Huayi 2023: An Interview with best friends Chen Wu-kang and Su Wei-chia, co-creators of ‘Two men, ten years later’ (两男常罩)

In spite of countless life events, in spite of differing artistic directions and career trajectories, in spite of battling a global pandemic and even life-threatening illness, Taiwanese dancers Chen Wu-kang and Su Wei-chia have remained best friends for 30 years now. Ever since co-founding the company HORSE in 2004, the two have also collaborated on numerous projects, including the experimental work 2 men (2012), which … Continue reading Huayi 2023: An Interview with best friends Chen Wu-kang and Su Wei-chia, co-creators of ‘Two men, ten years later’ (两男常罩)

Preview: Huayi – Chinese Festival of Arts 2023 by Esplanade – Theatres on the Bay

The Esplanade’s Huayi – Chinese Festival of Arts has always been a gateway to the region’s best Chinese arts, from China to Hong Kong, Taiwan to of course, Singapore. In the next edition, running from 27th January to 5th February, the festival coincides with the Year of the Rabbit, full of positivity and wit, as the Esplanade welcomes audiences to discover new worlds, make memories … Continue reading Preview: Huayi – Chinese Festival of Arts 2023 by Esplanade – Theatres on the Bay

Review: RATA – new grounds, new sounds by RATA Orkestra and Esplanade – Theatres on The Bay

New forms of composition for a new year. In a year that has seen the world emerge from the wake of a global pandemic, lies an opportunity to reimagine our practices and interactions. In many ways, the RATA Orkestra is a group that represents that first step into a new future, with an eclectic band of musicians led by Safuan Johari presenting new music through … Continue reading Review: RATA – new grounds, new sounds by RATA Orkestra and Esplanade – Theatres on The Bay

★★★★☆ Review: MILIEU 2022 by Frontier Danceland

Double bill of new introspective dance work looking at coexistence and cultural traditions. In the new edition of Frontier Danceland’s signature MILIEU programme, veteran female choreographers Low Mei Yoke (Singapore), Irene Kalbusch (Belgium) and Loke Soh Kim (Malaysia) produce and choreograph two intimate reflections on the interconnections of identity, place and culture, as they look towards the future, paying attention to what’s happening on the … Continue reading ★★★★☆ Review: MILIEU 2022 by Frontier Danceland

★★★★★ Review: Stream of Memory by Papermoon Puppet Theatre and Esplanade – Theatres on The Bay

Excellent puppetry immerses audience members in a mystical river. Category Score (out of 10) Direction (Maria Tri Sulistyani) 9 Performance 9 Puppet Design / Puppet Engineers (Iwan Effendi / Anton Fajri and Muhammad Alhaq) 10 Choreography (Dapheny Chen) 8 Music and Sound Design (Yennu Ariendra) 8 Lighting Design (James Tan) 8 Multimedia (Gilang Kusuma) 8 Costume Design (Retno Intiani) 8 Total 68/80 (85%) Final Score: … Continue reading ★★★★★ Review: Stream of Memory by Papermoon Puppet Theatre and Esplanade – Theatres on The Bay

★★★★☆ Review: Between 5 Cows and the Deep Blue Sea by A Yagnya (Kalaa Utsavam 2022)

Interrogating the confused, multi-faceted identity of the modern Indian woman in a meta, self-reflexive play. Category Score (out of 10) Direction (A Yagnya and Alvin Tan) 6 Script (A Yagnya) 6 Performance (Indumathi Tamilselvan and Kewal Kartik) 8 Costumes (Max Tan) 8 Set (Chan Silei) 7 Lighting (Faith Liu Yong Huay) 8 Multimedia (Jevon Chandra) 9 Sound (Jevon Chandra) 8 Total 60/80 (75%) Final Score: … Continue reading ★★★★☆ Review: Between 5 Cows and the Deep Blue Sea by A Yagnya (Kalaa Utsavam 2022)

RATA – new grounds, new sounds: An Interview with director Safuan Johari

In the blink of an eye, another year has gone by, and we’ll soon be saying goodbye to 2022. But before the year ends, sound artist and music producer Safuan Johari will be concluding it with a bang, as he and the Esplanade premiere the RATA Orkestra this December. Rounding off the Esplanade’s In New Light season of commissioned work at the newly opened Singtel … Continue reading RATA – new grounds, new sounds: An Interview with director Safuan Johari

Preview: Voices – A Festival of Song by Esplanade – Theatres on the Bay

The Esplanade’s Voices – A Festival of Song returns from 1st to 4th December, commemorating its 10th edition alongside Esplanade – Theatres on the Bay’s 20th anniversary. Celebrating song and voice in all forms, Voices once again brings together a multitude of types of singing from choral, opera and a cappella to pop, musical theatre and xinyao. Over the weekend, watch as every corner of … Continue reading Preview: Voices – A Festival of Song by Esplanade – Theatres on the Bay

★★★☆☆ Review: Kingdoms Apart by Chong Tze Chien and Esplanade – Theatres on The Bay

Held back by the weight of its ambition in this valiant but problematic new staging of The Mahabharata. Category Score (out of 10) Direction (Chong Tze Chien) 6 Script (Chong Tze Chien) 6 Performance 7 Set Design (Eucien Chia) 7 Sound Design (Darren Ng) 8 Lighting Design (James Tan) 8 Costumes/Hair/Makeup (Yuan Zhiying & Jacqueline Teo/Ashley Lim/Bobbie Ng) 5 Multimedia (Koo Chia Meng) 7 Puppetry … Continue reading ★★★☆☆ Review: Kingdoms Apart by Chong Tze Chien and Esplanade – Theatres on The Bay

Kalaa Utsavam 2022: An Interview with Playwright/Director A Yagnya on ‘Between 5 Cows and the Deep Blue Sea’

When theatremaker A Yagnya’s play Between 5 Cows and the Deep Blue Sea was given a dramatised reading in 2020, we praised it as ‘relatable, fun and poignant’, impressed and hoping for it to receive a full staging at some point. 2 years later, and that staging is finally happening, as part of the Esplanade’s 2022 Kalaa Utsavam – Indian Festival of Arts. Written and … Continue reading Kalaa Utsavam 2022: An Interview with Playwright/Director A Yagnya on ‘Between 5 Cows and the Deep Blue Sea’