Nine Years Theatre’s First Fleet (第一舰队): An Interview with Director Nelson Chia
Following FAUST/US earlier this year, Nine Years Theatre returns this week for their second production of the year – an original work about the first British fleet to step foot onto […]
Preview: First Fleet (第一舰队) by Nine Years Theatre
Nine Years Theatre (NYT) is back for their second production of the year with the all new First Fleet. Written by NYT Artistic Director Nelson Chia, First Fleet draws inspiration from Thomas Keneally’s […]
Review: FAUST/US (浮世/德) by Nine Years Theatre
Lest the demons get to me. Written by Johann Wolfgang von Goethe in the early 1800s, there is a timelessness to the narrative and themes discussed in Faust that have led […]
Dealing with the Devil: An Interview with Performer Mia Chee and Director Cherilyn Woo of Nine Years Theatre’s FAUST/US (浮世/德)
This March, Nine Years Theatre (NYT) opens their 2019 season with what is now their signature style of adapting a Western text into Mandarin, this time around having selected Goethe’s Faustus, the […]
Preview: FAUST/US (浮世/德) by Nine Years Theatre
“I often feel like there are two souls living in me. One with an overwhelming zest with love for life, desperately clinging onto the world and all its wonders, the […]
Nine Years Theatre’s Lear Is Dead 李尔亡: An Interview with Nelson Chia and Timothy Wan
There is more than a passing similarity to Shakespeare’s King Lear and a certain recently deceased leader from our very own country. Besides being former heads of a nation and […]
Preview: Lear Is Dead (李尔亡) by Nine Years Theatre
“We used to think power is our life’s goal, forgetting that wisdom is what our lives are founded upon.” Following their reimagination of Strindberg’s Miss Julie earlier this year, Nine Years […]
Macao Arts Festival 2018: An Interview with Choreographer Cheng Tsung-lung (Cloud Gate 2)
Closing off the 29th edition of the annual Macao Arts Festival is Taiwanese dance company Cloud Gate 2 with their performance 13 Tongues. First commissioned for the Taiwan International Festival of Arts […]
Review: Pissed Julie (茱莉小解) by Nine Years Theatre
Strindberg’s classic is re-appropriated to complicate issues of identity and the mutability of class in this new adaptation. In watching Nelson Chia’s adaptation of August Strindberg’s Miss Julie, there’s a scene from late […]
Preview: Pissed Julie (茱莉小解) by Nine Years Theatre
Fresh from a successful premiere at the 2018 Macau Arts Festival, Nine Years Theatre (NYT) is flying back to Singapore to present their newest production Pissed Julie. Initially proposed by artistic […]
Preview: Macao Arts Festival 2018
In April and May this year, the Macao Arts Festival returns for an entire month to bring together the region and the world’s best arts. Now in its 29th edition, […]
Huayi 2018: Cut Kafka! (咔嚓卡夫卡!) by Nine Years Theatre and T.H.E. Dance Company (Review)
Nine Years Theatre and T.H.E. Dance Company take audiences on a nightmarish journey that explores the chaos within our minds. When Nine Years Theatre and T.H.E. Dance Company come together, […]
Huayi 2018: Cut Kafka! by Nine Years Theatre and T.H.E. Dance Company (Preview)
In a company first, leading arts companies Nine Years Theatre joins forces with T.H.E. Dance Company to produce an all new physical theatre/movement piece inspired by the works of author […]
SIFA 2017: Art Studio by Nine Years Theatre (Review)
Based off Yeng Pway Ngon’s 2012 Singapore Literature Prize-winning novel of the same name, Nine Years Theatre once again has a real winner on their hands with their theatrical adaptation […]
SIFA 2017: Art Studio by Nine Years Theatre (Preview)
This year, the Singapore International Festival of the Arts (SIFA) opens with local theatre company Nine Years Theatre’s premiere of Art Studio. Directed by Nelson Chia and adapted from Cultural Medallion […]
Review: Fundamentally Happy by Nine Years Theatre [Studios 2017]
Wait a minute, a collaboration between Nine Years Theatre and Haresh Sharma? You didn’t just misread that. First presented in 2006 by The Necessary Stage in its original English language, […]
