da:ns focus – Out of Site: An Interview with choreographer Hwa Wei-An on the power of falling, and what keeps him going

To make art is to live life dangerously and vulnerably, consistently putting one’s creativity and a part of one’s self up and subject it to as much criticism as awe and adoration. For Malaysian choreographer Hwa Wei-An, that danger comes very literally, and plays out prominently in his solo dance piece A Reason For Falling, which plays this December as a part of the Esplanade’s … Continue reading da:ns focus – Out of Site: An Interview with choreographer Hwa Wei-An on the power of falling, and what keeps him going

Preview: 2025 M1 Singapore Fringe Festival to tackle themes of displacement across seven local and international works

The annual Singapore Fringe Festival, organised by The Necessary Stage (TNS) has become an institution for independent theatremakers both locally and internationally to present their work, providing a platform for them to stage provocative, cutting-edge performances that deal with pertinent discussions in society and about those on the margins. Now in its 21st edition, watch as Fringe 2025 tackles the theme of displacement, from people … Continue reading Preview: 2025 M1 Singapore Fringe Festival to tackle themes of displacement across seven local and international works

Preview: da:ns focus – Out of Site by Esplanade

In the final edition of da:ns focus this year, the Esplanade presents da:ns focus – Out of Site, a weekend of dance performances that foregrounds the intersection of extreme sports and dance. Presented from 6 – 8 December, it’s time to break new ground as these programmes consider how sites of extreme sports function as catalysts for dialogues with risk that unlock new thresholds and stir … Continue reading Preview: da:ns focus – Out of Site by Esplanade

Arts of Hong Kong: 3rd Sai Kung Hoi Arts Festival Narrates the Past and Present of Sai Kung

HONG KONG – The Sai Kung Hoi Arts Festival, organised by the Tourism Commission, supported by the Hong Kong Geopark and curated by One Bite Design Studio will be held from 13th November, 2024 to 12th January, 2025. Following last year’s accolades, including the Singapore Good Design Award 2024 (Experience Design category) and the Golden Pin Design Award 2024 (Integration Design category), this year’s Festival … Continue reading Arts of Hong Kong: 3rd Sai Kung Hoi Arts Festival Narrates the Past and Present of Sai Kung

The Necessary Stage calls for urgent donor support to continue annual Singapore Fringe Festival in 2026 and beyond

Each year, The Necessary Stage has been consistently curating and bringing together a plethora of local and international fringe performance work that becomes the Singapore Fringe Festival, calling to attention urgent issues affecting community and society. After a successful 2024 edition, the 2025 edition of the Singapore Fringe Festival will mark M1’s final year as its dedicated donor, after 20 years of support. The Necessary … Continue reading The Necessary Stage calls for urgent donor support to continue annual Singapore Fringe Festival in 2026 and beyond

Arts of Hong Kong: Hong Kong Arts Festival Announces Full Programme Lineup of 53rd HKAF in 2025

HONG KONG – The 53rd Hong Kong Arts Festival (HKAF) is set to take place in February and March 2025, with more than 1,300 outstanding international and local artists in over 125 performances of more than 45 programmes. The Festival Opening performance features the exceptional Orchestra of the Teatro Comunale di Bologna under the baton of revered Maestro Donato Renzetti, performing the music of Rossini and Mendelssohn. This … Continue reading Arts of Hong Kong: Hong Kong Arts Festival Announces Full Programme Lineup of 53rd HKAF in 2025

★★★★☆ Review: PEARLS by Joshua Serafin (CAN 2024)

The non-binary body finds healing and solace in decolonisation and community. To be queer is to resist norms, and to live as a queer person inherently means to stand apart from the majority, incurring curiosity and perhaps even fear in others. The queer existence then is one often fraught with pain and violence, to face prejudice on account of one’s differences, and a constant search … Continue reading ★★★★☆ Review: PEARLS by Joshua Serafin (CAN 2024)

★★★★☆ Review: Magic Maids by Eisa Jocson and Venuri Perera (CAN 2024)

Collision course of the monstrous and magical elements of femininity, prejudice and Britney Spears. From the moment one enters the Esplanade Annexe Studio for Magic Maids, there is the sense that we are participating in something sacred or ritualistic. Hanging from the back wall is an armoury of brooms of various lengths and types, while above us, white and red string is layered and arranged … Continue reading ★★★★☆ Review: Magic Maids by Eisa Jocson and Venuri Perera (CAN 2024)

★★★★☆ Review: TOTEM – Void and Height by Sankai Juku (CAN 2024)

Finding beauty in horror and grief, as we make meaning against the inevitable. The name of Japanese dance form butoh originates from ‘ankoku butō’, or ‘dance of darkness’. While never conforming to any specific definition, the spirit of butoh is precisely couched in the idea of resistance and counterculture, an avant garde movement that refused to use formal dance techniques, and often dealing with taboo … Continue reading ★★★★☆ Review: TOTEM – Void and Height by Sankai Juku (CAN 2024)

Review: Streams Where Deer Drink by Sigma Contemporary Dance

Immersive dance experience ponders over memory and form, utilising space and projections to transform a space into a bastion of dreams. The beauty of dance often lies in the way the performers move and adapt to their chosen space and soundtrack, transforming their bodies to elevate the space and turn mere atmosphere into a complete experience. In Sigma Contemporary Dance’s newest work, the contemporary dance … Continue reading Review: Streams Where Deer Drink by Sigma Contemporary Dance