Artists and technologists collaborate for the first edition of the Performing Arts x Tech Lab with new experiences for audiences

This April, the Performing Arts x Tech Lab (Lab) will launch an Industry Sharing at the Esplanade Annexe Studio till 13 April 2024 for the public, potential partners and adopters to experience new possibilities in performance creation. This marks the completion of the nine-month long incubation, organised by the National Arts Council (NAC) in partnership with Esplanade – Theatres on the Bay (Esplanade).  The Industry … Continue reading Artists and technologists collaborate for the first edition of the Performing Arts x Tech Lab with new experiences for audiences

★★★★☆ Review: Hi, Can You Hear Me? by The Necessary Stage

Hell lies somewhere between a bar and a breakout room. Considering that we live in a world ravaged by war, beset by pandemics, and face unprecedented climate change that brings with it the assurance of disaster, it’s not entirely surprising that something eventually breaks inside us from how overwhelming it can all be. But when faced with such existential anxiety – do we end up … Continue reading ★★★★☆ Review: Hi, Can You Hear Me? by The Necessary Stage

Esplanade Chairman Lee Tzu Yang to hand over baton to Lim Ming Yan from 1 Apr 2024

After 21 years of serving The Esplanade Co Ltd, first as a Board Member since 2003 and as its Chairman from January 2015, Lee Tzu Yang will be stepping down on 31 Mar 2024. Lim Ming Yan, current Deputy Chairman of Esplanade and Chairman of the Singapore Business Federation, will assume chairmanship from 1 Apr 2024. Mr Lim Ming Yan is an Independent/Non-Executive Director on … Continue reading Esplanade Chairman Lee Tzu Yang to hand over baton to Lim Ming Yan from 1 Apr 2024

Preview: Sim Yan Ying and Renee Yeong complete their TRIP journey with two new shows this April at the Esplanade Theatre Studio

After making their The Studios debuts in 2023 under Esplanade – Theatres on the Bay’s TRIP programme for early career directors to showcase their work, Sim Yan Ying “YY” and Renee Yeong are back this April to each present a brand new work to round off their journey. In 2023, YY presented Joel Tan’s No Particular Order, while Renee presented Michelle Tan’s I Am Trying … Continue reading Preview: Sim Yan Ying and Renee Yeong complete their TRIP journey with two new shows this April at the Esplanade Theatre Studio

Review: Traversing by Ding Yi Music Company

Resounding start to their season in Ding Yi’s diverse exploration of modern Chinese music. In Ding Yi’s opening concert of 2024, the Chinese chamber music ensemble starts off by fusing both East and West with Traversing, uniting international musicians, composers, and conductors to present a new side to Chinese music that goes beyond time and cultural boundaries. Conducted by Resident Conductor Wong De Li, Dedric, … Continue reading Review: Traversing by Ding Yi Music Company

Preview: da:ns focus – EveryBody 2024 by Esplanade – Theatres on the Bay

Come April, get ready for the 2024 edition of the Esplanade’s da:ns focus – EveryBody, with an inclusive weekend of dance, challenging the conventional idea of a dancing body and redefining what is possible in dance and in life. Through EveryBody, come watch and join a diverse selection of artists and participants in showing how everyone and every body is capable of dance, with plenty … Continue reading Preview: da:ns focus – EveryBody 2024 by Esplanade – Theatres on the Bay

★★★★★ Review: Falling by Pangdemonium!

Stunning revival shines spotlight on the difficulty of caregiving. It is the natural tendency of every parent to shower their own child with unconditional love. But there are times that love is tested and pushed to its limits, when faced with nigh impossible circumstances facing a family. One example might be bringing up a child on the autism spectrum, often requiring additional care, attention and … Continue reading ★★★★★ Review: Falling by Pangdemonium!

Of Disasters and Carrying On: An Interview with co-directors A Yagnya and Alvin Tan on The Necessary Stage’s ‘Hi, Can You Hear Me?’

There are days the COVID-19 pandemic feels like a distant fever dream, a time where everyone was touting the ‘new normal’ when it seemed we would never wake from it. But as suddenly as it came, everything seemed to disappear again when we opened up to the world again, and we entered a new era of chaos. Previously glued to our phones, we saw countries … Continue reading Of Disasters and Carrying On: An Interview with co-directors A Yagnya and Alvin Tan on The Necessary Stage’s ‘Hi, Can You Hear Me?’

★★★☆☆ Review: Transplant 《移心》by The Finger Players and RUDRA

The family that sins together, stays together. In the Chinese classic anthology Liaozhai (Strange Tales from a Chinese Studio), the short stories often focused on portraying the social norms of the time through a supernatural lens. Even in modern interpretations of the text, it remains a key source of inspiration for social commentary and what it means to live, resulting in director/playwright Oliver Chong’s continued … Continue reading ★★★☆☆ Review: Transplant 《移心》by The Finger Players and RUDRA

★★★★☆ Review: Dance a Dance from My Body by Esplanade – Theatres on the Bay and National Kaohsiung Center for the Arts Weiwuying

The beauty of diversity in motion. There is always something exciting about an artistic collaboration between two distinct groups of people, be they from different companies, mediums or even places of origin, as they discover points of connection and difference. In the case of Esplanade – Theatres on the Bay and National Kaohsiung Center for the Arts Weiwuying co-production Dance a Dance From My Body, … Continue reading ★★★★☆ Review: Dance a Dance from My Body by Esplanade – Theatres on the Bay and National Kaohsiung Center for the Arts Weiwuying