Tag: events

Arts, Esplanade Theatre Studio, Review, Theatre, Theatres

★★★★☆ Review: This Song Father Used To Sing (Three Days In May) by Wichaya Artamat

A closer look at ordinary life that carries on in spite of the extraordinary. Thai writer-director Wichaya Artamat claims that his play This Song Father Used To Sing (Three Days In May) is an unpolitical play. But can any play truly be completely devoid of any political attachment? Rounding off the Esplanade’s 2024 season of The Studios, This Song Father Used To Sing (Three Days … Continue reading ★★★★☆ Review: This Song Father Used To Sing (Three Days In May) by Wichaya Artamat

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Arts, Review, Theatre

★★★☆☆ Review: One Day We’ll Understand 有那么一天​ by Sim Chi Yin

Performance-lecture on biased historiography and hidden knowledge urges us to critically reconstruct our interpretations to formulate our own version of the truth. The Malayan Emergency in the late 1940s continues to remain a traumatic memory for many Chinese Malaysians, where families would recall relatives hurriedly leaving the country, or worse – hauled away for questioning over suspected Communist relations, and never seen again, at least, … Continue reading ★★★☆☆ Review: One Day We’ll Understand 有那么一天​ by Sim Chi Yin

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Arts, Review, Theatre

★★★★☆ Review: Rhapsody in Yellow by Ming Wong

A deeper look at USA-China relations and their respective histories through a musical lens. The relationship between China and America has always been a fraught one, due to their inherent competition as fellow superpowers vying for influence, and their opposing ideologies. But it is when no compromise can be made that softer approaches come into play, that is, through means such as sports and the … Continue reading ★★★★☆ Review: Rhapsody in Yellow by Ming Wong

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Arts, Interview, Preview, Theatre

Esplanade’s The Studios 2024: An Interview with director/playwright Wichaya Artamat and producer Sasapin Siriwanij on ‘This Song Father Used To Sing (Three Days In May)’

Fathers in Asian society have always had certain stereotypes associated with them – a sense of the austere, reserved and detached from openly expressing love for their children, and perhaps, even as a microcosm of the greater paternalistic, patriarchal governance style adopted by those in power. In many ways, a father is often an anchor within a family that determines their relations and dynamics, resulting … Continue reading Esplanade’s The Studios 2024: An Interview with director/playwright Wichaya Artamat and producer Sasapin Siriwanij on ‘This Song Father Used To Sing (Three Days In May)’

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Arts, Interview, Preview, Theatre

Esplanade’s The Studios 2024: An Interview with artist Sim Chi Yin on ‘One Day We’ll Understand’ (有那么一天​)

For artist Sim Chi Yin, history has always formed an integral part of her work and practice. Be it presented in the form of photography or film or even book-making, Sim’s work often takes her into the recent past, excavating and researching into academia and accounts to unearth previously hidden narratives. Through her artistic interventions, she paints a more complete picture of what has come … Continue reading Esplanade’s The Studios 2024: An Interview with artist Sim Chi Yin on ‘One Day We’ll Understand’ (有那么一天​)

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Arts, Preview, Theatre

Esplanade’s The Studios 2024: An Interview with artist Ming Wong on music, nationalism and diplomacy in ‘Rhapsody in Yellow’

If human relationships are complicated, then geopolitical ones are manifold more, particularly when it’s between two global superpowers. Such is the nature of the rising tensions between the USA and China, who have never had an easy time navigating their complex differences, rivalry and connections, playing hot and cold. It may seem like a heavy topic, but one Singaporean artist has found inspiration in the … Continue reading Esplanade’s The Studios 2024: An Interview with artist Ming Wong on music, nationalism and diplomacy in ‘Rhapsody in Yellow’

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Arts, Children's Theatre, Nine Years Theatre, Preview

Phinny & Wally: An Interview with writer/director Cherilyn Woo on Nine Years Theatre’s foray into children’s theatre

For years, local theatre company Nine Years Theatre has been producing original and adapted works in Mandarin, primarily targeted at adults, and showcasing the beauty and art of the Chinese language. But this July, they’re breaking new ground and attempting to bring in a completely different demographic of audience – children. Kicking off this new initiative is original production Phinny & Wally, set to premiere … Continue reading Phinny & Wally: An Interview with writer/director Cherilyn Woo on Nine Years Theatre’s foray into children’s theatre

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Arts, Concert, Preview, Theatre

Great SISTIC Sale 2024: Get tickets to the hottest shows at up to 50% off

The highly anticipated Great SISTIC Sale (GSS) returns this July, taking place from 17 – 21 July 2024.  Featuring a wide range of participating events, the GSS offers ticket buyers discounts of up to 50% off. This is the perfect opportunity for arts, culture, and entertainment enthusiasts to secure great deals on award-winning shows such as Miss Saigon, alongside a variety of other live performances including concerts, musicals, theatre productions, and more.  In … Continue reading Great SISTIC Sale 2024: Get tickets to the hottest shows at up to 50% off

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Arts, festival, Preview, Singapore

Preview: Singapore Night Festival 2024 – Art of Play

The Singapore Night Festival (SNF) returns to the Bras Basah.Bugis (BBB) precinct for its 15th edition this year, bigger than ever! Happening from 23 August to 7 September 2024, the festival will take place over three weekends for the first time. Organised by the National Heritage Board (NHB), and supported by Lead Sponsor Samsung Singapore, Singapore’s largest nocturnal experience takes festival-goers on a journey to … Continue reading Preview: Singapore Night Festival 2024 – Art of Play

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Arts, Review, Theatre

★★★★☆ Review: Air by Drama Box

Portrait of a disappearing community told with sincerity and creativity through documentary verbatim theatre. Documentary and verbatim theatre can be a tricky genre to stage, requiring actors to embody and speak on the behalf of interviewees, rather than featuring them as in a documentary film. Particularly when it comes to marginalised groups, verbatim theatre runs the risk of bordering on appropriation, and even exploitation if … Continue reading ★★★★☆ Review: Air by Drama Box

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