M1 Singapore Fringe 2025: An Interview with Noor Effendy Ibrahim and Ruby Jayaseelan on ‘Dancing with the Ghost of My Child’

Can the arts heal pain? In tackling issues such as vulnerability, trauma and the desire to heal, the students of the BA (Hons) in Performance Making programme at Nanyang Academy of Fine Arts are attempting to do just that, in Dancing with the Ghost of My Child in January. Playing as part of the M1 Singapore Fringe Festival 2025, the devised work is led by … Continue reading M1 Singapore Fringe 2025: An Interview with Noor Effendy Ibrahim and Ruby Jayaseelan on ‘Dancing with the Ghost of My Child’

M1 Singapore Fringe 2025: An Interview with Siren Theatre Co. on ‘The End of Winter’

‘The End of Winter’ sounds like the stuff of fairytales, something that some kind of supernatural, fantastical villain plots to do away with snow forever. But the truth is, with rapid climate change and global warming, that could well be a reality before we know it, particularly in Australia, where the people truly feel the heat, with warmer and shorter winters each year. How do … Continue reading M1 Singapore Fringe 2025: An Interview with Siren Theatre Co. on ‘The End of Winter’

da:ns focus – Out of Site: An Interview with choreographer Rachid Ouramdane on ‘Corps extrêmes’ and staging the power of the human spirit

In a feature article on French choreographer Rachid Ouramdane, New York Times arts critic Gia Kourlas described him as ‘the choreographer bringing hope to the stage and beyond’. It’s a big title to live up to, but one that Rachid lives up to and carries well, particularly with his work Corps extrêmes. Playing at the Esplanade this weekend as part of their da:ns focus – … Continue reading da:ns focus – Out of Site: An Interview with choreographer Rachid Ouramdane on ‘Corps extrêmes’ and staging the power of the human spirit

★★★★★ Review: Invisible Habitudes《看不见的归属》(2024) by T.H.E Dance Company

Searching, finding, longing, connection. In an increasingly fractured world, our own identity can enter a state of flux, where we no longer feel comfortable at home, and the familiar becomes strange. It becomes difficult when we’re constantly shouted at from all fronts, yelled at to listen to someone else’s opinion, when we haven’t even settled on our own. In exploring that, T.H.E Dance Company explores … Continue reading ★★★★★ Review: Invisible Habitudes《看不见的归属》(2024) by T.H.E Dance Company

Review: Still In Motion by RAW Moves

Let the water flow, and find peace in the shared soundscape. If dance is all about movement – is it possible to find it even within stillness? That is the central question at the heart of Still In Motion, a collaborative, immersive performance by Andy Lee from Unlock Dancing Plaza (Hong Kong) alongside Matthew Goh from RAW Moves (Singapore). Central to the performance is the … Continue reading Review: Still In Motion by RAW Moves

da:ns focus – Out of Site: An Interview with choreographer Hwa Wei-An on the power of falling, and what keeps him going

To make art is to live life dangerously and vulnerably, consistently putting one’s creativity and a part of one’s self up and subject it to as much criticism as awe and adoration. For Malaysian choreographer Hwa Wei-An, that danger comes very literally, and plays out prominently in his solo dance piece A Reason For Falling, which plays this December as a part of the Esplanade’s … Continue reading da:ns focus – Out of Site: An Interview with choreographer Hwa Wei-An on the power of falling, and what keeps him going

Preview: 2025 M1 Singapore Fringe Festival to tackle themes of displacement across seven local and international works

The annual Singapore Fringe Festival, organised by The Necessary Stage (TNS) has become an institution for independent theatremakers both locally and internationally to present their work, providing a platform for them to stage provocative, cutting-edge performances that deal with pertinent discussions in society and about those on the margins. Now in its 21st edition, watch as Fringe 2025 tackles the theme of displacement, from people … Continue reading Preview: 2025 M1 Singapore Fringe Festival to tackle themes of displacement across seven local and international works

Preview: da:ns focus – Out of Site by Esplanade

In the final edition of da:ns focus this year, the Esplanade presents da:ns focus – Out of Site, a weekend of dance performances that foregrounds the intersection of extreme sports and dance. Presented from 6 – 8 December, it’s time to break new ground as these programmes consider how sites of extreme sports function as catalysts for dialogues with risk that unlock new thresholds and stir … Continue reading Preview: da:ns focus – Out of Site by Esplanade

Arts of Hong Kong: 3rd Sai Kung Hoi Arts Festival Narrates the Past and Present of Sai Kung

HONG KONG – The Sai Kung Hoi Arts Festival, organised by the Tourism Commission, supported by the Hong Kong Geopark and curated by One Bite Design Studio will be held from 13th November, 2024 to 12th January, 2025. Following last year’s accolades, including the Singapore Good Design Award 2024 (Experience Design category) and the Golden Pin Design Award 2024 (Integration Design category), this year’s Festival … Continue reading Arts of Hong Kong: 3rd Sai Kung Hoi Arts Festival Narrates the Past and Present of Sai Kung

The Necessary Stage calls for urgent donor support to continue annual Singapore Fringe Festival in 2026 and beyond

Each year, The Necessary Stage has been consistently curating and bringing together a plethora of local and international fringe performance work that becomes the Singapore Fringe Festival, calling to attention urgent issues affecting community and society. After a successful 2024 edition, the 2025 edition of the Singapore Fringe Festival will mark M1’s final year as its dedicated donor, after 20 years of support. The Necessary … Continue reading The Necessary Stage calls for urgent donor support to continue annual Singapore Fringe Festival in 2026 and beyond