M1 Singapore Fringe 2025: An Interview with MASHH (Mm and Something Happens Here) on ‘I Am Seaweed’

Growing up in fast-paced Singapore with its high expectations gets to even the most resilient of people. There always comes a breaking point for everyone, yet, we keep telling ourselves we can take on more and more and more. For Cheryl Ho, Rachel Lee, who form theatre collective MASHH (Mm and Something Happens Here), they liken it to the unusual metaphor of seaweed, and how … Continue reading M1 Singapore Fringe 2025: An Interview with MASHH (Mm and Something Happens Here) on ‘I Am Seaweed’

M1 Singapore Fringe 2025: An Interview with Noma Yini Pty Ltd on ‘Commission Continua’

Everyone knows that bureaucracy and paperwork is the bane of any civil servant. But look hard enough into the abyss of red tape and jargon, and you’ll start to uncover darkness like never before. Investigating the depths of paperwork and commissions of inquiries is South Africa’s Noma Yini Pty Ltd with their work Commission Continua, which makes its Singapore premiere at the M1 Singapore Fringe … Continue reading M1 Singapore Fringe 2025: An Interview with Noma Yini Pty Ltd on ‘Commission Continua’

M1 Singapore Fringe 2025: An Interview with The Necessary Stage on a new staging of Haresh Sharma’s ‘Eclipse’

Over the years, The Necessary Stage (TNS) has made a name for itself with some of the most gripping, hard-hitting plays to come out of Singapore, primarily thanks to Resident Playwright and Cultural Medallion recipient Haresh Sharma. Among these plays is Eclipse, which looks at three generations of men struggling with their dreams and their journeys, as a young Singaporean man makes a journey to … Continue reading M1 Singapore Fringe 2025: An Interview with The Necessary Stage on a new staging of Haresh Sharma’s ‘Eclipse’

M1 Singapore Fringe 2025: An Interview with Birds Migrant Theatre on ‘The Troupe’

Comprising a group of theatre enthusiasts who also happen to be migrant workers, Birds Migrant Theatre is back for another edition of the M1 Singapore Fringe Festival this coming January. Following Foreign Bodies in 2023, which we described as ‘an unflinching, objectively written story that speaks truth to the limitations of being a migrant in Singapore’, the team is back withThe Troupe, yet another original … Continue reading M1 Singapore Fringe 2025: An Interview with Birds Migrant Theatre on ‘The Troupe’

M1 Singapore Fringe 2025: An Interview with Qabilah on ‘WePushTheSky’

Friends are and have always been a key part of our lives – no man is an island after all, and more than ever, rather than seeking out tribes where we simply see the similarities, it becomes more important to make space for differences, expand our mindsets and welcome others with open arms and nuance. That is what Indian company Qabilah is doing with WePushTheSky, … Continue reading M1 Singapore Fringe 2025: An Interview with Qabilah on ‘WePushTheSky’

M1 Singapore Fringe 2025: An Interview with Noor Effendy Ibrahim and Ruby Jayaseelan on ‘Dancing with the Ghost of My Child’

Can the arts heal pain? In tackling issues such as vulnerability, trauma and the desire to heal, the students of the BA (Hons) in Performance Making programme at Nanyang Academy of Fine Arts are attempting to do just that, in Dancing with the Ghost of My Child in January. Playing as part of the M1 Singapore Fringe Festival 2025, the devised work is led by … Continue reading M1 Singapore Fringe 2025: An Interview with Noor Effendy Ibrahim and Ruby Jayaseelan on ‘Dancing with the Ghost of My Child’

M1 Singapore Fringe 2025: An Interview with Siren Theatre Co. on ‘The End of Winter’

‘The End of Winter’ sounds like the stuff of fairytales, something that some kind of supernatural, fantastical villain plots to do away with snow forever. But the truth is, with rapid climate change and global warming, that could well be a reality before we know it, particularly in Australia, where the people truly feel the heat, with warmer and shorter winters each year. How do … Continue reading M1 Singapore Fringe 2025: An Interview with Siren Theatre Co. on ‘The End of Winter’

da:ns focus – Out of Site: An Interview with choreographer Rachid Ouramdane on ‘Corps extrêmes’ and staging the power of the human spirit

In a feature article on French choreographer Rachid Ouramdane, New York Times arts critic Gia Kourlas described him as ‘the choreographer bringing hope to the stage and beyond’. It’s a big title to live up to, but one that Rachid lives up to and carries well, particularly with his work Corps extrêmes. Playing at the Esplanade this weekend as part of their da:ns focus – … Continue reading da:ns focus – Out of Site: An Interview with choreographer Rachid Ouramdane on ‘Corps extrêmes’ and staging the power of the human spirit

★★★★★ Review: Invisible Habitudes《看不见的归属》(2024) by T.H.E Dance Company

Searching, finding, longing, connection. In an increasingly fractured world, our own identity can enter a state of flux, where we no longer feel comfortable at home, and the familiar becomes strange. It becomes difficult when we’re constantly shouted at from all fronts, yelled at to listen to someone else’s opinion, when we haven’t even settled on our own. In exploring that, T.H.E Dance Company explores … Continue reading ★★★★★ Review: Invisible Habitudes《看不见的归属》(2024) by T.H.E Dance Company

Review: Still In Motion by RAW Moves

Let the water flow, and find peace in the shared soundscape. If dance is all about movement – is it possible to find it even within stillness? That is the central question at the heart of Still In Motion, a collaborative, immersive performance by Andy Lee from Unlock Dancing Plaza (Hong Kong) alongside Matthew Goh from RAW Moves (Singapore). Central to the performance is the … Continue reading Review: Still In Motion by RAW Moves