringe Festival, this time with a brand new storytelling meets gamification experience in A Tiny Country. In the work, audience members take on the role of members of a community living in a tiny country, while also playing as social scientists … Continue reading M1 Singapore Fringe Festival 2020: An Interview with Rei Poh (A Tiny Country)

M1 Singapore Fringe Festival 2020: An Interview with bluemouth inc. (Café Sarajevo)

Part of the magic of theatre is the ability to create entire worlds within simple black box spaces. With the advent of technology such as virtual reality, the distance between us and the world has been collapsed further still. In bluemouth inc.’s Café Sarajevo, audience members can expect to have an immersive theatrical experience that will bring them from Berlin to Sarajevo to Mostar as they … Continue reading M1 Singapore Fringe Festival 2020: An Interview with bluemouth inc. (Café Sarajevo)

M1 Singapore Fringe Festival 2020: An Interview with Alvin Tan and Haresh Sharma (Kebaya Homies)

Aidli ‘Alin’ Mosbit and Siti Khalijah are two of Singapore’s most renowned Malay actresses. With both of them having worked extensively with The Necessary Stage, and even on a couple of productions together, The Necessary Stage’s first original show for the fringe in years, Kebaya Homies, is set to be one heck of an event. Directed by Alvin Tan, Kebaya Homies brings audience members to a club, featuring perempuan-perempuan joget (dancing … Continue reading M1 Singapore Fringe Festival 2020: An Interview with Alvin Tan and Haresh Sharma (Kebaya Homies)

Preview: Prologue 2020 – Invisible Cities at the Arts House

The Arts House, Singapore’s home for the literary arts, will be lit from both within and without this January. Taking place in conjunction with the National Gallery Singapore’s Light to Night Festival (as part of Singapore Art Week), Prologue marks the start of the Arts House’s 2020 season, presenting a ‘sample platter’ of activities and programmes to look out for in the year to come. … Continue reading Preview: Prologue 2020 – Invisible Cities at the Arts House

Music Is: VCHPresents Chamber – Endless Sound 无限的笙 by the Singapore Symphony Orchestra (Preview)

Renowned sheng virtuoso Wu Wei leads musicians of the Singapore Symphony Orchestra on a journey from East to West and back again in Endless Sound, playing on a Sunday afternoon on 9th February. Wu Wei has crafted a programme bringing together Chinese favourites – such as Dragon Dance 金蛇狂舞 by Nie Er 聂耳 and Dance of the Yao People 瑶族舞曲 by Mao Yuan 茅沅 – and … Continue reading Music Is: VCHPresents Chamber – Endless Sound 无限的笙 by the Singapore Symphony Orchestra (Preview)

In London’s (Off) West End 2020: The Co-Op by Make It Beautiful (Preview)

LONDON – After a successful run at the Waterloo East Theatre in December, Make It Beautiful are bringing back their show The Co-Op to theatres this January, playing at The White Bear Theatre in Kennington for just five days. Written by and starring Felix Grainger and Gabriel Fogarty-Graveson, with cast member Cara Steele, The Co-Op welcomes audiences to a dysfunctional acting agency, run by actors themselves, that you’ll never … Continue reading In London’s (Off) West End 2020: The Co-Op by Make It Beautiful (Preview)