da:ns focus 2025: FL/OW (The FULL OUT Weekend)

Singapore’s street dance calendar has never been busier—but every two years, one weekend stands out. From 11–14 December 2025, Esplanade – Theatres on the Bay brings back FL/OW (The FULL OUT Weekend) for its second edition, promising four days of adrenaline-fuelled movement, artistic innovation, and community celebration. As part of da:ns focus, FL/OW is more than a festival—it’s a reflection of how far Singapore’s street … Continue reading da:ns focus 2025: FL/OW (The FULL OUT Weekend)

★★★★★ Dance Review: Nederlands Dans Theater (NDT 2) in Singapore

Triptych of dance work from one of the world’s foremost dance companies firmly establishes each choreographer as an auteur, as they comment on community and belonging. Nederlands Dans Theater (NDT 2), one of the world’s foremost contemporary dance companies, returned to Singapore with a programme that reaffirmed why they occupy such a singular place in the global dance landscape. Whether through their deep choreographic lineage … Continue reading ★★★★★ Dance Review: Nederlands Dans Theater (NDT 2) in Singapore

da:ns focus: An Interview with Nederlands Dans Theater artistic director Emily Molnar on rigour, collaboration and the joy of platforming new voices

Ten years on from their last tour here, Nederlands Dans Theater 2 (NDT 2) returns to the Esplanade this season with a trio of works that Artistic Director Emily Molnar describes as “a programme that truly shows where we’re at.” For Molnar, bringing NDT 2 back to Singapore is “an absolute pleasure,” and the triple bill, featuring works by Alexander Ekman, Botis Seva, and Marcos … Continue reading da:ns focus: An Interview with Nederlands Dans Theater artistic director Emily Molnar on rigour, collaboration and the joy of platforming new voices

★★★★☆ Dance Review: Chapter 2 by Pichet Klunchun

ChatGPT becomes a conversation partner, co-creator and dramaturg in Pichet Klunchun’s new show. Artificial Intelligence (AI) has rapidly developed to the point where it can hold conversations, generate images, and even craft videos. But as it increasingly encroaches on the arts, one question lingers: can AI dance? For Thai dancer, choreographer and khon master Pichet Klunchun, the answer is a tentative yes. In his newest … Continue reading ★★★★☆ Dance Review: Chapter 2 by Pichet Klunchun

★★★★☆ Dance Review: Softmachine – The Return by Choy Ka Fai

Choy Ka Fai reunites five artists to reflect on change, growth, and their relationship to body and the world. The world in 2015 was a very different place. Since then, politics, pandemics, technology, and society at large have shifted dramatically, but so have each of us, for better or worse. Yet one thing remains constant: our individuality and the human drive to innovate. This is … Continue reading ★★★★☆ Dance Review: Softmachine – The Return by Choy Ka Fai

★★★★☆ Dance Review: U>N>I>T>E>D by Chunky Move

The future of human evolution is on display as man and machine meld into a cohesive whole. In a world where art is often dismissed as derivative, Melbourne-based dance company Chunky Move continues to prove that originality is alive and well. Their latest work, U>N>I>T>E>D, conceived and choreographed by Artistic Director Antony Hamilton, pushes audiences into new imaginative territory, conjuring visions of what humanity might … Continue reading ★★★★☆ Dance Review: U>N>I>T>E>D by Chunky Move

U>N>I>T>E>D: An Interview with Chunky Move Artistic Director Antony Hamilton on mythology, machinery and materiality in movement

When audiences step into U>N>I>T>E>D, the latest work from Melbourne-based company Chunky Move, they can expect to enter an entirely different world and an unfamiliar dimension. Think of a machine-mystical landscape where human bodies become mythic creatures, animatronic forms pulse with uncanny life, and the air vibrates with the furious ritual of Balinese noise-duo Gabber Modus Operandi. It’s dance, but something entirely different from how … Continue reading U>N>I>T>E>D: An Interview with Chunky Move Artistic Director Antony Hamilton on mythology, machinery and materiality in movement

Chapter 2: An Interview with Thai dancer and choreographer Pichet Klunchun on dancing with shadows and what AI reveals about being human

Twenty years ago, Pichet Klunchun’s solo performance I AM A DEMON announced him as one of Thailand’s most daring choreographers. Created in 2005 to commemorate the third death anniversary of his beloved teacher, Master Chaiyot Khummanee, the piece became a landmark work. Pichet now revisits that landmark work, as the Thai dancer-choreographer prepares to premiere the spiritual sequel, Chapter 2, at Esplanade – Theatres on … Continue reading Chapter 2: An Interview with Thai dancer and choreographer Pichet Klunchun on dancing with shadows and what AI reveals about being human

SoftMachine – The Return: An Interview with Choy Ka Fai on a decade of collaboration, innovation, and the future of Asian contemporary dance

When artist Choy Ka Fai reflects on his collaborators, his language meanders like a dance itself; improvisatory, sudden shifts, and heartfelt pauses. “In the arts scene, no matter how close or friendly you are, it’s rare to remain friends and collaborators,” he says. “Which is why SoftMachine is such a rarity. We premiered it in 2015 with four solos, and toured two of them all … Continue reading SoftMachine – The Return: An Interview with Choy Ka Fai on a decade of collaboration, innovation, and the future of Asian contemporary dance

Preview: da:ns focus – CAN – Connect Asia Now (2025) by Esplanade

The third edition of the Esplanade – Theatres on the Bay’s da:ns focus – Connect Asia Now (CAN) takes place over a weekend this September, presenting three works that push the boundaries of dance, and uniting the unique perspectives of artists from the Asia Pacific. Imagining the future through dance, watch as Antony Hamilton, Choy Ka Fai and Pichet Klunchun reimagine the limitations and potentials of physical … Continue reading Preview: da:ns focus – CAN – Connect Asia Now (2025) by Esplanade