★★☆☆☆ Theatre Review: Congratulations, Get Rich! by Singapore Repertory Theatre, La Boite Theatre and Sydney Theatre Company

SRT, La Boite Theatre and Sydney Theatre Company’s karaoke-inspired ghost story struggles to find the note. Singapore Repertory Theatre’s Congratulations, Get Rich! arrives with an impressive pedigree, marking a first-time co-production between SRT, Sydney Theatre Company, and Brisbane’s La Boite Theatre. Written by and starring Merlynn Tong, the play promises a raucous blend of karaoke comedy, family tragedy, and ghostly intervention. On paper, it sounds … Continue reading ★★☆☆☆ Theatre Review: Congratulations, Get Rich! by Singapore Repertory Theatre, La Boite Theatre and Sydney Theatre Company

★★★★☆ Dance Review: Chapter 2 by Pichet Klunchun

ChatGPT becomes a conversation partner, co-creator and dramaturg in Pichet Klunchun’s new show. Artificial Intelligence (AI) has rapidly developed to the point where it can hold conversations, generate images, and even craft videos. But as it increasingly encroaches on the arts, one question lingers: can AI dance? For Thai dancer, choreographer and khon master Pichet Klunchun, the answer is a tentative yes. In his newest … Continue reading ★★★★☆ Dance Review: Chapter 2 by Pichet Klunchun

★★★★☆ Dance Review: Softmachine – The Return by Choy Ka Fai

Choy Ka Fai reunites five artists to reflect on change, growth, and their relationship to body and the world. The world in 2015 was a very different place. Since then, politics, pandemics, technology, and society at large have shifted dramatically, but so have each of us, for better or worse. Yet one thing remains constant: our individuality and the human drive to innovate. This is … Continue reading ★★★★☆ Dance Review: Softmachine – The Return by Choy Ka Fai

★★★★☆ Dance Review: U>N>I>T>E>D by Chunky Move

The future of human evolution is on display as man and machine meld into a cohesive whole. In a world where art is often dismissed as derivative, Melbourne-based dance company Chunky Move continues to prove that originality is alive and well. Their latest work, U>N>I>T>E>D, conceived and choreographed by Artistic Director Antony Hamilton, pushes audiences into new imaginative territory, conjuring visions of what humanity might … Continue reading ★★★★☆ Dance Review: U>N>I>T>E>D by Chunky Move

★★★★☆ Review: Wicked (2025) by Base Entertainment Asia

Theatrical sorcery, an unforgettable soundtrack, and sheer spectacle keeps this Australian touring cast defying gravity. Wicked has long ascended to the ranks of musical theatre royalty, with legions of fans who know every song by heart. Now, two decades after its debut, this Australian touring production at Marina Bay Sands proves why the show continues to captivate. With its blend of steampunk aesthetics, stunning costumes, … Continue reading ★★★★☆ Review: Wicked (2025) by Base Entertainment Asia

★★★★★ Review: The End of Winter by Siren Theatre Co.

In search of a soon-to-be-lost lost season, in the form of an evocative letter of love and unfathomable grief. In the mindscapes of so many Singaporeans, the idea of winter is an utterly foreign one for a tropical island that experiences sweltering heat all year round. To us, the season of snow takes on almost a mythic quality to it, where the only way to … Continue reading ★★★★★ Review: The End of Winter by Siren Theatre Co.

★★★★☆ Review: Lotus Root Support Group (2024) by Impromptu Meetings

Balls to the walls – literally, as play about cyst-ers in PCOS goes wilder and more personal in its reboot. While its title and promo image may look more or less identical to its 2022 version, Impromptu Meetings’ new staging of Lotus Root Support Group is in fact, a completely different incarnation that sees creators Shannen Tan and Miriam Cheong shedding the characters they devised … Continue reading ★★★★☆ Review: Lotus Root Support Group (2024) by Impromptu Meetings

An Interview with Shannen Tan and Miriam Cheong on McDonald’s, pain and friendship in ‘Lotus Root Support Group’ (2024)

Back in 2022, fellow theatremakers Shannen Tan and Miriam Cheong found solace and friendship in each other over their shared pain – the fact that both of them suffered from Polycystic Ovary Syndrome (PCOS), a common yet often misunderstood endocrine disorder affecting up to 21% of women worldwide. Aiming to find a way to both educate others about the condition, while also sharing their own … Continue reading An Interview with Shannen Tan and Miriam Cheong on McDonald’s, pain and friendship in ‘Lotus Root Support Group’ (2024)

Preview: Lotus Root Support Group (2024) by Impromptu Meetings

In 2022, theatremakers Shannen Tan and Miriam Cheong came together from a place of pain – their shared experience with Polycystic Ovary Syndrome (PCOS), a common yet often overlooked and misunderstood endocrine disorder that affects anywhere between 4 to 21% of women worldwide. From friendship and discussions, they decided to turn the pain into art, with the cheekily-titled Lotus Root Support Group, which played to … Continue reading Preview: Lotus Root Support Group (2024) by Impromptu Meetings

★★★☆☆ Review: The Butterfly Lovers by Wild Rice and Victorian Opera

The classic Chinese tragedy of love that never quite takes flight. Category Score (out of 10) Direction (Ivan Heng) 6 Libretto (Joel Tan) 6 Composition (Richard Mills) 6 Performance (Cathy-Di Zhang, Austin Haynes, Haotian Qi, Michael Dimovski, Adrian Poon, Zachary Dominguez, Cindy Honanta, Zoe Hong Yee Huay, Alice Cahya Putri, David Tao Chen Ming, Jonathan Charles Tay, Teng Xiang Ting) 7 Live Music (Conducted by … Continue reading ★★★☆☆ Review: The Butterfly Lovers by Wild Rice and Victorian Opera