U>N>I>T>E>D: An Interview with Chunky Move Artistic Director Antony Hamilton on mythology, machinery and materiality in movement

When audiences step into U>N>I>T>E>D, the latest work from Melbourne-based company Chunky Move, they can expect to enter an entirely different world and an unfamiliar dimension. Think of a machine-mystical landscape where human bodies become mythic creatures, animatronic forms pulse with uncanny life, and the air vibrates with the furious ritual of Balinese noise-duo Gabber Modus Operandi. It’s dance, but something entirely different from how … Continue reading U>N>I>T>E>D: An Interview with Chunky Move Artistic Director Antony Hamilton on mythology, machinery and materiality in movement

SoftMachine – The Return: An Interview with Choy Ka Fai on a decade of collaboration, innovation, and the future of Asian contemporary dance

When artist Choy Ka Fai reflects on his collaborators, his language meanders like a dance itself; improvisatory, sudden shifts, and heartfelt pauses. “In the arts scene, no matter how close or friendly you are, it’s rare to remain friends and collaborators,” he says. “Which is why SoftMachine is such a rarity. We premiered it in 2015 with four solos, and toured two of them all … Continue reading SoftMachine – The Return: An Interview with Choy Ka Fai on a decade of collaboration, innovation, and the future of Asian contemporary dance

Preview: da:ns focus – CAN – Connect Asia Now (2025) by Esplanade

The third edition of the Esplanade – Theatres on the Bay’s da:ns focus – Connect Asia Now (CAN) takes place over a weekend this September, presenting three works that push the boundaries of dance, and uniting the unique perspectives of artists from the Asia Pacific. Imagining the future through dance, watch as Antony Hamilton, Choy Ka Fai and Pichet Klunchun reimagine the limitations and potentials of physical … Continue reading Preview: da:ns focus – CAN – Connect Asia Now (2025) by Esplanade

★★★★★ Review: Lived Fiction by Stopgap Dance Company

More than just a showcase of accessibility, Stopgap Dance Company elevates inclusivity to an artform of the future. For years, accessibility in the performing arts has too often carried an unfortunate association with charity—where the presence of disabled artists on stage is seen as a benevolent gesture rather than a celebration of creative excellence, where artists and companies are assumed to be platforming disabled artists … Continue reading ★★★★★ Review: Lived Fiction by Stopgap Dance Company

Preview: da:ns focus – EveryBody (2025) by Esplanade

The third edition of da:ns focus – EveryBody by Esplanade – Theatres on the Bay returns next week, from 9th to 13th April, and as with previous editions, aims to break boundaries and show that dance is for everyone and every body, with no need for a ‘perfect’ body to participate in the beautiful art form of dance. Launched in 2023, EveryBody presents high-quality performances and experiences centred … Continue reading Preview: da:ns focus – EveryBody (2025) by Esplanade

Arts & Disability Forum 2025: Redefining Accessibility to Enhance Inclusive Participation and Creation in the Arts

Organised by Arts & Disability (ART:DIS) Singapore, with the support of the National Arts Council (NAC), the 6th edition of the Arts & Disability Forum (ADF) returns from 25 – 29 March 2025 with a regional focus, expanding discussions on the arts and accessibility informed by diverse voices across the region and in Singapore to explore key trends and evolving models of practice. Enriching, empowering … Continue reading Arts & Disability Forum 2025: Redefining Accessibility to Enhance Inclusive Participation and Creation in the Arts

★★★★☆ Review: A Super Happy Story (About Feeling Super Sad) by SRT’s The Young Company

Agony underneath confetti, this is a play that speaks of the universal pain we hide under a smile. Growing up is never easy, and it often feels like we’re trapped in a world only we know, when no one else seems to understand the pains of adolescence. But for some, that pain mutates into something much more horrifying, with the spectre of mental health and … Continue reading ★★★★☆ Review: A Super Happy Story (About Feeling Super Sad) by SRT’s The Young Company

Review: Meet Fred by SRT’s Inclusive Young Company

An earnest, metatheatrical exploration of what it means to not belong. Produced by Hijinx, in association with Blind Summit, Meet Fred is a metatheatrical, devised work by Singapore Repertory Theatre’s (SRT) Inclusive Young Company (IYC) that follows the titular puppet, Fred (voiced brilliantly by Shea Chiang). One day, Fred gains sentience and realises that life is a lot more complicated than he bargains for. For one … Continue reading Review: Meet Fred by SRT’s Inclusive Young Company

An Interview with director Peter Sau and costume designer Max Tan, of ART:DIS’s musical ‘Chachambo:Taking Flight’

The draw of nostalgia has always been powerful, as we reminisce over the heyday of Singapore’s past, when lives were slower and simpler, and people were happier. Thinking back to yesteryear, we can only imagine the heady dancing that went on at entertainment clubs like New World, Great World and Gay World, where people could fully be themselves without judgment. But under our rose-tinted lenses, … Continue reading An Interview with director Peter Sau and costume designer Max Tan, of ART:DIS’s musical ‘Chachambo:Taking Flight’

An Interview with Claire Teo, playwright of ART:DIS’s ‘Chachambo:Taking Flight’

Filled with riveting drama, nostalgic songs and catchy dance numbers, be transported to the swinging ’60s of Singapore with Chachambo: Taking Flight. An original musical theatre production written and performed by an inclusive and intergenerational cast, Chachambo marks one of the biggest undertakings by non-profit organisation ART:DIS, which seeks to create learning and livelihood opportunities for persons with disabilities in the arts. This is by no … Continue reading An Interview with Claire Teo, playwright of ART:DIS’s ‘Chachambo:Taking Flight’