★★★★★ Review: ART by Godot Theatre Company

Fragile friendship torn asunder by abstract art. Category Score (out of 10) Direction (Liang Chi-Ming) 10 Script (Yasmina Reza) 9 Performance (Pu Hsueh-Liang, Chu Chung Heng and Tseng Kuo Chen) 10 Stage Design (Nieh Kuang-Yen) 8 Costume Design (Chin Ping-Ping) 8 Lighting Design (Tsao An-Huei) 8 Music Composition/Arrangement (Chen Kao-Hwa) 8 Total 61/70 (87%) Final Score: ★★★★★ No matter how many times we’ve watched ART, … Continue reading ★★★★★ Review: ART by Godot Theatre Company

Huayi 2023: An Interview with Lee Yi-Hsiu and Hsu Shu-Hui of La Cie MaxMind

The most fragile of cultural heritage is often the intangible, lying in customs, traditions and art forms that need to be passed down from generation to generation for survival. And as time goes by, too many of these practices are lost. Taiwanese arts company La Cie MaxMind hopes to preserve at least one of these traditions with the shows they put on. This week, they’re … Continue reading Huayi 2023: An Interview with Lee Yi-Hsiu and Hsu Shu-Hui of La Cie MaxMind

Huayi 2023: 13 Tongues by Cloud Gate Dance Theatre (Preview)

Cloud Gate Dance Theatre is perhaps one of Taiwan’s most well-regarded contemporary arts companies, producing countless quality dance works since being founded in 1973. Combining a plethora of dance and movement forms, from qi gong to martial arts, modern dance to ballet, the company blends the traditional and contemporary as it brings its productions to the world. In their first performance in Singapore since the … Continue reading Huayi 2023: 13 Tongues by Cloud Gate Dance Theatre (Preview)

Huayi 2023: An Interview with Liang Chi-Ming, director of Godot Theatre Company’s ‘ART’

Over this first weekend of the Esplanade’s 2023 Huayi- Chinese Festival of Arts, the ongoing theme seems to be friendship, with headliner shows Two men, ten years later and Godot Theatre Company’s ART both dealing with the difficulties and nuances of navigating long-term friendships. And it makes perfect sense too – after all, in a world fraught with conflict, we need more friendships built on … Continue reading Huayi 2023: An Interview with Liang Chi-Ming, director of Godot Theatre Company’s ‘ART’

Huayi 2023: An Interview with best friends Chen Wu-kang and Su Wei-chia, co-creators of ‘Two men, ten years later’ (两男常罩)

In spite of countless life events, in spite of differing artistic directions and career trajectories, in spite of battling a global pandemic and even life-threatening illness, Taiwanese dancers Chen Wu-kang and Su Wei-chia have remained best friends for 30 years now. Ever since co-founding the company HORSE in 2004, the two have also collaborated on numerous projects, including the experimental work 2 men (2012), which … Continue reading Huayi 2023: An Interview with best friends Chen Wu-kang and Su Wei-chia, co-creators of ‘Two men, ten years later’ (两男常罩)

Preview: Huayi – Chinese Festival of Arts 2023 by Esplanade – Theatres on the Bay

The Esplanade’s Huayi – Chinese Festival of Arts has always been a gateway to the region’s best Chinese arts, from China to Hong Kong, Taiwan to of course, Singapore. In the next edition, running from 27th January to 5th February, the festival coincides with the Year of the Rabbit, full of positivity and wit, as the Esplanade welcomes audiences to discover new worlds, make memories … Continue reading Preview: Huayi – Chinese Festival of Arts 2023 by Esplanade – Theatres on the Bay

Review: RATA – new grounds, new sounds by RATA Orkestra and Esplanade – Theatres on The Bay

New forms of composition for a new year. In a year that has seen the world emerge from the wake of a global pandemic, lies an opportunity to reimagine our practices and interactions. In many ways, the RATA Orkestra is a group that represents that first step into a new future, with an eclectic band of musicians led by Safuan Johari presenting new music through … Continue reading Review: RATA – new grounds, new sounds by RATA Orkestra and Esplanade – Theatres on The Bay

★★★★☆ Review: MILIEU 2022 by Frontier Danceland

Double bill of new introspective dance work looking at coexistence and cultural traditions. In the new edition of Frontier Danceland’s signature MILIEU programme, veteran female choreographers Low Mei Yoke (Singapore), Irene Kalbusch (Belgium) and Loke Soh Kim (Malaysia) produce and choreograph two intimate reflections on the interconnections of identity, place and culture, as they look towards the future, paying attention to what’s happening on the … Continue reading ★★★★☆ Review: MILIEU 2022 by Frontier Danceland

★★★★★ Review: Stream of Memory by Papermoon Puppet Theatre and Esplanade – Theatres on The Bay

Excellent puppetry immerses audience members in a mystical river. Category Score (out of 10) Direction (Maria Tri Sulistyani) 9 Performance 9 Puppet Design / Puppet Engineers (Iwan Effendi / Anton Fajri and Muhammad Alhaq) 10 Choreography (Dapheny Chen) 8 Music and Sound Design (Yennu Ariendra) 8 Lighting Design (James Tan) 8 Multimedia (Gilang Kusuma) 8 Costume Design (Retno Intiani) 8 Total 68/80 (85%) Final Score: … Continue reading ★★★★★ Review: Stream of Memory by Papermoon Puppet Theatre and Esplanade – Theatres on The Bay

★★★★☆ Review: Between 5 Cows and the Deep Blue Sea by A Yagnya (Kalaa Utsavam 2022)

Interrogating the confused, multi-faceted identity of the modern Indian woman in a meta, self-reflexive play. Category Score (out of 10) Direction (A Yagnya and Alvin Tan) 6 Script (A Yagnya) 6 Performance (Indumathi Tamilselvan and Kewal Kartik) 8 Costumes (Max Tan) 8 Set (Chan Silei) 7 Lighting (Faith Liu Yong Huay) 8 Multimedia (Jevon Chandra) 9 Sound (Jevon Chandra) 8 Total 60/80 (75%) Final Score: … Continue reading ★★★★☆ Review: Between 5 Cows and the Deep Blue Sea by A Yagnya (Kalaa Utsavam 2022)