Review: FACADE – Two Parallel Lives by Bhaskar’s Arts Academy

Resolving the line between the personal and the professional. Over the years, Bhaskar’s Arts Academy has consistently pushed and evolved the Bharatanatyam form, yet always maintaining its core tenets and philosophy. In their latest production, Bhaskar’s Arts Academy brings back resident choreographer Neewin Hershall’s FACADE – Two Parallel Lives, the first time it’s been staged since its premiere in 2017, and showcases the company’s ability … Continue reading Review: FACADE – Two Parallel Lives by Bhaskar’s Arts Academy

Connect Asia Now: An Interview with Joshua Serafin on healing, spirituality and the cosmos in ‘PEARLS’

Multidisciplinary artist Joshua Serafin is a force to be reckoned with. The 28-year old is already making waves across the festival circuit, with their provocative, viscerally-charged work often leaving a deep emotional impact on viewers as they reel from the sheer force of it. From performing at the Venice Biennale in 2024, to receiving nominations for the 2023 ANTI Festival International Prize for Live Art … Continue reading Connect Asia Now: An Interview with Joshua Serafin on healing, spirituality and the cosmos in ‘PEARLS’

Connect Asia Now: An Interview with Eisa Jocson and Venuri Perera on broomsticks, witchcraft and domestic work in ‘Magic Maids’

Artists and choreographers Eisa Jocson (Philippines) and Venuri Perera (Sri Lanka) may both hail from the same continent, but it took both of them being at a residency in Switzerland to finally properly befriend and begin working together. “We’ve met here and there in various places over the years, and I’ve been a fan of Eisa for some time now,” says Venuri. “But it was … Continue reading Connect Asia Now: An Interview with Eisa Jocson and Venuri Perera on broomsticks, witchcraft and domestic work in ‘Magic Maids’

Preview: da:ns focus – Connect Asia Now (CAN) 2024 by Esplanade

In the Esplanade’s latest edition of their da:ns focus series, they’re turning the attention back to Asia with a series of programmes for 2024’s Connect Asia Now (CAN). The annual programme is a dedicated platform that sees the Esplanade supporting artists from the region and introducing their work to Singapore audiences, connecting them to each other to advance Asia’s contemporary dance scene together. This year, … Continue reading Preview: da:ns focus – Connect Asia Now (CAN) 2024 by Esplanade

Preview: FACADE – Two Parallel Lives by Bhaskar’s Arts Academy

“The lights on myself, the suspension of time as I move, the applause or criticisms after – for all the world to witness. I am likened to Shiva on stage. But how much of that matters off stage? Who am I really when the lights are gone?” Following successful premieres in Chennai, India in February 2017 and Singapore in May 2017, FAÇADE is set to … Continue reading Preview: FACADE – Two Parallel Lives by Bhaskar’s Arts Academy

Review: Elusive — a double bill by T.H.E Dance Company

T.H.E double bill explores themes of transience and extreme opposites. Dance is often seen as an art form that pushes performers to their physical limits, and if it’s one company that knows how to do that while shaping the human form into art in motion, it’s T.H.E Dance Company. Presenting a double bill as part of their 2024 edition of the cont·act Contemporary Dance Festival, … Continue reading Review: Elusive — a double bill by T.H.E Dance Company

Review: Dance at Dusk (2024) by T.H.E Dance Company

Two excerpts that showcase the beauty of contemporary dance against the waterfront and Singapore skyline. T.H.E Dance Company’s Dance at Dusk series has long been a key component of their cont·act Contemporary Dance Festival, making contemporary dance feel accessible for first timers, complete with Grace Lee-Khoo and sign interpreter Shawn ensuring greater inclusivity, while also showing off the technical and creative elements honed to a … Continue reading Review: Dance at Dusk (2024) by T.H.E Dance Company

Preview: Elusive — a double bill by T.H.E Dance Company

Bringing this year’s cont·act Contemporary Dance Festival to a close is Elusive — a double bill by T.H.E Dance Company. Playing at the DBS Foundation Outdoor Theatre, the work comprises two brand new choreographies from acclaimed international artists. The first of these is Chorales by Kim Jae Duk (South Korea), who is also T.H.E’s Resident Choreographer. Chorales focuses on Kim’s perspective of the body and its beauty, while … Continue reading Preview: Elusive — a double bill by T.H.E Dance Company

★★★★☆ Review: REFUGE by The Observatory

Multisensory journey transporting audiences to Perak’s Lenggong Valley, in all its natural and mystical beauty. Modern Singapore rarely leaves much space or opportunity for truly connecting with nature. As much as we tout ourselves as a garden city, green spaces are often integrated into the urban landscape, rather than allowed to simply grow amok, or we lack older geological formations teeming with life. So if … Continue reading ★★★★☆ Review: REFUGE by The Observatory

★★★☆☆ Review: Wilful Machine by Genevieve Chua

Pondering a future of machine self-awareness, as it reflects on humanity. If machines could talk, what might they say of humans – their makers? Genevieve Chua’s new work Wilful Machine imagines and brings that to life, using a combination of architecture, multimedia and dance, as it premiered at the Singapore International Festival of Arts 2024. Situated at Artspace @ Helutrans at Tanjong Pagar Distripark, audiences … Continue reading ★★★☆☆ Review: Wilful Machine by Genevieve Chua